Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▼CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
#TitleArtistRatingLength
1“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 1. Chorus: “Gott fähret auf mit Jauchzen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, I. Coro "Gott fähret auf mit Jauchzen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:12
2“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 2. Recitative (tenor): “Es will der Höchste sich ein Siegsgepräng bereiten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, II. Recitativo (Tenore) "Es will der Höchste sich ein Siegsgepräng bereiten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:49
3“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 3. Aria (tenor): “Ja tausend mal tausend begleiten den Wagen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, III. Aria (Tenore) "Ja tausend mal tausend begleiten den Wagen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:05
4“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 4. Recitative (soprano): “Und der Herr, nachdem er mit ihnen geredet hatte”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, IV. Recitativo (Soprano) "Und der Herr, nachdem er mit ihnen geredet hatte" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:19
5“Gott fähret auf mit Jauchzen”, BWV 43: First Part. 5. Aria (soprano): “Mein Jesus hat nunmehr das Heilandwerk vollendet”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil I, V. Aria (Soprano) "Mein Jesus hat nunmehr" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:00
6“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 6. Recitative (bass): “Es kommt der Helden Held”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VI. Recitativo (Basso) "Es kommt der Helden Held" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
7“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 7. Aria (bass): “Er ists, der ganz allein die Kelter hat getreten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VII. Aria (Basso) "Er ists, der ganz allein die Kelter hat getreten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:39
8“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 8. Recitative (alto): “Der Vater hat ihm ja ein ewig Reich bestimmet”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, VIII. Recitativo (Alto) "Der Vater hat ihm ja ein ewig Reich bestimmet" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:38
9“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 9. Aria (alto): “Ich sehe schon im Geist”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, IX. Aria (Alto) "Ich sehe schon im Geist" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach3:02
10“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 10. Recitative (soprano): “Er will mir neben sich die Wohnung zubereiten”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, X. Recitativo (Soprano) "Er will mir neben sich die Wohnung zubereiten" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach0:37
11“Gott fähret auf mit Jauchzen”, BWV 43: Second Part. 11. Chorale: “Du Lebensfürst, Herr Jesu Christ”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen": Teil II, XI. Choral "Du Lebensfürst, Herr Jesu Christ" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 81)
part of:
Kantate, BWV 43 "Gott fähret auf mit Jauchzen"
Johann Sebastian Bach2:13
12“Auf Christi Himmelfahrt allein”, BWV 128: 1. Chorus: “Auf Christi Himmelfahrt allein”
recording engineer and balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": I. Coro "Auf Christi Himmelfahrt allein" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach4:32
13“Auf Christi Himmelfahrt allein”, BWV 128: 2. Recitative (tenor): “Ich bin bereit, komm, hold mich!”
recording engineer and balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": II. Recitativo (Tenor) "Ich binn bereit, komm, hole mich!" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach0:49
14“Auf Christi Himmelfahrt allein”, BWV 128: 3. Aria & Recitative (bass): “Auf, auf, mit hellem Schall”
recording engineer and balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
bass vocals:
Reinhard Hagen (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": III. Aria e Recitativo (Bass) "Auf, auf, mit hellem Schall" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach3:23
15“Auf Christi Himmelfahrt allein”, BWV 128: 4. Aria (alto, tenor): “Sein Allmacht zu ergründen”
recording engineer and balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
countertenor vocals [alto]:
Robin Blaze (countertenor) (in 1999-04)
tenor vocals:
Christoph Genz (tenor) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1999-04)
live recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": IV. Aria (Duetto Alt, Tenor) "Sein Allmacht zu ergründen" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach6:47
16“Auf Christi Himmelfahrt allein”, BWV 128: 5. Chorale: “Alsdann so wirst du mich zu deiner Rechten stellen”
recording engineer and balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
executive producer:
David R. Murray
producer:
Mark Howells (classical producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1999-04)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1999-04)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1999-04)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1999-04)
recording of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein": V. Choral "Alsdann so wirst du mich" (in 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 279)
part of:
Kantate, BWV 128 "Auf Christi Himmelfahrt allein"
Johann Sebastian Bach1:09
17“Wer da gläubet und getauft wird”, BWV 37: 1. Chorus: “Wer da gläubet und getauft wird”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": I. Coro "Wer da gläubet und getauft wird, der wird selig werden" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:19
18“Wer da gläubet und getauft wird”, BWV 37: 2. Aria (tenor): “Der Glaube ist das Pfand der Liebe”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": II. Aria (Tenore) "Der Glaube ist das Pfand der Liebe" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach5:36
19“Wer da gläubet und getauft wird”, BWV 37: 3. Chorale (soprano, alto): “Herr Gott Vater, mein starker Held!”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": III. Choral (Soprano, Alto) "Herr Gott Vater, mein starker Held!" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:35
20“Wer da gläubet und getauft wird”, BWV 37: 4. Recitative (bass): “Ihr Stereblichen, verlanget ihr”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": IV. Recitativo (Basso) "Ihr Sterblichen, verlanget ihr" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach0:54
21“Wer da gläubet und getauft wird”, BWV 37: 5. Aria (bass): “Der Glaube schafft der Seele Flügel”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": V. Aria (Basso) "Der Glaube schafft der Seele Flügel" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach2:49
22“Wer da gläubet und getauft wird”, BWV 37: 6. Chorale: “Den Glauben mir verleihe an dein' Sohn Jesus Christ”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Kantate, BWV 37 "Wer da gläubet und getauft wird": VI. Choral "Den Glauben mir verleihe" (in 1993-10)
lyricist:
Johannes Kolrose (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 178)
part of:
Kantate, BWV 37 "Wer da gläubet und getauft wird"
Johann Sebastian Bach1:12
23“Lobet Gott in seinen Reichen”, BWV 11: 1. Chorus: “Lobet Gott in seinen Reichen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:38
24“Lobet Gott in seinen Reichen”, BWV 11: 2. Recitative (tenor): “Der Herr Jesus hub seine Hände auf”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:28
25“Lobet Gott in seinen Reichen”, BWV 11: 3. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:56
26“Lobet Gott in seinen Reichen”, BWV 11: 4. Aria (alto): “Ach, bleibe doch, mein liebstes Leben”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
countertenor vocals [alto]:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach7:50
27“Lobet Gott in seinen Reichen”, BWV 11: 5. Recitative (tenor): “Und ward aufgehoben zusehends”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:27
28“Lobet Gott in seinen Reichen”, BWV 11: 6. Chorale: “Nun lieget alles unter dir”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (in 1993-10)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:26
29“Lobet Gott in seinen Reichen”, BWV 11: 7a. Recitative (tenor, bass): “Und da sie ihm nachsahen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1993-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:48
30“Lobet Gott in seinen Reichen”, BWV 11: 7b. Recitative (alto): “Ach ja! so komme blad zurück”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
alto vocals:
Michael Chance (British countertenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:34
31“Lobet Gott in seinen Reichen”, BWV 11: 7c. Recitative (tenor): “Sie aber beteten ihn an”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:38
32“Lobet Gott in seinen Reichen”, BWV 11: 8. Aria (soprano): “Jesu, deine Gnadenblicke”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
soprano vocals:
Nancy Argenta (soprano) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:14
33“Lobet Gott in seinen Reichen”, BWV 11: 9. Chorale: “Wenn soll es doch geschehen”
recording engineer:
Klaus Behrend (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-10)
balance engineer:
Rainer Maillard
recorded at:
All Saints Church (Tooting, London) in London (Greater London) (in 1993-10)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (in 1993-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:14
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]