| # | Title | Artist | Rating | Length |
|---|
| A1 | Rock’n Me | Steve Miller Band | 4.7 | 3:06 |
| A2 | Long Cool Woman (In a Black Dress) | The Hollies | 4.15 | 3:19 |
| A3 | I Want You to Want Me- recording engineer:
- 鈴木智雄 (from 1978-04-28 until 1978-04-30)
- assistant engineer:
- Mike Beriger
- engineer:
- Gary Ladinsky
- producer:
- Cheap Trick and Jack Douglas
- mixer:
- Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1977), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Nippon Budokan in Kitanomaru Kōen (from 1978-04-28 until 1978-04-30)
- mixed at:
- The Record Plant in Midtown Manhattan (in 1978)
- live recording of:
- I Want You to Want Me (from 1978-04-28 until 1978-04-30)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Copyright Control , EMI Music Publishing , Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 3.85 | 3:42 |
| A4 | Takin’ Care of Business | Bachman Turner Overdrive | 4.25 | 4:53 |
| A5 | Isn’t It Time | The Babys | 5 | 3:26 |
| A6 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) and Capitol Records, LLC (in 1997)
- recorded at:
- Record One in Sherman Oaks (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:50 |
| A7 | Help Is on the Way- assistant engineer:
- John Hodge
- engineer:
- Ross Cockle and Paul Grupp
- producer:
- John Boylan and Little River Band
- bass:
- George McArdle (in 1977-03)
- drums (drum set):
- Derek Pellicci (in 1977-03)
- guitar:
- Beeb Birtles (in 1977-03) and David Briggs (in 1977-03)
- piano:
- Peter Sullivan (in 1977-03)
- vocals:
- Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) and Glenn Shorrock (in 1977-03)
- phonographic copyright (℗) by:
- EMI Music Australia (in 1972, in 1977, in 2002), EMI (Australia) Limited (in 1976, in 1977), EMI Music Australia Pty. Limited (in 1976, in 1977), Capitol Records, Inc. (in 1977), Liberty Records (in 1977) and Capitol Records Ltd. (in 1989)
- produced for:
- Tumbleweed Productions
- recorded at:
- Armstrong Audio/Video in Melbourne and Armstrong Audio Video in Melbourne (in 1977-03)
- mixed at:
- Westlake Audio in Los Angeles
- recording of:
- Help Is on Its Way (in 1977-03)
- lyricist and composer:
- Glenn Shorrock
- publisher:
- Australian Tumbleweed Music, Copyright Control , EMI Music Publishing Ltd. , Screen Gems–EMI Music, Inc. , Tumbleweed Music Pty. Ltd., Warner Chappell Music , Warner/Chappell Music Ltd. , Warner/Chappell Pty. Ltd., WB Music Corp. and Wheatley Music Pty Ltd.
| Little River Band | 3.35 | 4:05 |
| A8 | Hold the Line- recording engineer:
- Dana Latham, Gabe Veltri and Tom Knox
- assistant engineer:
- Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
- engineer and mixer:
- Tom Knox
- producer:
- Bruce Dickinson and Toto
- bass:
- David Hungate and Michael Porcaro
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- guitar:
- Steve Lukather
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Jeffrey Porcaro and Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Jean-Michel Byron and Bobby Kimball (in 1978-08)
- vocals:
- Bobby Kimball, David Paich, Steve Lukather and Steve Porcaro
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. , Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 4.2 | 4:00 |
| B1 | More Than a Feeling- assistant engineer:
- Bruce Hensal, Deni King and Doug Rider
- engineer:
- Warren Dewey and Tom Scholz
- producer:
- John Boylan and Tom Scholz
- assistant mixer:
- Steve Hodge
- acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
- Tom Scholz (from 1975 until 1976)
- drums (drum set) and percussion:
- Sib Hashian (from 1975 until 1976)
- lead vocals and lead vocals [Harmony]:
- Brad Delp (from 1975 until 1976)
- arranger:
- Brad Delp and Tom Scholz
- co-arranger:
- Jim Masdea
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- Foxglove Studios in Watertown (in 1975), Capitol Studios in Hollywood (in 1976) and The Record Plant in Hollywood (in 1976)
- mixed at:
- Westlake Audio in Los Angeles
- earliest release:
- More Than a Feeling by Boston
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 63), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
- recording of:
- More Than a Feeling (from 1975 until 1976)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 3.9 | 4:45 |
| B2 | Show Me the Way | Peter Frampton | | 4:05 |
| B3 | Fooled Around and Fell in Love | Elvin Bishop Group | 4.5 | 3:00 |
| B4 | Long Train Running | The Doobie Brothers | | 3:29 |
| B5 | Layla | Derek & the Dominos | 4.45 | 7:06 |
| B6 | Ramblin’ Man | Allman Brothers Band | 4.55 | 4:48 |
| B7 | Smokin’ in the Boys Room | Brownsville Station | 5 | 2:58 |
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