Classic Rock Gold (BMG club edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Bad Company
recording engineer und Mix:
Ron Nevison
Techniker(in):
Ron Fawcus (Aufgabe: tape operator)
Produzent(in):
Bad Company (British blues-rock supergroup)
Bass:
Boz Burrell (English musician) (in 1973-11)
Gitarre:
Mick Ralphs (in 1973-11)
Klavier:
Paul Rodgers (in 1973-11)
Schlagzeug:
Simon Kirke (in 1973-11)
vocals:
Paul Rodgers (in 1973-11)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1974)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes
recording of:
Bad Company (in 1973-11)
Verfasser(in):
Simon Kirke und Paul Rodgers
publisher:
Badco Music, Inc.
Bad Company3.454:44
2Hair of the Dog
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), USM Copyrights Ltd. (in 2010), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Associated Recording Studios in London (Greater London) und Escape Studios in Kent
recording of:
Hair of the Dog
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth3.54:10
3Never Been Any Reason
Produzent(in):
Roger Boyd
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975)
recording of:
Never Been Any Reason
Texter und Komponist(in):
Mike Somerville (guitarist for Head East)
Head East5:11
4Slow Ride (single version)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:57
5Show Me the Way (live)
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:39
6(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) und Shelly Yakus (in 1976-03)
Techniker(in):
Andy Abrams und Shelly Yakus
Produzent(in):
Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Andy Abrams (von 1975 bis 1976) und Shelly Yakus (von 1975 bis 1976)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan (von 1975 bis 1976)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 55) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:10
7Cold as Ice (single version)
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Cold as Ice
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31), Yamaha Music Publishing (bis 2017-03-31), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner43:19
8Cat Scratch Fever
Techniker(in):
Tim Geelan und Wayne Tarnowski
Produzent(in):
Cliff Davies (British drummer, songwriter and producer), Lew Futterman und Tom Werman
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (Nummer: 12) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 32)
recording of:
Cat Scratch Fever
Texter und Komponist(in):
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music und Round Hill Works
Ted Nugent3.453:40
9Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London) (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
10Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
assistierende(r) Techniker(in):
Mike Clink (Aufgabe: assistant), Roy Segal (Aufgabe: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (Aufgabe: assistant) und Tom Lubin (Aufgabe: assistant)
Techniker(in):
Andy Johns (Aufgabe: recording & mixing)
Produzent(in):
Bruce Botnick
Mix:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Bass:
Lonnie Turner
Bassgitarre:
Lonnie Turner
Gitarre:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
Keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols und Freddie Webb (keyboardist)
Mundharmonika, Saxophon und Sologesang:
Eddie Money
Perkussion:
Kevin Calhoun (percussionist), Gary Mallaber und Kevin Calhoun (composer)
Schlagzeug:
Gary Mallaber
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Randy Nichols
vocals:
Eddie Money
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco (in 1977-06) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
Texter und Komponist(in):
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
11I Want You to Want Me (live)
recording engineer:
鈴木智雄 (Tomoo Suzuki) (von 1978-04-28 bis 1978-04-30)
assistierende(r) Techniker(in):
Mike Beriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Cheap Trick und Jack Douglas
Mix:
Cheap Trick, Gary Ladinsky (engineer) und Jay Messina (in 1978)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Nippon Budokan in Kitanomaru Kōen (von 1978-04-28 bis 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan (in 1978)
live recording of:
I Want You to Want Me (von 1978-04-28 bis 1978-04-30)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3.853:42
12Hold On Loosely
Techniker(in):
“Lightnin’ Rod” Mills und Gregory M. Quesnel
Partner-Produzent(in):
Don Barnes und Jeff Carlisi
Produzent(in):
Rodney Mills
Bassgitarre:
Larry Junstrom
Gitarre:
Don Barnes und Jeff Carlisi
Schlagzeug:
Jack Grondin und Steve Brookins
Hintergrundgesang:
Don Barnes und Carol Veto
Sologesang:
Don Barnes und Donnie Van Zant
phonographisches Urheberrecht (℗) von:
A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1981, in 1987), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2001) und Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (in 2003)
aufgenommen bei und mixed at:
Studio One (Doraville, GA) in Doraville
recording of:
Hold On Loosely
Verfasser(in):
Jeff Carlisi, James Peterik und Richard Donald Barnes
publisher:
Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs und WB Music Corp. (1929–2019)
.38 Special3.84:40
13Lunatic Fringe
Produzent(in):
Richard Landis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 78) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 82)
recording of:
Lunatic Fringe
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
Red Rider54:22
14White Wedding – Pt. 1
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:13
15Rock You Like a Hurricane
Techniker(in):
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) und Gerd Rautenbach
Produzent(in):
Dieter Dierks
Mix:
Mike Beiriger, Dieter Dierks und Scorpions (German rock band)
Akustikgitarre und E-Gitarre:
Rudolf Schenker (in 1984)
Bassgitarre:
Francis Buchholz (in 1984)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1984) und Rudolf Schenker (in 1984)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1984)
Slide-Gitarre:
Matthias Jabs (in 1984)
Hintergrundgesang:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) und Rudolf Schenker (in 1984)
Sologesang:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2015, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
aufgenommen bei:
Dierks Studios in Pulheim (von 1983 bis 1984)
Teil von:
Alan Cross: Hurricane Songs (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 18) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 36)
recording of:
Rock You Like a Hurricane (in 1984)
Texter:
Klaus Meine und Herman Rarebell (drummer, Germany)
Komponist(in):
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Scorpions44:13
16Here I Go Again
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:35

Nennungen

Veröffentlichung

gedruckt in:U.S.A.
mastering:Gavin Lurssen (American mastering engineer)