Anastasia

~ Release by Lynn Ahrens, Stephen Flaherty & David Newman (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1A Rumor in St. Petersburg
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Jonathan Dokuchitz and Kelsey Grammer
arranger:
Douglas Besterman
vocals arranger:
Stephen Flaherty (American composer)
orchestrator:
William D. Brohn (American arranger and orchestrator)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
A Rumor in St. Petersburg
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:25
2Journey to the Past
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Liz Callaway
vocals arranger:
Stephen Flaherty (American composer)
orchestrator:
William D. Brohn (American arranger and orchestrator)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Journey to the Past
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
The 70th Academy Award for Best Original Song (number: 2)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Lynn Ahrens & Stephen Flaherty2:55
3Once Upon a December
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Liz Callaway
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Once Upon a December
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Lynn Ahrens & Stephen Flaherty2:48
4In the Dark of the Night
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens, Stephen Flaherty (American composer) and Jim Steinman
vocals:
Jim Cummings (American actor & singer)
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
In the Dark of the Night (Anastasia)
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:21
5Learn to Do It
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Liz Callaway, Jonathan Dokuchitz and Kelsey Grammer
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Learn to Do It
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty2:36
6Learn to Do It (Waltz reprise)
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Kelsey Grammer
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Learn to Do It (waltz reprise)
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty1:45
7Paris Holds the Key (to Your Heart)
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
Lynn Ahrens and Stephen Flaherty (American composer)
vocals:
Jonathan Dokuchitz and Bernadette Peters
vocals arranger:
Stephen Flaherty (American composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Paris Holds the Key (to Your Heart)
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, English version)
Lynn Ahrens & Stephen Flaherty3:03
8At the Beginning
programming:
Henry Jackman (English score composer) and Tim Weidner (engineer)
engineer:
Stephen Fitzmaurice (Irish mixer, songwriter and producer) and Tim Weidner (engineer)
producer:
Trevor Horn
assistant mixer:
Alexander Areteos and Michael Perfitt
mixer:
Steve MacMillan
bass guitar [bass]:
Randy D. Jackson (former bassist with Journey and American Idol judge)
guitar [guitars]:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Henry Jackman (English score composer) and Tim Weidner (engineer)
piano:
Anne Dudley (English score composer)
background vocals:
James Gilstrap, Marlena Jeter, Niki Haire (US singer and dancer) and Darryl Phinnessee
vocals:
Donna Lewis and Richard Marx
strings arranger:
Henry Jackman (English score composer) and Aaron Zigman (American score composer)
arranger:
Richard Marx
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
recorded at:
O’Henry in Burbank and Sarm West Coast in Los Angeles
mixed at:
Newman Scoring Stage in Century City
recording of:
At the Beginning
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Richard Marx and Donna Lewis3:41
9Journey to the Past
programming and producer:
Guy Roche
assistant engineer:
Tom Bender (engineer)
engineer:
Mario Luccy and Moana Suchard
mixer:
Mick Guzauski
bass guitar [bass]:
Reggie Hamilton
electric guitar [electric guitars]:
Michael Thompson (session guitarist)
finger snaps:
Aaliyah (American R&B singer)
shekere [shaker]:
Jeanette Jurado
background vocals:
Sue Ann Carwell and Selina King‐Murrell
vocals:
Aaliyah (American R&B singer)
arranger:
Guy Roche
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
recorded at:
Bananaboat Studios in Burbank and The Cave Studios (Recording studio located in Malibu, California, United States. Owned by Kevin Shirley.) in Malibu
mixed at:
Barking Doctor in Mount Kisco
recording of:
Journey to the Past
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
The 70th Academy Award for Best Original Song (number: 2)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Aaliyah4:05
10Once Upon a December
assistant recording engineer and assistant mixer:
Howell Luther and Aaron Swihart
recording engineer and mixer:
Terry Christian (US recording and mixing engineer)
miscellaneous support:
Bridgett Evans O’Lannerghty (American production manager/coordinator, former Christian music session singer)
associate producer:
Deana Carter
producer:
Michael Omartian
acoustic guitar:
Biff Watson (American country producer and guitarist.)
bass guitar [bass]:
Danny O’Lannerghty
bouzouki and mandolin:
Jerry McPherson
drums (drum set) [drums]:
John Hammond (drummer)
electric guitar:
Dann Huff and Jerry McPherson
keyboard [keyboards]:
Tim Akers
keyboard [keyboards] and piano:
Michael Omartian
vocals:
Deana Carter
orchestra:
Nashville String Machine
conductor:
Ronn Huff
strings arranger:
Ronn Huff
concertmaster:
Carl Gorodetzky
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
recorded at and mixed at:
Ocean Way Nashville in Nashville
recording of:
Once Upon a December
orchestrator:
Douglas Besterman
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Deana Carter3:35
11Prologue
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
vocals:
Lacey Chabert and Angela Lansbury
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Prologue (Anastasia, 1997 film score with excerpted vocals, English version)
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) and Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, English version)
David Newman6:23
12Speaking of Sophie
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Speaking of Sophie
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) and Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
David Newman2:36
13The Nightmare
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
The Nightmare
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
David Newman3:05
14Kidnap and Reunion
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
vocals:
Liz Callaway and Angela Lansbury
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Kidnap and Reunion (Anastasia, 1997 film score with excerpted vocals, English version)
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) and Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, English version)
David Newman4:29
15Reminiscing With Grandma
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Reminiscing With Grandma
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) and Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
David Newman3:17
16Finale
additional recording engineer:
Dan Wallin
recording engineer and mixer:
John Kurlander (engineer)
producer:
David Newman (American score composer)
conductor:
David Newman (American score composer)
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997)
recorded at and mixed at:
M5 Studios (Los Angeles, CA) in Los Angeles, Signet Sound in Los Angeles, Sony Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, The Hit Factory in Manhattan, New York, New York, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Finale (Anastasia, 1997 film score)
orchestrator:
Douglas Besterman, Daniel Hamuy, Xandy Janko and David Newman (American score composer)
composer:
David Newman (American score composer)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996) and Fox Film Music Corporation (BMI-affiliated) (in 1997)
part of:
Anastasia (1997 film score and soundtrack, French version)
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, German version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
David Newman3:00
17Viaje tiempo atrás (Journey to the Past)
additional recording engineer:
Dan Wallin
recording engineer and mixer:
Javier Garza
programming:
Randall Barlow (of Miami Sound Machine)
assistant engineer:
Alfred Figueroa
engineer:
Sean Chambers (American blues rock singer, guitarist, and songwriter) and Freddy Piñero, Jr.
producer:
Emilio Estefan, Jr.
acoustic guitar [acoustic guitars]:
René Toledo
percussion:
Edwin Bonilla
vocals:
Thalía (Mexican singer and actress)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997), Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
recorded at and mixed at:
Crescent Moon Studios in Miami
recording of:
Viaje tiempo atrás (Journey to the Past)
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
translator:
Patricia P. Azar (credited as co-translator of "Viaje tiempo atrás"), Juan Carlos García (credited as co-translator of "Viaje tiempo atrás" in release booklet) and Eduardo Giaccardo (credited as co-translator of "Viaje tiempo atrás" in songsheet)
publisher:
T C F Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP) (in 1996)
translated version of:
Journey to the Past
part of:
Anastasia (1997 film score and soundtrack, English version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
part of:
Anastasia (1997 film score and soundtrack, Spanish version)
Thalía3:07

Credits