Ella Fitzgerald Sings the Rodgers and Hart Song Book

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

This double cd release contains 14 bonus tracks (in cd 2), 20-page booklet and 24 bit remaster

Anmerkung zuletzt geändert am 2016-12-05 11:59 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Have You Met Miss Jones?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1956-08-30)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
3:47
2You Took Advantage of Me
recorded in:
Los Angeles (am 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Trompete:
Ray Linn (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood (am 1956-08-31)
cover recording of:
You Took Advantage of Me (am 1956-08-31)
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:33
3A Ship Without a Sail
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
A Ship Without a Sail (am 1956-08-30)
Texter:
Lorenz Hart (in 1929)
Komponist(in):
Richard Rodgers (composer) (in 1929)
4:13
4To Keep My Love Alive
recorded in:
Los Angeles (am 1956-08-30)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
To Keep My Love Alive (am 1956-08-30)
Orchestrator(in):
Don Walker (orchestrator)
Texter:
Lorenz Hart (in 1943)
Komponist(in):
Richard Rodgers (composer) (in 1943)
Teil von:
A Connecticut Yankee
3:40
5Dancing on the Ceiling
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood (am 1956-08-31)
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (am 1956-08-31)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
4:12
6The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.653:27
7With a Song in My Heart
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
With a Song in My Heart (am 1956-08-30)
Texter:
Lorenz Hart (in 1929)
Komponist(in):
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
52:50
8Manhattan
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-29)
cover recording of:
Manhattan (am 1956-08-29)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:54
9Johnny One Note
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-28)
cover recording of:
Johnny One Note (am 1956-08-28)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
Teil von:
Babes in Arms (full musical)
42:18
10I Wish I Were in Love Again
Techniker(in):
Val Valentin (am 1956-08-28)
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-28)
cover recording of:
I Wish I Were in Love Again (am 1956-08-28)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
2:42
11Spring Is Here
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
Spring Is Here (am 1956-08-30)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
3:44
12It Never Entered My Mind
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
It Never Entered My Mind (am 1956-08-30)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:12
13This Can’t Be Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood (am 1956-08-21)
cover recording of:
This Can’t Be Love (am 1956-08-21)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
3:00
14Thou Swell
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-29)
cover recording of:
Thou Swell (am 1956-08-29)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:09
15My Romance
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
My Romance (am 1956-08-30)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
53:48
16Where or When
recorded in:
Los Angeles (am 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-31)
Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-31)
Englischhorn [English horn]:
Bob Cooper (US jazz saxophonist) (am 1956-08-31)
flute:
Jule Kinzler (am 1956-08-31)
Gitarre:
Barney Kessel (am 1956-08-31)
Klarinette:
Abe Most (am 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-31)
Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-31)
Schlagzeug:
Alvin Stoller (am 1956-08-31)
Trompete:
Ray Linn (am 1956-08-31)
Waldhorn:
Vince DeRosa (am 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-31)
conductor:
Buddy Bregman (am 1956-08-31)
arranger:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood (am 1956-08-31)
cover recording of:
Where or When (from “Babes in Arms”) (am 1956-08-31)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
2:53
17Little Girl Blue
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
flute:
Bob Cooper (US jazz saxophonist) (am 1956-08-30), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30), Bud Shank (am 1956-08-30) und Maurice Stein (American jazz saxophonist) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
Waldhorn:
Vince DeRosa (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
recording of:
Little Girl Blue (am 1956-08-30)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
3:55
18Give It Back to the Indians
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-28)
cover recording of:
Give It Back to the Indians (am 1956-08-28)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
3:17
19Ten Cents a Dance
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-28)
cover recording of:
Ten Cents a Dance (am 1956-08-28)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
Teil von:
Simple Simon
4:12
20There’s a Small Hotel
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-29)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (am 1956-08-29)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
2:54
21I Didn’t Know What Time It Was
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-29)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1956-08-29)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:52
22Ev’rything I’ve Got
recorded in:
Los Angeles (von 1956-08-21 bis 1956-08-31)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (von 1956-08-21 bis 1956-08-31)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bassposaune:
George Roberts (american bass trombone) (von 1956-08-21 bis 1956-08-31)
Flügelhorn:
Vince DeRosa (von 1956-08-21 bis 1956-08-31)
flute und Saxophon:
Bob Cooper (US jazz saxophonist) (von 1956-08-21 bis 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (von 1956-08-21 bis 1956-08-31), Bud Shank (von 1956-08-21 bis 1956-08-31) und Maurice Stein (American jazz saxophonist) (von 1956-08-21 bis 1956-08-31)
Gitarre:
Barney Kessel (von 1956-08-21 bis 1956-08-31)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1956-08-21 bis 1956-08-31)
Posaune:
Milt Bernhart (von 1956-08-21 bis 1956-08-31), Joe Howard (american trombone player) (von 1956-08-21 bis 1956-08-31) und Lloyd Ulyate (von 1956-08-21 bis 1956-08-31)
Schlagzeug:
Alvin Stoller (von 1956-08-21 bis 1956-08-31)
Trompete:
Pete Candoli (von 1956-08-21 bis 1956-08-31), Maynard Ferguson (von 1956-08-21 bis 1956-08-31), Conrad Gozzo (von 1956-08-21 bis 1956-08-31) und Ray Linn (von 1956-08-21 bis 1956-08-31)
vocals:
Ella Fitzgerald (American jazz singer) (von 1956-08-21 bis 1956-08-31)
conductor:
Buddy Bregman (von 1956-08-21 bis 1956-08-31)
arranger:
Buddy Bregman
cover recording of:
Ev’rything I’ve Got (von 1956-08-21 bis 1956-08-31)
Texter:
Lorenz Hart (in 1942)
Komponist(in):
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:27
23I Could Write a Book
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass:
Joe Mondragon (am 1956-08-30)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-30)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-30) und Edgar Lustgarten (am 1956-08-30)
Englischhorn [English horn] und Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-08-30)
Flügelhorn:
Vince DeRosa (am 1956-08-30)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-30)
Gitarre:
Barney Kessel (am 1956-08-30)
Harfe:
Corky Hale (am 1956-08-30)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-30)
Schlagzeug:
Alvin Stoller (am 1956-08-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-30)
conductor:
Buddy Bregman (am 1956-08-30)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio B in Hollywood (am 1956-08-30)
cover recording of:
I Could Write a Book (am 1956-08-30)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
43:42
2▶CD

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urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Essential Jazz Classics (in 2014)