Dad Dancing: The Ultimate Party Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1(Is This the Way to) Amarillo
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1972) und JTC Music (in 2001)
recording of:
Is This the Way to Amarillo
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie23:11
2Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley
mixed at:
Electric Lady Studios in Greenwich Village
additionally produced at:
Bearsville Studios in Bearsville
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52s4.25:21
3Hey Baby
phonographisches Urheberrecht (℗) von:
Pro Sound GmbH (von 2000 bis 2001) und EMI Austria GmbH (in 2001)
Musikvideos:
Hey Baby (taxi version) von DJ Ötzi (Austrian entertainer and schlager singer)
cover recording of:
Hey! Baby (in 2000)
Verfasser(in):
Bruce Channel und Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) und Le Bill Music (in 1961)
DJ Ötzi23:36
4Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.43:59
5Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
6All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill und Trident Studios (London, UK) in Soho
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:13
7The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:26
8I'm Too Sexy
Programmierung und Produzent(in):
Tommy D.
Techniker(in):
Graham Bonnett (Sound Engineer)
Bassgitarre:
Phil Spalding
Gitarre:
Robert Manzoli
Sologesang:
Richard Fairbrass
arranger:
Tommy D.
aufgenommen bei:
Red Bus Studios in London (Greater London)
mixed at:
Joe's Garage (Bristol) in Bristol und Red Bus Studios in London (Greater London)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 475)
recording of:
I’m Too Sexy
Verfasser(in):
Fred Fairbrass, Richard Fairbrass und Robert Manzoli
publisher:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:50
9You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:16
10The Grease Megamix
Sologesang:
Olivia Newton‐John (British‐Australian singer, actress and activist) und John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-Mixer:
Ian Curnow und Phil Harding (engineer, producer and remixer)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-Mix von und Mashup von:
You’re the One That I Want von John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ von John Travolta (American actor and singer) und Summer Nights von John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
Verfasser(in):
Warren Casey, John Farrar und Jim Jacobs
Medley von:
You’re the One That I Want (Grease, 1978 film)
Medley von:
Greased Lightnin’ (Grease, 1971 musical)
Medley von:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:47
11If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood und Criterion Studios in Los Angeles
mixed at:
The Complex Studios in Los Angeles
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.753:51
12Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:27
13Mustang Sally
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1991) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:00
14All Night Long (All Night)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:18
15Addicted to Love
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric "E.T." Thorngren
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Hintergrundgesang:
Benny Diggs und Fonzi Thornton
vocals arranger:
Chaka Khan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer44:21
16Down Down
Produzent(in):
Roger Glover und Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1974), Mercury Records Ltd. (London) (for copyrights use only) (in 1974), Phonogram Ltd. (not for release label use!) (in 1974), Phonogram Ltd. (London) (company name, NOT a label!) (in 1974), Mercury Records Ltd. (UK) (in 1975) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Down Down
geschrieben in:
Los Angeles
Texter:
Francis Rossi
Komponist(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing und Valley Music Ltd (publisher)
Status Quo43:51
17Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:53
18Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London) (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
19Daydream Believer
recording of:
Daydream Believer (in 1968)
Texter und Komponist(in):
John Stewart (singer-songwriter (Kingston Trio))
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:52
20Sex Bomb
Produzent(in):
Mousse T.
Bassgitarre und Horn:
Peter Hinterthür
Hammond-Orgel:
Lutz Krajenski
Horn:
Uwe Granitza
vocals:
Tom Jones (Welsh pop singer)
aufgenommen bei:
Bunk, Junk and Genius in Fulham und Peppermint Park Studios in Hannover
recording of:
Sexbomb (Mousse T. / Errol Rennalls song)
Texter und Komponist(in):
Mousse T. und Errol Rennalls
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tom Jones & Mousse T.53:34
2▶CD

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2006)