Retrospective

~ Release by Rebecca Pidgeon (see all versions of this release, 2 available)

Tracklist

1▼Hybrid SACD
#TitleRatingLength
1Spanish Harlem
recording engineer:
Bob Katz (American engineer)
audio engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
David Finck
cello:
Erik Friedlander (American cellist and composer)
guitar:
Anthony Coote, George Naha and Rebecca Pidgeon
percussion:
Gary Burke
piano:
Joel Diamond (US producer and songwriter)
synthesizer:
Mitch Margold
viola:
Juliet Haffner
violin:
Robert Chausow and Laura Seaton
background vocals:
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis) and Paul Miller
vocals:
Rebecca Pidgeon
arranger:
Joel Diamond (US producer and songwriter)
vocals arranger:
Rebecca Pidgeon
recorded at:
MasterSound Studios in Astoria (from 1994-02-12 until 1994-02-15)
cover recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
3:44
2Underground
phonographic copyright (℗) by:
Chesky Records
recording of:
Underground
lyricist:
David Mamet
composer:
David Mamet and Rebecca Pidgeon
publisher:
Coconut Bay Music (A Division of Chesky Records Inc.)
3:24
3Texas Rangers
assistant recording engineer:
David Windmüller and Doug Melanson
recording engineer:
Barry Wolifson
accordion:
Charles Giordano (American keyboardist and accordionist)
banjo:
Akira Satake
cello:
Tomas Ulrich (US cellist and composer)
fiddle and mandolin:
Johnny Cunningham (Scottish fiddler)
guitar:
George Naha
percussion and snare drum:
Emedin Rivera
tin whistle and uilleann pipes:
Jerry O’Sullivan
vocals:
Rebecca Pidgeon
arranger:
Paul Miller
recorded at:
Master Sound Astoria in Astoria (from 1997-11-17 until 1997-11-20)
cover recording of:
Texas Rangers (not Neil Young)
writer:
[traditional] (special purpose artist)
4:15
424 Hours of Love
recording of:
24 Hours of Love
composer:
Rebecca Pidgeon
publisher:
Coconut Bay Music (A Division of Chesky Records Inc.)
3:58
5Fhear a Bhata
assistant recording engineer:
David Windmüller and Doug Melanson
recording engineer:
Barry Wolifson
accordion:
Charles Giordano (American keyboardist and accordionist)
banjo:
Akira Satake
cello:
Tomas Ulrich (US cellist and composer)
fiddle and mandolin:
Johnny Cunningham (Scottish fiddler)
guitar:
George Naha
percussion and snare drum:
Emedin Rivera
tin whistle and uilleann pipes:
Jerry O’Sullivan
vocals:
Rebecca Pidgeon
arranger:
Paul Miller
recorded at:
Master Sound Astoria in Astoria (from 1997-11-17 until 1997-11-20)
cover recording of:
Fear a’ bhàta (Scots Gaelic original)
lyricist and composer:
[traditional] (special purpose artist)
3:01
6Seven Hours
recording engineer:
Bob Katz (American engineer)
audio engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
David Finck
cello:
Erik Friedlander (American cellist and composer)
guitar:
Anthony Coote, George Naha and Rebecca Pidgeon
percussion:
Gary Burke
piano:
Joel Diamond (US producer and songwriter)
synthesizer:
Mitch Margold
viola:
Juliet Haffner
violin:
Robert Chausow and Laura Seaton
background vocals:
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis) and Paul Miller
vocals:
Rebecca Pidgeon
arranger:
Joel Diamond (US producer and songwriter)
vocals arranger:
Rebecca Pidgeon
recorded at:
MasterSound Studios in Astoria (from 1994-02-12 until 1994-02-15)
recording of:
Seven Hours
lyricist:
David Mamet and Rebecca Pidgeon
composer:
Rebecca Pidgeon
publisher:
Blue Mountain Music Ltd.
4:01
7Primitive Man
recording of:
Primitive Man
composer:
Anthony Coote, David Mamet and Rebecca Pidgeon
4:33
8Kalerka
recording engineer:
Bob Katz (American engineer)
audio engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
David Finck
cello:
Erik Friedlander (American cellist and composer)
guitar:
Anthony Coote, George Naha and Rebecca Pidgeon
percussion:
Gary Burke
piano:
Joel Diamond (US producer and songwriter)
synthesizer:
Mitch Margold
viola:
Juliet Haffner
violin:
Robert Chausow and Laura Seaton
background vocals:
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis) and Paul Miller
vocals:
Rebecca Pidgeon
arranger:
Joel Diamond (US producer and songwriter)
vocals arranger:
Rebecca Pidgeon
recorded at:
MasterSound Studios in Astoria (from 1994-02-12 until 1994-02-15)
recording of:
Kalerka
lyricist and composer:
Rebecca Pidgeon
publisher:
Blue Mountain Music Ltd.
3:03
9The Four Marys
assistant recording engineer:
David Windmüller and Doug Melanson
recording engineer:
Barry Wolifson
accordion:
Charles Giordano (American keyboardist and accordionist)
banjo:
Akira Satake
cello:
Tomas Ulrich (US cellist and composer)
fiddle and mandolin:
Johnny Cunningham (Scottish fiddler)
guitar:
George Naha
percussion and snare drum:
Emedin Rivera
tin whistle and uilleann pipes:
Jerry O’Sullivan
vocals:
Rebecca Pidgeon
arranger:
Paul Miller
recorded at:
Master Sound Astoria in Astoria (from 1997-11-17 until 1997-11-20)
cover recording of:
Mary Hamilton (child ballad 173)
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 79) and Child Ballads (number: 173)
3:06
10Grandmother
recording engineer:
Bob Katz (American engineer)
audio engineer:
David Merrill (recording engineer at Master Sound Astoria; also bass player)
bass:
David Finck
cello:
Erik Friedlander (American cellist and composer)
guitar:
Anthony Coote, George Naha and Rebecca Pidgeon
percussion:
Gary Burke
piano:
Joel Diamond (US producer and songwriter)
synthesizer:
Mitch Margold
viola:
Juliet Haffner
violin:
Robert Chausow and Laura Seaton
background vocals:
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis), Paul Miller, Elise Morris and Stephanie Smothers
vocals:
Rebecca Pidgeon
arranger:
Joel Diamond (US producer and songwriter)
vocals arranger:
Rebecca Pidgeon
recorded at:
MasterSound Studios in Astoria (from 1994-02-12 until 1994-02-15)
recording of:
Grandmother
lyricist and composer:
Rebecca Pidgeon
publisher:
Blue Mountain Music Ltd.
6:34
11MacDougall's Men
assistant recording engineer:
David Windmüller and Doug Melanson
recording engineer:
Sandy Palmer Grassi and Barry Wolifson
accordion:
Charles Giordano (American keyboardist and accordionist)
banjo:
Akira Satake
cello:
Tomas Ulrich (US cellist and composer)
fiddle and mandolin:
Johnny Cunningham (Scottish fiddler)
guitar:
George Naha
percussion and snare drum:
Emedin Rivera
tin whistle and uilleann pipes:
Jerry O’Sullivan
background vocals:
Carolyn Kallis (Carolyn "Coco" Kallis)
vocals:
Rebecca Pidgeon
arranger:
Paul Miller
recorded at:
Master Sound Astoria in Astoria (from 1997-11-17 until 1997-11-20)
recording of:
MacDougall's Men
lyricist and composer:
Carolyn Kallis (Carolyn "Coco" Kallis)
2:41
12Hey How My Johnnie Lad
assistant recording engineer:
David Windmüller and Doug Melanson
recording engineer:
Barry Wolifson
accordion:
Charles Giordano (American keyboardist and accordionist)
banjo:
Akira Satake
cello:
Tomas Ulrich (US cellist and composer)
fiddle and mandolin:
Johnny Cunningham (Scottish fiddler)
guitar:
George Naha
percussion and snare drum:
Emedin Rivera
tin whistle and uilleann pipes:
Jerry O’Sullivan
vocals:
Rebecca Pidgeon
arranger:
Paul Miller
recorded at:
Master Sound Astoria in Astoria (from 1997-11-17 until 1997-11-20)
cover recording of:
Hey How My Johnny Lad
writer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 7148)
2:17
13Auld Lang Syne / Bring It on Home to Me
4:10

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Chesky Records, Inc. (in 2003)