Sex, Drugs, Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-08-03).

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  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
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  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2020-08-03 07:12 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1My Body
recording engineer:
Jacob Hansen (Danish record producer/engineer/musician) und Bryan Russell (producer)
assistierende(r) Techniker(in):
Keith Armstrong (US engineer) und Nik Karpen
zusätzliche(r) assistierende(r) Techniker(in):
Andrew Schubert (engineer) und Brad Townsend (engineer)
Koproduzent(in):
Jacob Hansen (Danish record producer/engineer/musician)
Produzent(in):
Rob Caggiano und Volbeat (Danish rock band)
Mix:
Chris Lord‐Alge
zusätzliches Editing:
Bryan Russell (producer)
recording of:
My Body
Texter:
Sameer Gadhia
Komponist(in):
Eric Cannata, François Comtois, Payam Doostzadeh, Sameer Gadhia und Jacob Tilley
Volbeat3:42
2Vagabond
Techniker(in):
Ryan Castle
Produzent(in) und Mix:
David Sardy (American score composer)
Editing:
Andy Brohard
Gast-Perkussion:
David Sardy (American score composer)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Vagabond
Verfasser(in):
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) und Andrew Stockdale
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.33:50
3Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
Techniker(in):
Tony Visconti
Produzent(in):
Thin Lizzy (Irish hard rock band) und Tony Visconti
Akustikgitarre, Bassgitarre und Harfe und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist)
Saxophon:
John Helliwell
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1977)
recording of:
Dancing in the Moonlight (It’s Caught Me in Its Spotlight)
Texter und Komponist(in):
Phil Lynott
publisher:
PolyGram Music Ltd.
Thin Lizzy4.253:28
4Live to Rise
Techniker(in):
Sam Hofstedt und Nate Yaccino
Produzent(in):
Adam Kasper und Soundgarden
Mix:
Joe Barresi (recording engineer, mixer, producer)
Musikvideos:
Live to Rise von Soundgarden
recording of:
Live to Rise
Texter und Komponist(in):
Chris Cornell (Soundgarden lead singer)
publisher:
You Make Me Sick I Make Music (in 2012)
Soundgarden3.74:41
5Everything About You (edited)
Assistent recording engineer:
Jay Baumgardner und Phil Reynolds (Recording engineer)
Techniker(in) und Mix:
Ryan Dorn
Produzent(in):
Ryan Dorn und Ugly Kid Joe
assistierende(r) Mix:
Kyle Bess
Bassgitarre:
Cordell Crockett (in 1991)
Gitarre:
Klaus Eichstadt (in 1991) und Roger Lahr (in 1991)
Klavier:
Carrie Hamilton (in 1991)
membranophone:
Mark Davis (US drummer for Ugly Kid Joe) (in 1991)
Sologesang:
Whitfield Crane (in 1991)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Everything About You (Ugly Kid Joe) (in 1991)
Texter:
Whitfield Crane und Klaus Eichstadt
Komponist(in):
Klaus Eichstadt
publisher:
Sloppy Slouch Music und Ugly Music
Ugly Kid Joe3.754:12
6Simple Man
Techniker(in):
Al Kooper, Bob “Tub” Langford, Rodney Mills und Danny Turbeville
Produzent(in):
Al Kooper
Bassgitarre:
Ed King (US guitarist, bassist & songwriter)
Gitarre [rhythm guitar]:
Allen Collins und Gary Rossington
Keyboard:
Billy Powell
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer)
zusätzlich Orgel:
Roosevelt Gook
Sologesang:
Ronnie Van Zant
remixer:
Al Kooper
aufgenommen bei:
Studio One (Doraville, GA) in Doraville
recording of:
Simple Man (in 1973-04)
Verfasser(in):
Gary Rossington und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd4.655:54
7He’s Back (The Man Behind the Mask)
recording engineer und Mix:
Michael Wagener
Techniker(in):
Garth Richardson (Canadian music producer and engineer) und Michael Wagener
Produzent(in):
Beau Hill und Michael Wagener
assistierende(r) Mix:
Garth Richardson (Canadian music producer and engineer)
Gitarre:
Kane Roberts
Keyboard:
Paul Delph und Kane Roberts
Hintergrundgesang:
Paul Delph, Tom Kelly (songwriter) und Kane Roberts
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
aufgenommen bei und mixed at:
Amigo Studios in North Hollywood
Musikvideos:
(He's Back) The Man Behind The Mask von Alice Cooper (the singer, active as a solo artist 1975‐present)
recording of:
He’s Back (The Man Behind the Mask) (Friday the 13th, Part 6: Jason Lives)
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present), Tom Kelly (songwriter) und Kane Roberts
publisher:
Denise Barry Music (, in 1986), Ensign Music Corporation (, in 1986), Ezra Music, Ezra Music Corp., Ezra Music, Inc. (, in 1986), Famous Chappell, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (, in 1986), Sony/ATV Melody, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Alice Cooper4.653:43
8Crazy Crazy Nights
Produzent(in):
Ron Nevison
Mix:
Ron Nevison (von 1987-06 bis 1987-07)
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1987), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
mixed at:
Can‐Am Recorders in Tarzana (von 1987-06 bis 1987-07)
recording of:
Crazy Crazy Nights
Verfasser(in):
Adam Mitchell (Scottish-Canadian songwriter) und Paul Stanley (KISS frontman)
publisher:
Downtown DMP Songs, Hori Productions America Inc., Largo Cargo Music, Piccadilly Music Corporation und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 大洋音楽 (Taiyō Music)
KISS43:45
9Cryin’
Programmierung:
John Webster (Canadian keyboardist)
assistierende(r) Techniker(in):
Mike Plotnikoff
Techniker(in):
Ken Lomas
Produzent(in):
Bruce Fairbairn
Mix:
Brendan O’Brien (engineer)
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
E-Bass:
Tom Hamilton (bassist for Aerosmith)
Gitarre:
Joe Perry (guitarist for Aerosmith) und Brad Whitford (Aerosmith)
Instrumente:
The Margarita Horns
Keyboard [keyboards]:
Steven Tyler und John Webster (Canadian keyboardist)
Mandoline, Mundharmonika, zusätzlich Perkussion, Hintergrundgesang und Sologesang:
Steven Tyler
Posaune:
Bob Rogers (Trombonist)
Saxophon:
Tom Keenlyside
Schlagzeug und Schlagzeug und Perkussion:
Joey Kramer (drummer for Aerosmith)
Trompete:
Paul Baron (trumpet player) und Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1993) und Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
aufgenommen bei:
Little Mountain Sound in Vancouver
mixed at:
Can‐Am Recorders in Tarzana
Musikvideos:
Cryin' von Aerosmith (American hard rock band)
Teil von:
The Downloader’s Music Source Book (Nummer: 222)
recording of:
Cryin’
Verfasser(in):
Joe Perry (guitarist for Aerosmith), Taylor Rhodes (songwriter, producer, publisher, and musician) und Steven Tyler
publisher:
EMI April Music Inc., JuJu Rhythms, Primary Wave Steven Tyler, Universal Music Corp. (USA, affiliated with ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (vom 1992 bis ????), Swag Song Music, Inc. (vom 1992 bis ????) und T. Rhodes Songs (vom 1992 bis heute)
Aerosmith3.655:08
10A Match Into Water
Techniker(in):
John Bender (engineer)
zusätzliche(r) Techniker(in) und zusätzliches Editing:
Brian Robbins (engineer) und Jim Romano
Koproduzent(in):
Kato Khandwala und Dan Korneff (producer, mixer & engineer)
Mix:
Dan Korneff (producer, mixer & engineer)
Editing:
Alex Prieto
Bassgitarre:
Jaime Preciado
Gitarre:
Vic Fuentes und Tony Perry (Pierce the Veil guitarist)
Klavier [keys]:
Dave Yaden
Perkussion und Schlagzeug:
Mike Fuentes
vocals:
Vic Fuentes
Gitarre-Techniker:
Alex Prieto
phonographisches Urheberrecht (℗) von:
Fearless Records, LLC (not a release label) (in 2012, in 2013)
aufgenommen bei:
House of Loud in Elmwood Park
recording of:
A Match Into Water
Verfasser(in):
Vic Fuentes und Mike Fuentes
publisher:
Before Today Music, BMG Gold Songs, BMG Rights Management (Benelux) B.V. (not for release label use! use its imprint “BMG (2008–present)), BMG Rights Management Canada A, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Switzerland und Get Your Mind Right Music
Pierce the Veil43:33
11Mustang Sally (from “The Commitments” soundtrack)
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1991) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991)
cover recording of:
Mustang Sally
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Andrew Strong & The Commitments4.54:01
12Real Wild Child (Wild One)
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:39
13Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:50
14Run to You
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Bob Clearmountain (von 1984-03-27 bis 1984-09-21)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-21)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm and lead guitars]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-21)
Gitarre [rhythm guitar] und Sologesang:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-21)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-21)
Perkussion:
Jim (von 1984-03-27 bis 1984-09-21)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-21)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) und Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
aufgenommen bei:
Little Mountain Sound in Vancouver (von 1984-03-27 bis 1984-09-21)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (am 1984-09-21)
Teil von:
The Downloader’s Music Source Book (Nummer: 175)
recording of:
Run to You (von 1984-03-27 bis 1984-09-21)
geschrieben in:
Vancouver (von 1983-01-12 bis 1983-01-14)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (von 1983-01-12 bis 1983-01-14) und Jim Vallance (von 1983-01-12 bis 1983-01-14)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music (London) Ltd. (, in 1984), Rondor Music Publishing GmbH, Testatyme Music und Calypso Toonz (in 1984)
Bryan Adams3.753:54
15Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
16Hold On Loosely
Techniker(in):
“Lightnin’ Rod” Mills und Gregory M. Quesnel
Partner-Produzent(in):
Don Barnes und Jeff Carlisi
Produzent(in):
Rodney Mills
Bassgitarre:
Larry Junstrom
Gitarre:
Don Barnes und Jeff Carlisi
Schlagzeug:
Jack Grondin und Steve Brookins
Hintergrundgesang:
Don Barnes und Carol Veto
Sologesang:
Don Barnes und Donnie Van Zant
phonographisches Urheberrecht (℗) von:
A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1981, in 1987), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2001) und Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (in 2003)
aufgenommen bei und mixed at:
Studio One (Doraville, GA) in Doraville
recording of:
Hold On Loosely
Verfasser(in):
Jeff Carlisi, James Peterik und Richard Donald Barnes
publisher:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs und WB Music Corp. (1929–2019)
38 Special3.84:36
17Down on the Corner
recording engineer und Mix:
Russ Gary
Produzent(in):
John Fogerty
Bassgitarre:
Stu Cook
Gitarre:
John Fogerty und Tom Fogerty
Schlagzeug:
Doug Clifford
Hintergrundgesang:
Doug Clifford, Stu Cook und Tom Fogerty
Sologesang:
John Fogerty
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco
recording of:
Down on the Corner (in 1969-08)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) und Jondora Music
Creedence Clearwater Revival4.452:45
18Rollin’ (Air Raid Vehicle)
recording engineer:
Terry Date (American record producer and engineer)
Produzent(in):
Terry Date (American record producer and engineer) und Limp Bizkit
zusätzliche(r) Produzent(in):
Josh Abraham und Scott Weiland
assistierende(r) Mix:
Steve Sisco und Josh Wilbur (musician, writer, engineer, mixer & producer)
Mix:
Rich Keller (engineer), Richard Huredia (US hip hop mix engineer) und Andy Wallace (engineer)
zusätzliches Editing:
Domenic Barbera (engineer)
Interpret(in):
Limp Bizkit
mixed at:
Soundtrack Studios in New York, New York, Vereinigte Staaten
Remix von:
Rollin’ (Urban Assault Vehicle) (explicit) von Limp Bizkit feat. DMX (US rapper), Method Man & Redman
recording of:
Rollin’ (Air Raid Vehicle)
publisher:
Swizz Beatz (US hip hop producer)
Texter:
Fred Durst
Verfasser(in):
Kasseem Dean (US hip hop producer) und Leor Dimant
Komponist(in):
Wes Borland, John Otto (Limp Bizkit drummer) und Sam Rivers (Limp Bizkit bassist)
publisher:
Zomba Enterprises, Inc. (beendet), Big Bizkit Music, Lethal Dose Music, Universal Music – Z Tunes und Universal Music Corp. (USA, affiliated with ASCAP)
basiert auf:
Rollin’ (Urban Assault Vehicle)
Limp Bizkit3.553:37
19No Rain
assistierende(r) Techniker(in):
Mr. Jon Plum
Techniker(in):
Rick Parashar
Produzent(in) und Mix:
Blind Melon und Rick Parashar
Akustikgitarre [Gibson J-30]:
Christopher Thorn
Bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
E-Gitarre [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
Fingerschnippen, Perkussion, Schlagzeug und shakers:
Glen Graham (Blind Melon percussionist)
Hintergrundgesang und Sologesang:
Shannon Hoon
aufgenommen bei:
London Bridge Studios in Seattle
Musikvideos:
No Rain von Blind Melon
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 14) und Indie 88: Top 500 Indie Rock Songs (Nummer: 414)
recording of:
No Rain
Verfasser(in):
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens und Christopher Thorn
publisher:
EMI April Music Inc. und Heavy Melon Music
Blind Melon4.33:37
20Why Don’t You Get a Job
sonstige Unterstützung:
Janie Rangel (Aufgabe: studios assistants) und Elan Trujillo (Aufgabe: studios assistants)
assistierende(r) Techniker(in):
Annette Cisneros
Techniker(in):
Bryan Carlstrom (engineer, producer)
Produzent(in) und Mix:
Dave Jerden
flute:
Derrick Davis
Horn:
Phil Jordan (trumpet player) und Gabrial McNair
aufgenommen bei und mixed at:
Eldorado Recording Studios in Burbank
recording of:
Why Don’t You Get a Job?
Texter und Komponist(in):
Dexter Holland
publisher:
Round Hill Works, Underachiever Music und Wixen Music Publishing, Inc.
The Offspring4.152:52
21Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:55
22Hurt
Produzent(in) und Mix:
Trent Reznor
E-Bass, Gitarre, Klavier, Synthesizer und Sologesang:
Trent Reznor
Schlagzeug:
Chris Vrenna (member of Tweaker)
arranger:
Trent Reznor
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1994, in 2004) und TVT (copyright holder, no releases here please) (in 1994)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 167) und Indie 88: Top 500 Indie Rock Songs (Nummer: 227)
recording of:
Hurt
Texter und Komponist(in):
Trent Reznor
publisher:
Leaving Hope Music Inc. und TVT Music, Inc.
Nine Inch Nails4.256:14
23Send Me an Angel
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre, E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs und Rudolf Schenker
Bassgitarre:
Francis Buchholz
E-Gitarre und Slide-Gitarre:
Matthias Jabs
Gast-Keyboard:
Jim Vallance
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany)
Hintergrundgesang:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) und Rudolf Schenker
Sologesang:
Klaus Meine
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys und Wisseloord Studios in Hilversum
mixed at:
Wisseloord Studios in Hilversum
recording of:
Send Me an Angel (Scorpions song)
Texter:
Klaus Meine
Komponist(in):
Rudolf Schenker
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present))
Scorpions3.54:32
241979 (remastered 2012)
Techniker(in):
Flood (British producer Mark Ellis), Jeff Moleski und Claudine Pontier
Produzent(in) und Mix:
Billy Corgan, Flood (British producer Mark Ellis) und Alan Moulder (producer and engineer)
assistierende(r) Mix:
Barry “Sounds Like Gold” Goldberg (audio engineer)
Sologesang:
Billy Corgan
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1995)
Musikvideos:
1979 (music video) von The Smashing Pumpkins
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 8)
recording of:
1979
Texter und Komponist(in):
Billy Corgan
The Smashing Pumpkins4.454:26
25Adam’s Song
recording engineer:
Sean O’Dwyer (US producer & engineer)
assistierende(r) Techniker(in):
Darrell Harvey (engineer), John Nelson (engineer) und Robert Read (engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
E-Bass und Sologesang:
Mark “Fish Guts” Hoppus
E-Gitarre und Hintergrundgesang:
Tom “Hot Pants” DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
arranger:
blink‐182
Schlagzeug-Techniker:
Mike Fasano (drummer, drum tech)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999)
mixed at:
South Beach Studios in Miami Beach
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 326)
recording of:
Adam’s Song
Verfasser(in):
Tom DeLonge und Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., HMNIM Music und Jolly Old Saint Dick
blink‐1824.154:10
26One of Us
Assistent recording engineer:
Mark Mason (sound engineer)
recording engineer und Mix:
William Wittman
Produzent(in):
Rick Chertoff
assistierende(r) Mix:
Rob Polhemus
Bass:
Mark Egan (US jazz bassist & trumpeter)
Gitarre und Hybrid-Piano:
Eric Bazilian
mellotron und Schlagzeug:
Rob Hyman
Hintergrundgesang:
Eric Bazilian und Rob Hyman
Sologesang:
Joan Osborne
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1995)
aufgenommen bei:
Big Blue in Katonah
mixed at:
Pie Studios in Glen Cove
Samples:
The Airplane Ride von Nell Hampton
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne45:16
27You Know My Name (from “Casino Royale” soundtrack)
recording engineer:
Todd Parker
assistierende(r) Techniker(in):
Cameron Barton
Techniker(in):
Ryan Castle
Produzent(in):
David Arnold (English score composer), Chris Cornell (Soundgarden lead singer) und Steve Lillywhite
Mix:
David Sardy (American score composer)
Bass und Saiteninstrumente:
Miles Mosley (US jazz/soul musician)
Gitarre:
Chris Cornell (Soundgarden lead singer), Cameron Greider und Gary Lucas (US guitarist/songwriter)
Schlagzeug:
Nir Zidkyahu (drummer)
vocals:
Chris Cornell (Soundgarden lead singer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.)
aufgenommen bei:
NRG Recording Studios in North Hollywood
mixed at:
Hillside Manor in Los Angeles
Musikvideos:
You Know My Name (Music video) von Chris Cornell (Soundgarden lead singer)
recording of:
You Know My Name
Verfasser(in):
David Arnold (English score composer) und Chris Cornell (Soundgarden lead singer)
publisher:
Disappearing One und EMI April Music Inc.
Teil von:
James Bond themes
Teil von:
Casino Royale (2006 film soundtrack)
Chris Cornell3.84:01
28Going Under
Programmierung:
Ben Moody (American guitarist and producer)
zusätzliche Programmierung:
Zac Baird, David Hodges (American record producer & songwriter) und Chris Johnson (programming/production for Ivy Lane Music)
assistierende(r) Techniker(in):
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson und Sam Storey
Techniker(in):
Jeremy Parker (engineer)
zusätzliche(r) Techniker(in):
Ben Moody (American guitarist and producer)
Produzent(in) und Mix:
Dave Fortman
Bassgitarre:
Francesco DiCosmo
Gitarre und Perkussion:
Ben Moody (American guitarist and producer)
Keyboard und Klavier:
David Hodges (American record producer & songwriter)
Schlagzeug:
Josh Freese (American drummer)
Sologesang:
Amy Lee (singer and keyboardist of Evanescence)
Musikvideos:
Going Under von Evanescence
recording of:
Going Under
Verfasser(in):
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) und Ben Moody (American guitarist and producer)
Evanescence43:35
29Smooth Criminal
assistierende(r) Techniker(in):
Justin Harvey
Techniker(in) und Editing:
James Murray (US engineer)
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
Dan Certa
zusätzliches Editing:
John Ewing (engineer) und Brian Virtue
E-Bass [bassadilla], Gitarre und Hintergrundgesang:
Tye Zamora
E-Gitarre:
Terence Corso
Schlagzeug:
Mike Cosgrove
Sologesang:
Dryden Mitchell
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
aufgenommen bei und mixed at:
NRG Recording Services in North Hollywood
Musikvideos:
Smooth Criminal von Alien Ant Farm
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 6) und The Downloader’s Music Source Book (Nummer: 355)
cover recording of:
Smooth Criminal
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
Teil von:
MJ: The Musical
Alien Ant Farm4.23:29
30My Favourite Game
assistierende(r) Techniker(in):
Lars Göransson (1970s Swedish folk singer)
Techniker(in) und Produzent(in):
Tore Johansson
Mix:
Tore Johansson und Staffan Schöler (engineer)
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Schlagzeug:
Bengt Lagerberg
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality) und New York City Center in New York, New York, Vereinigte Staaten
engineered at:
Country Hell in Skurup Municipality (Skurup municipality) und Tambourine Studios in Malmö
produced at:
Country Hell in Skurup Municipality (Skurup municipality) und Tambourine Studios in Malmö
Teil von:
Cachitos Nochevieja 2022 (Nummer: 57)
recording of:
My Favourite Game
Texter:
Nina Persson
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:39

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