| # | Titolo | Artista | Valutazione | Durata |
|---|
| 1 | String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A | Ludwig van Beethoven | | 0:32 |
| 2 | String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme B | Ludwig van Beethoven | | 0:44 |
| 3 | String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme A | Ludwig van Beethoven | | 0:30 |
| 4 | String Quartet in C Minor, Op. 18, No. 4, fourth movement: Rondo: Theme C | Ludwig van Beethoven | | 2:33 |
| 5 | Don Giovanni, Act I: Introduction (opening scene): Orchestral introduction | Wolfgang Amadeus Mozart | | 3:05 |
| 6 | Don Giovanni, Act I: Introduction (opening scene): String tremolo, the Commandant appears | Wolfgang Amadeus Mozart | | 1:04 |
| 7 | Don Giovanni, Act I: Introduction (opening scene): Andante, "Ah, soccorso!", the Commandant's agonized last gasps | Wolfgang Amadeus Mozart | | 1:09 |
| 8 | Don Giovanni, Act I: Introduction (opening scene): Recitative, accompanied by harpsichord, "Leporello, ove sei?" | Wolfgang Amadeus Mozart | | 0:26 |
| 9 | Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 1a. First theme in orchestra | Wolfgang Amadeus Mozart | | 0:33 |
| 10 | Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 2a. Bridge | Wolfgang Amadeus Mozart | | 0:23 |
| 11 | Piano Concerto in A Major, K. 488, first movement: Allegro: First Exposition: 3a. Second theme | Wolfgang Amadeus Mozart | | 1:08 |
| 12 | Piano Concerto in A Major, K. 488, first movement: Allegro: Second Exposition: 1a. First theme in piano | Wolfgang Amadeus Mozart | | 2:17 |
| 13 | Piano Concerto in A Major, K. 488, first movement: Allegro: Development: 1a. Development theme in strings | Wolfgang Amadeus Mozart | | 1:41 |
| 14 | Piano Concerto in A Major, K. 488, first movement: Allegro: Recapitulation: 1a. First theme in strings | Wolfgang Amadeus Mozart | | 3:01 |
| 15 | Piano Concerto in A Major, K. 488, first movement: Allegro: Candenza: 5c. piano solo | Wolfgang Amadeus Mozart | | 1:34 |
| 16 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 1a. First theme | Ludwig van Beethoven | | 0:21 |
| 17 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 2a. Bridge | Ludwig van Beethoven | | 0:26 |
| 18 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 3a. Second theme | Ludwig van Beethoven | | 0:22 |
| 19 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: 4a. Triumphant melody | Ludwig van Beethoven | | 0:20 |
| 20 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Exposition is repeated | Ludwig van Beethoven | | 1:28 |
| 21 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Development (LO,1-2) | Ludwig van Beethoven | | 1:21 |
| 22 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Recapitulation (LO,1-4) | Ludwig van Beethoven | | 1:38 |
| 23 | Symphony No. 5 in C Minor, Op. 67; first movement: Allegro con brio: Exposition: Coda (LO,1-3) | Ludwig van Beethoven | | 1:39 |
| 24 | Erlkönig: Piano introduction | Franz Schubert | | 0:57 |
| 25 | Erlkönig: Father, "Mein Sohn", low register | Franz Schubert | | 0:08 |
| 26 | Erlkönig: Son, "Siehst, Vater", higher register | Franz Schubert | | 0:26 |
| 27 | Erlkönig: Erlking, "Du liebes Kind", coaxing tune, major | Franz Schubert | | 0:25 |
| 28 | Erlkönig: Son, outcry, "Mein Vater" | Franz Schubert | | 0:41 |
| 29 | Erlkönig: Son, outcry, "Mein Vater", higher than before | Franz Schubert | | 1:40 |
| 30 | Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1a. Main violin melody | Clara Wieck Schumann | | 0:37 |
| 31 | Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A (minor): 1c. Long trills in violin | Clara Wieck Schumann | | 0:10 |
| 32 | Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2a. New soaring phrase beginning with trill | Clara Wieck Schumann | | 0:13 |
| 33 | Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section B (major): 2b. Playful phrase | Clara Wieck Schumann | | 0:52 |
| 34 | Romance in G Minor. for Violin and Piano, Op. 9, No. 2: Section A' (minor): 3a. Main violin melody | Clara Wieck Schumann | | 0:58 |
| 35 | Nocturne in E Flat Major, Op. 9, No. 2: Main melody | Fryderyk Chopin | | 0:25 |
| 36 | Nocturne in E Flat Major, Op. 9, No. 2: Decorated repetition of main melody | Fryderyk Chopin | | 0:27 |
| 37 | Nocturne in E Flat Major, Op. 9, No. 2: Subordinate melody played with rubato | Fryderyk Chopin | | 3:18 |
| 38 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 1a. Rapid falling chords, syncopated fragment | Franz Liszt | | 0:42 |
| 39 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 2a. High lyrical theme in octaves | Franz Liszt | | 0:31 |
| 40 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A: 3. Low "processional theme" | Franz Liszt | | 0:13 |
| 41 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section B: 4a. Sudden p, syncopated main theme varied | Franz Liszt | | 0:38 |
| 42 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Section A': 5. Syncopated main theme | Franz Liszt | | 2:01 |
| 43 | "Transcendental Étude" No. 10 in F Minor: Allegro agitato molto: Coda: 8a. Faster tempo | Franz Liszt | | 0:42 |
| 44 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Introduction | Hector Berlioz | | 1:47 |
| 45 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Idée fixe" as dance tune | Hector Berlioz | | 1:40 |
| 46 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in tubas and bassoons | Hector Berlioz | | 0:32 |
| 47 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": "Dies irae" in quick rhythm | Hector Berlioz | | 1:23 |
| 48 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Fugue subject (witches' dance) | Hector Berlioz | | 2:45 |
| 49 | "Symphonie fantastique", Op. 14; fifth movement: "Dream of a Witches' Sabbath": Witches' dance set against "Dies irae" | Hector Berlioz | | 1:49 |
| 50 | The Moldau: 1a. Two springs | Bedřich Smetana | | 1:01 |
| 51 | The Moldau: 2. The river | Bedřich Smetana | | 1:50 |
| 52 | The Moldau: 3a. Forest hunt | Bedřich Smetana | | 1:04 |
| 53 | The Moldau: 4a. Peasant wedding | Bedřich Smetana | | 1:25 |
| 54 | The Moldau: 5a. Moonlight: dance of water nymphs | Bedřich Smetana | | 3:27 |
| 55 | The Moldau: 7a. The rapids | Bedřich Smetana | | 1:15 |
| 56 | The Moldau: 8. The river at its widest point; river theme in major | Bedřich Smetana | | 1:56 |
| 57 | Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Theme (A) | Johannes Brahms | | 0:17 |
| 58 | Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A: Variation 1 | Johannes Brahms | | 3:00 |
| 59 | Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: B: Variation 12 (B) | Johannes Brahms | | 2:48 |
| 60 | Symphony No. 4 in E Minor, Op. 98, fourth movement: Allegro energetico e passionato: A': Variation 16 (A') | Johannes Brahms | | 4:08 |