Complete Decca Recordings

~ Release by Pierre Monteux (see all versions of this release, 1 available)

Tracklist

1CD: Beethoven: Symphonies nos. 1 & 2 / Fidelio, Egmont, King Stephen Overtures
2CD: Beethoven: Symphonies nos. 3 “Eroica” & 8
3CD: Beethoven: Symphonies nos. 4 & 7
4CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
5CD: Beethoven: Symphony no. 9 “Choral”
6CD: Beethoven: Symphony no. 3 “Eroica” / Schubert: Symphony no. 8 “Unfinished”
7CD: Rosamunde, op. 26, D. 797 (Excerpts) / Brahms: Symphony no. 2
8CD: Brahms: Symphony no. 2 / Haydn Variations / Tragic Overture / Academic Festival Overture
9CD: Brahms: Piano Concerto no. 1 / Dvořák: Symphony no. 7
10CD: Berlioz: Roméo et Juliette(1)
11CD: Berlioz: Roméo et Juliette(2)
12CD: Berlioz: Symphonie fantastique / Mendelssohn: A Midsummer Night’s Dream (excerpts)
13CD: Haydn: Symphony no. 94 “Surprise” / Symphony no. 101 “The Clock”
14CD: Tchaikovsky: The Sleeping Beauty
15CD: Swan Lake, op. 20 (highlights)
16CD: Rimsky-Korsakov: Scheherazade / Stravinsky: The Firebird
#TitleArtistRatingLength
1Scheherazade, op. 35: The Sea and Sinbad’s Ship
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Hugh Maguire (violinist, leader, concertmaster, and conductor) (from 1957-06-07 until 1957-06-13)
orchestra:
London Symphony Orchestra (from 1957-06-07 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-07 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-07 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-07 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-07 until 1957-06-13)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (from 1957-06-07 until 1957-06-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov9:06
2Scheherazade, op. 35: The Story of the Kalendar Prince
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Hugh Maguire (violinist, leader, concertmaster, and conductor) (from 1957-06-07 until 1957-06-13)
orchestra:
London Symphony Orchestra (from 1957-06-07 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-07 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-07 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-07 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-07 until 1957-06-13)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (from 1957-06-07 until 1957-06-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:57
3Scheherazade, op. 35: The Young Prince and the Young Princess
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Hugh Maguire (violinist, leader, concertmaster, and conductor) (from 1957-06-07 until 1957-06-13)
orchestra:
London Symphony Orchestra (from 1957-06-07 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-07 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-07 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-07 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-07 until 1957-06-13)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto) (from 1957-06-07 until 1957-06-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov8:27
4Scheherazade, op. 35: Festival at Baghdad – The Sea – Shipwreck
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
violin:
Hugh Maguire (violinist, leader, concertmaster, and conductor) (from 1957-06-07 until 1957-06-13)
orchestra:
London Symphony Orchestra (from 1957-06-07 until 1957-06-13)
conductor:
Pierre Monteux (conductor) (from 1957-06-07 until 1957-06-13)
balance engineer:
Ken Cress (engineer) (from 1957-06-07 until 1957-06-13) and Kenneth Wilkinson (engineer) (from 1957-06-07 until 1957-06-13)
recorded at:
Kingsway Hall in London (Greater London) (from 1957-06-07 until 1957-06-13)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (from 1957-06-07 until 1957-06-13)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov11:56
5L’Oiseau de feu (suite) : Introduction
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: I. Introduction (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
recording of:
L’Oiseau de feu: I. L’Oiseau de feu et sa danse (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:31
6L’Oiseau de feu (suite) : Danse de l’Oiseau de feu
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: I. Variation de l’Oiseau de feu (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky1:30
7L’Oiseau de feu (suite) : Ronde des princesses
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: II. Ronde des princesses (Khorovode) (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:42
8L’Oiseau de feu (suite) : Danse infernale de Kastchei
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky4:47
9L’Oiseau de feu (suite) : Berceuse
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Berceuse (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky3:24
10L’Oiseau de feu (suite) : Finale
producer:
John Culshaw
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1956-10-29 until 1956-11-10)
conductor:
Pierre Monteux (conductor) (from 1956-10-29 until 1956-11-10)
balance engineer:
Roy Wallace (recording engineer) (from 1956-10-29 until 1956-11-10)
recorded at:
Salle Wagram in Paris (from 1956-10-29 until 1956-11-10)
recording of:
L’Oiseau de feu: III. Finale (“Concert suite for orchestra No. 2” 1919 version) (from 1956-10-29 until 1956-11-10)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (The Firebird Suite (1919), “The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Igor Stravinsky2:54
17CD: Stravinsky: Petrushka / Le Sacre du printemps
18CD: Debussy: Prelude à l'apres-midi d'un faune / Nocturnes / Images / Le Martyre de Saint Sébastien
19CD: Ravel: Daphnis et Chloé / Rapsodie espagnole / Pavane
20CD: Ravel: Boléro / La Valse / Ma mère l’Oye
21CD: Sibelius: Symphony no. 2 / Elgar: Enigma Variations
22CD: Bach: Orchestral Suite no. 2 / Gluck: Orfeo Ed Euridice, Ballo / Mozart: Flute Concerto no. 2
23CD: Ravel: Boléro / Pavane pour une infante défunte / La Valse
24CD: Rehearsals

Credits

Release

rights society:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
Discogs:https://www.discogs.com/release/18599818 [info]