The Complete Warner Recordings

~ Release by Sir John Barbirolli (see all versions of this release, 1 available)

Annotation

A 109-CD collection of Sir John Barbirolli's recordings for Warner remastered in 192 kHz/24-bit by Studio Art & Son.

Annotation last modified on 2022-02-10 09:52 UTC.

Tracklist

1▶CD: Purcell: Hornpipe on a Ground / Mozart: Eine kleine Nachtmusik / Haydn: Symphony no. 104 in D major “London” / Elgar: Introduction and Allegro
2▶CD: Mozart / Casals / Gounod / Bizet / Wagner / Mascagni / Glazunov / Luigini
3▶CD: Ponchielli: Dance of the Hours / Delibes: Sylvia - excerpts / Rosse: Merchant of Venice / Delius: A Song before Sunrise / Overtures from Wallace, Balfe, Quilter
4▶CD: Schubert / Auber / Grieg / Tchaikovsky / D'Erlanger / Järnefelt
5▶CD: Wagner: Die Meistersinger von Nürnberg - Act 3: Suite / Rienzi - Overture / J. Strauss II: Rosen aus dem Süden / Bax: Symphony no. 3
6▶CD: Vaughan Williams: Symphony no. 5 / Fantasia on a Theme by Thomas Tallis / Delius: Walk to the Paradise Garden / Heming: Threnody for a soldier killed in action
7▶CD: Beethoven: Symphony no. 5 / Weber: Euryanthe - Overture / Wagner: Lohengrin - Preludes / R. Strauss: Der Rosenkavalier - Suite
8▶CD: Berlioz: Symphonie fantastique / Rossini: La gazza ladra - Overture / Mendelssohn: A Midsummer Night's Dream - Scherzo / Humperdinck: Hänsel und Gretel - Overture / Fauré: Shylock
9▶CD: Corelli: Concerto Grosso / Elgar: Elegy / Variations on an Original Theme “Enigma” / Introduction and Allegro / Lullaby / Vaughan Williams: Fantasia on “Greensleeves” / Trad.: Londonderry Air / Delius: Two Aquarelles
10▶CD: Mendelssohn: The Hebrides - Overture / Symphony no. 4 “Italian” / Grieg: Peer Gynt - Suite no. 1 / Delibes: Sylvia (excerpts) / Stravinsky: Concerto in D major for String Orchestra
11▶CD: Mozart: Le nozze di Figaro - Overture / Beethoven: Egmont - Overture / Haydn: Symphony no. 83 “La poule” / Schubert: Die Zauberharfe - Overture / Mendelssohn: Octet op. 20 - Scherzo / Sibelius: Symphony no. 7
12▶CD: Elgar: Cockaigne Overture / Serenade in E minor / Dream Children - Andante / Delius: A Song of Summer / Rubbra: Loth to depart / Symphony no. 5
13▶CD: Mozart: Cassation K. 99 - Andante / Bizet: L'Arlésienne - Suites 1 & 2 / Tchaikovsky: Swan Lake (excerpts) / Ireland: Mai Dun / The Forgotten Rite Prelude
14▶CD: Weber: Der Freischütz - Overture / Mozart: Minuet / Haydn: Symphony no. 96 “Miracle” / Brahms: Symphony no. 3
15▶CD: Sibelius: Symphony no. 2 / Turina: Danzas fantásticas / Donizetti: Don Pasquale - Overture / Lehár: Gold und Silber / Grieg: Geheimnis
16▶CD: Haydn: Symphony no. 88 / Schubert: Symphony no. 9 “The Great” / Verdi: La traviata - Preludes to Acts 1 & 3
17▶CD: Elgar: Symphony no. 2 / Cockaigne Overture / Introduction and Allegro for Strings
18▶CD: Vaughan Williams: Sinfonia Antartica / The Wasps - Overture / Five Variants of Dives and Lazarus / Fantasia on “Greensleeves”
19▶CD: Barbirolli: Elizabethan Suite / Chabrier: España / Rimsky-Korsakov: Capriccio espagnol / Lyadov: The Enchanted Lake / Debussy: Prélude à l'après-midi d'un faune / Fauré: Pelléas et Mélisande - Suite / Ibert: Divertissement
20▶CD: Suppé: Die schöne Galathée - Overture / J. Strauss I: Radetzky March / J. Strauss II: Kaiserwalzer / Villa-Lobos: Bachianas brasileiras no. 4 / Sibelius: The Swan of Tuonela / R. Strauss: Die Liebe der Danae
21▶CD: Elgar: Symphony no. 1 / Introduction and Allegro / Elegy
22▶CD: Vaughan Williams: A London Symphony (no. 2) / Symphony no. 8
23▶CD: Purcell: Suite for Strings, Woodwinds and Horns / Elgar: Variations “Enigma” / Butterworth: A Shropshire Lad / Bax: The Garden of Fand / German: Nell Gwyn
24▶CD: Delius: Prelude and Idyll / Irmelin Prelude / On Hearing the First Cuckoo in Spring / Fennimore and Gerda / The Walk to the Paradise Garden / Trad.: Londonderry Air / Grainger: Molly on the Shore / Mock Morris / Shepherd's Hey
25▶CD: J. Strauss II / J. Strauss I / Josef Strauss / Waldteufel / Lehár
26▶CD: Mozart: Symphonies nos. 29 & 41 “Jupiter” / Mendelssohn: The Hebrides - Overture
27▶CD: Tchaikovsky: Romeo and Juliet / Symphony no. 4
28▶CD: Dvořák: Symphonies nos. 7 & 8
29▶CD: Sibelius: Symphonies nos. 1 & 5
30▶CD: Humperdinck: Hänsel and Gretel - Overture / Mahler: Symphony no. 1
31▶CD: Grieg: Peer Gynt - Suite 1 / Two Elegiac Melodies / Symphonic Dances / Sibelius: Pohjola's Daughter / Valse triste
32▶CD: Overtures, Ballet Music & Intermezzi: Rossini: Guillaume Tell / Semiramide / Verdi: La forza del destino / Ponchielli: La Gioconda / Mascagni: Cavalleria Rusticana / Puccini: Manon Lescaut
33▶CD: Dvořák: Serenade in D minor / Gounod: Petite Symphonie in B-flat / Handel: Suites from Rodrigo & Serse
34▶CD: Suppé: Overtures / Nicolai: Die lustigen Weiber von Windsor - Overture / Sousa: March / Clarke: Trumpet Voluntary
35▶CD: Berlioz: Symphonie fantastique / La Damnation de Faust (excerpts)
36▶CD: Chabrier: Joyeuse marche / Massenet: Sous les tilleuls / Debussy: La Mer / Ravel: Daphnis et Chloé - Suite no. 2 / La valse / Ma mère l'oye - Suite
37▶CD: Dvořák: Symphony no. 9 “From the New World” / Scherzo capriccioso / Legends (excerpts)
38▶CD: Wagner: Preludes, Overtures & Symphonic movements from Tannhäuser, Die Meistersinger von Nürnberg, Tristan und Isolde, Lohengrin, Der fliegende Holländer
39▶CD: Tchaikovsky: Symphony no. 5 / Marche Slave / String Quartet no. 1 - Andante cantabile
40▶CD: Tchaikovsky: Symphony no. 6 “Pathétique” / Nielsen: Symphony no. 4 “Inextinguishable”
41▶CD: Mozart: Die Zauberflöte - Overture / Beethoven: Leonore Overture no. 3 / Symphonies nos. 1 & 8
42▶CD: Weber: Oberon - Overture / Brahms: Academic Festival Overture / Symphony no. 4
43▶CD: Vaughan Williams: Symphony no. 5 in D major / Fantasia on a Theme by Thomas Tallis / Fantasia on “Greensleeves”
44▶CD: Elgar: Introduction and Allegro / Serenade / Variations on an Original Theme “Enigma” / Cockaigne Overture
45▶CD: Elgar: Symphony no. 1 in A-flat major / Pop and Circumstance Marches nos. 1 & 4
46▶CD: Mahler: Symphony no. 9 in D minor
47▶CD: Schubert: Symphony no. 9 in C major “The Great”
48▶CD: Elgar: Froissart Overture / Sospiri / Elegy / Pomp and Circumstance Marches nos. 2, 3 & 5 / Falstaff
49▶CD: Elgar: Symphony no. 2 / Wagner: Die Meistersinger von Nürnberg - Overture
50▶CD: Tchaikovsky: Serenade in C / Francesca da Rimini / Arensky: Variations on a Theme of Tchaikovsky
51▶CD: Ireland: A London Overture / Bax: Tintagel / Delius: The Walk to the Paradise Garden / Irmelin Prelude / A Song of Summer / Barbirolli: Elizabethan Suite
52▶CD: J. Strauss II / J. Strauss I / Lehár / R. Strauss / Verdi
53▶CD: Sibelius: Symphony no. 2 / The Swan of Tuonela / Lemminkaïnen's Return / Karelia Suite
54▶CD: Sibelius: Symphonies nos. 5 & 7
55▶CD: Sibelius: Symphony no. 1 / Pelléas et Mélisande - Suite / Scènes historiques (excerpts)
56▶CD: Sibelius: Symphony no. 4 / Rakastava / Romance / Finlandia / Pohjola's Daughter
57▶CD: Sibelius: Symphonies nos. 3 & 6 / Valse triste
58▶CD: Brahms: Symphonies nos. 2 & 3
59▶CD: Brahms: Symphony no. 1 / Tragic Overture
60▶CD: Brahms: Symphony no. 4 / Academic Festival Overture / Variations on a Theme of Joseph Haydn
61▶CD: Vaughan Williams: A London Symphony / R. Strauss: Metamorphosen
62▶CD: Schoenberg: Pelleas und Melisande / Mahler: Symphony no. 6 “Tragic” (beginning)
63▶CD: Mahler: Symphony no. 6 “Tragic” (conclusion)
64▶CD: Beethoven: Symphony no. 3 “Eroica” / Tchaikovsky: Romeo and Juliet
65▶CD: Grieg: Peer Gynt (excerpts) / Lyric Suite / Sigurd Jorsalfar - Homage March
66▶CD: Delius: In a Summer Garden / Hassan / A Song before Sunrise / On Hearing the First Cuckoo in Spring / Summer Night on the River / Brigg Fairest
67▶CD: Debussy: Trois Nocturnes / La Mer / Grieg: 4 Norwegian Dances
68▶CD: R. Strauss: Ein Heldenleben / Purcell: Suite for Strings, Woodwinds and Horns / Bach: “Sheep may safely graze”
69▶CD: Mahler: Symphony no. 5
70▶CD: Haydn: Cello Concerto in D major / Keyboard Concerto in D major: Rondo al Ungarese / Bach: Concerto n C major for Two Keyboards / Keyboard Concerto in F minor: Allegro / Saint-Saëns: Valse Caprice / Raff: La Fileuse
71▶CD: Bach: Violin Concerto no. 2 / Tchaikovsky: Violin Concerto / Grieg: Piano Concerto
72▶CD: Mozart: Piano Concerto no. 23 / Chopin: Piano Concerto no. 2 / Tchaikovsky: Piano Concerto no. 1
73▶CD: Chopin: Piano Concertos nos. 1 & 2
74▶CD: Mozart: Violin Concerto no. 5 / Glazunov: Violin Concerto / Wieniawski: Violin Concerto no. 2 / Saint-Saëns: Introduction et Rondo Capriccioso
75▶CD: Tchaikovsky: Violin Concerto / Vieuxtemps: Violin Concerto no. 4 / Saint-Saëns: Havanaise / Sarasate: Zigeunerweisen
76▶CD: Beethoven: Violin Concerto / Brahms: Violin Concerto
77▶CD: Mozart: Piano Concertos nos. 22 & 27
78▶CD: Schumann: Cello Concerto / Violin Concerto / Mozart: Oboe Concerto in C major
79▶CD: Corelli: Concerto for Oboe in F major / Pergolesi: Concerto for Oboe in C major / Haydn: Oboe Concerto in C major / Vaughan Williams: Oboe Concerto in A minor
80▶CD: Oboe Concertos: Handel, Albinoni, Marcello, Cimarosa, Corelli
81▶CD: Britten: Violin Concerto / Vaughan Williams: Tuba Concerto / Saint-Saëns: Le Carnaval des Animaux / Strauss: A Strauss Fantasy
82▶CD: Handel: Organ Concerto, HWV 306 / Brahms: Double Concerto / Elgar: Cello Concerto
83▶CD: Beethoven: Piano Concerto no. 5 “Emperor” / Monn: Cello Concerto
84▶CD: Haydn: Cello Concerto no. 2 / Elgar: Cello Concerto
85▶CD: Tchaikovsky: Piano Concerto no. 1 / Franck: Variations symphoniques
86▶CD: Brahms: Piano Concerto no. 1
87▶CD: Brahms: Piano Concerto no. 2
88▶CD: Ireland: These Things Shall Be / Elgar: The Dream of Gerontius (Part One)
89▶CD: Elgar: The Dream of Gerontius (Part Two)
90▶CD: Verdi: Messa da Requiem (Beginning)
91▶CD: Verdi: Messa da Requiem (Conclusion) / Delius: Appalachia
92▶CD: Puccini: Turandot - excerpts
93▼CD: Purcell: Dido and Aeneas
#TitleArtistRatingLength
1Dido and Aeneas, Z 626: Overture
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Overture (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell2:43
2Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Shake the cloud from off your brow” (Belinda)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
partial recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:44
3Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Banish sorrow, banish care” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:37
4Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Ah! Belinda, I am preset with torment” (Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:02
5Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Grief increases by conceling” (Belinda, Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:44
6Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “When monarchs unite” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:16
7Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Whence could so much virtue spring?” (Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:13
8Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Fear no danger to ensue” (Belinda, 2nd Woman, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:45
9Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “See, your royal guest appears” (Belinda, Aeneas, Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
baritone vocals [Aeneas]:
Peter Glossop (baritone) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:53
10Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Cupid only throws the dart” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:43
11Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “If not for mine, for Empire's sake” (Aeneas)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
baritone vocals [Aeneas]:
Peter Glossop (baritone) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:25
12Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “Pursue they conquest, Love” (Belinda)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell0:56
13Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. “The the hills and the vales” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:24
14Dido and Aeneas, Z 626: Act I, Scene 1: Dido's Court. The Triumphing Dance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:18
15Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Wayward sisters” (Sorceress, First Witch)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist) (from 1965-08-25 until 1965-08-27)
soprano vocals [First Witch]:
Clare Walmseley (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:13
16Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Harm's our delight and mischief all our skill” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:17
17Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “The Queen of Carthage, whom we hate” (Sorceress, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:47
18Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “Ruin'd ere the set of sun?” (1st & 2nd Witches, Sorceress, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
contralto vocals [Second Witch]:
Sybil Michelow (from 1965-08-25 until 1965-08-27)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist) (from 1965-08-25 until 1965-08-27)
soprano vocals [First Witch]:
Clare Walmseley (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:36
19Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “But, ere we this perform” (1st & 2nd Witches)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
contralto vocals [Second Witch]:
Sybil Michelow (from 1965-08-25 until 1965-08-27)
soprano vocals [First Witch]:
Clare Walmseley (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:15
20Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. “In our deep vaulted cell” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:40
21Dido and Aeneas, Z 626: Act I, Scene 2: The Cave of the Sorceress. Echo Dance of Furies
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:20
22Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. Ritornelle
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:16
23Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Thanks to these lonesome vales” (Belinda, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:37
24Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Oft she visits this lov'd moiuntain” (Second Woman)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Second Woman]:
Elizabeth Robson (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:41
25Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Behold, upon my bending spear” (Aeneas, Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
baritone vocals [Aeneas]:
Peter Glossop (baritone) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:33
26Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Haste, haste to town” (Belinda, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:53
27Dido and Aeneas, Z 626: Act II: A Grove during the middle of a Hunt. “Stay, Prince! And hear great Jove's command” (Spirit, Aeneas)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
baritone vocals [Aeneas]:
Peter Glossop (baritone) (from 1965-08-25 until 1965-08-27)
contralto vocals [Spirit]:
Sybil Michelow (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:52
28Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Come away, fellow sailors” (Sailor, Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
tenor vocals [Sailor]:
Robert Tear (tenor) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:43
29Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Sailors' Dance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:53
30Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “See, see the flags and streamers curling” (Sorceress, 1st & 2nd Witches)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
contralto vocals [Second Witch]:
Sybil Michelow (from 1965-08-25 until 1965-08-27)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist) (from 1965-08-25 until 1965-08-27)
soprano vocals [First Witch]:
Clare Walmseley (soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:01
31Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Our next notion must be to storm her lover” (Sorceress)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
mezzo-soprano vocals [Sorceress]:
Patricia Johnson (mezzo-soprano vocalist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:40
32Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. “Destruction's our delight” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:46
33Dido and Aeneas, Z 626: Act III: The Harbour at Carthage. Witches' Dance
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:18
34Dido and Aeneas, Z 626: Act III: The Palace. “Your counsel all is urg'd in vain” (Dido, Aeneas, Belinda)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
baritone vocals [Aeneas]:
Peter Glossop (baritone) (from 1965-08-25 until 1965-08-27)
soprano vocals [Belinda]:
Heather Harper (soprano) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:09
35Dido and Aeneas, Z 626: Act III: The Palace. “Great minds against themselves conspire” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:26
36Dido and Aeneas, Z 626: Act III: The Palace. “Thy hand, Belinda” (Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell1:00
37Dido and Aeneas, Z 626: Act III: The Palace. “When I am laid in earth” (Dido)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
English Chamber Choir (from 1965-08-25 until 1965-08-27)
soprano vocals [Dido]:
Victoria de los Ángeles (Spanish soprano) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
partial recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:39
38Dido and Aeneas, Z 626: Act III: The Palace. “With drooping wings ye Cupids come” (Chorus)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
harpsichord [harpsichord continuo]:
Raymond Leppard (conductor and harpsichordist) (from 1965-08-25 until 1965-08-27)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1965-08-25 until 1965-08-27)
orchestra:
English Chamber Orchestra (from 1965-08-25 until 1965-08-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1965-08-25 until 1965-08-27)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1965-08-25 until 1965-08-27)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1965-08-25 until 1965-08-27)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 1965-08-25 until 1965-08-27)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:09
94▶CD: Puccini: Madama Butterfly Act 1 - Act 2, Part 1 (beginning)
95▶CD: Puccini: Madama Butterfly Act 2, Part 1 (conclusion) & Part 2
96▶CD: Verdi: Otello Acts 1 & 2
97▶CD: Verdi: Otello Acts 3 & 4
98▶CD: 78 rpm recordings - Arias by Verdi, Bach, Elgar, Mozart, Gluck, Beethoven, Wagner, Handel, Coleridge-Taylor
99▶CD: 78 rpm recordings - Arias by Mozart, Weber, Wagner, Brahms, Rossini, Sullivan, Verdi, Saint-Saëns, Bizet, Bishop
100▶CD: 78 rpm recordings - Arias by Bellini, Verdi, Giordano, Mozart, Mussorgsky, Elgar, Rossini, Gounod, Handel
101▶CD: 78 rpm recordings - Arias by Massenet, Tosti, Sullivan, Handel, Donizetti, Leoncavallo, Cottrau, Verdi, Puccini, Rossini, Sullivan, Wagner, Leoncavallo
102▶CD: 78 rpm recordings - Arias by Meyerbeer, Verdi, Leoncavallo, Wagner, Haydn, Mendelssohn, Loewe, Hill
103▶CD: 78 rpm recordings - Arias by Wagner, Bizet, Mascagni, Leoncavallo, Puccini, Messager, Trad., Gounod, Adams, Nevin, J. Strauss II
104▶CD: Puccini: Arias from Mana Lescaut, La Bohème, Tosca, Madama Butterfly / Falla: Siete canciones populares españolas
105▶CD: Berlioz: Les Nuits d'été / Ravel: Shéhérazade / Elgar: Sea Pictures
106▶CD: Mahler: Lieder eines Fahrenden Gesellen / Kindertotenlieder / Fünf Rückert-Lieder
107▶CD: Elgar: The Dream of Gerontius (Part Two)
108▶CD: Rehearsal Sequences
109▶CD: John Barbirolli - A Memoir / Presentation of the Royal Philharmonic Society Gold Medal to Sir John Barbirolli by Ralph Vaughan Williams / Conversation between Sir John Barbirolli and Ronald Kinloch Anderson