Winter’s Tale

~ Release by Hans Zimmer & Rupert Gregson‐Williams (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Look Closely
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Look Closely
composer:
Ann Marie Calhoun, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer & Rupert Gregson‐Williams6:08
2It’s the Ripples That Give the Work Meaning
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
It's the Ripples That Give the Work Meaning
composer:
Bob Badami, Halli Cauthery and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams & Halli Cauthery2:29
3Rise Up
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Rise Up
composer:
Bob Badami, David Buckley (English score composer), Ann Marie Calhoun, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer & Rupert Gregson‐Williams2:04
4Hello You Beauty
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Hello You Beauty
composer:
Bob Badami and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams2:32
5What’s the Best Thing You’ve Ever Stolen?
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
What's the Best Thing You've Ever Stolen?
composer:
Ann Marie Calhoun, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer & Rupert Gregson‐Williams1:43
6I Love Blood on the Snow
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
I Love Blood on the Snow
composer:
Bob Badami and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams6:43
7Princess Bed
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Princess Bed
composer:
Bob Badami and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams2:20
8Can You Hear Your Heart?
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Can You Hear Your Heart?
composer:
Ann Marie Calhoun, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer & Rupert Gregson‐Williams4:14
9This Isn’t Right
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
This Isn't Right
composer:
Bob Badami and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams4:01
10You Don’t Quit Me, Boy
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
You Don't Quit Me, Boy
composer:
Bob Badami, Halli Cauthery and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams & Halli Cauthery3:46
11Light as a Feather
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Light as a Feather
composer:
Bob Badami and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams7:42
12She Was Like a Bright Light
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
She Was Like a Bright Light
composer:
Bob Badami, Ann Marie Calhoun, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer & Rupert Gregson‐Williams1:36
13The Girl With the Red Hair
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
The Girl With the Red Hair
composer:
Bob Badami, David Buckley (English score composer) and Rupert Gregson-Williams (English score composer)
Rupert Gregson‐Williams & David Buckley4:05
14Becoming Stars
recording engineer:
Alan Meyerson
orchestra:
Hollywood Studio Symphony
conductor:
Nick Glennie‐Smith
recorded at:
Newman Scoring Stage in Century City
recording of:
Becoming Stars
composer:
Bob Badami, Ann Marie Calhoun, Halli Cauthery, Rupert Gregson-Williams (English score composer) and Hans Zimmer (German score composer)
Hans Zimmer, Rupert Gregson‐Williams & Halli Cauthery10:07
15Miracle
additional recording engineer:
Adam Bourns
assistant recording engineer:
Sam Petts‐Davies (recording engineer and editor)
recording engineer and mixer:
Ian Dowling
programming and producer:
KT Tunstall
percussion, piano and synthesizer:
KT Tunstall
vocals:
KT Tunstall
KT Tunstall4:32

Credits

Release

mastering:Gavin Lurssen (American mastering engineer)