Bach Cantatas

~ Veröffentlichung von Bach; Württemberg Chamber Orchestra, Rudolf Ewerhart, Helmuth Rilling (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

This seems to have a manufacturing error where the disc labels for 1 and 3 are swapped. The tracklist here follows the order of the booklet and back cover.

Anmerkung zuletzt geändert am 2024-03-31 02:54 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach6:58
2Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach0:33
3Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach3:57
4Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach0:43
5Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach3:03
6Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach0:50
7Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach5:32
8Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Recitative
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach0:31
9Cantata no. 202 “Weichet nur, betrübte Schatten” (Wedding): Gavotte (aria)
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
Geige / Violine:
Werner Keltsch
Oboe:
Willy Schnell (oboist)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1718 bis 1723)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Bach1:50
10Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Sinfonia
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach2:44
11Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria, duetto
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:44
12Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitative
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach1:10
13Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach1:15
14Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:24
15Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach1:21
16Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:27
17Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
basiert auf:
Folia
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach2:15
18Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:35
19Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): [untitled]
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach1:23
20Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:45
21Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:57
22Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:31
23Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach6:08
24Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:23
25Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:58
26Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:26
27Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:31
28Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:20
29Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach6:43
30Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:22
31Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Aria
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:48
32Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Recitativo
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach0:35
33Cantata no. 212 “Mer hahn en neue Oberkeet” (Peasant): Chor
Cello:
Peter Buck (cellist in the Melos Quartet)
Cembalo:
Martin Galling (pianist and harpsichordist)
flute:
Gabriele Zimmermann
Bass-Gesang:
Claus Ocker (operatic bass)
Soprangesang:
Ursula Buckel (soprano)
Orchester:
Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn)
conductor:
Rudolf Ewerhart
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack"
Premiere in:
Leipzig (am 1742-08-30)
komponiert in:
Leipzig (in 1742)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
Librettist:
Christian Friedrich Henrici
Teil von:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
Bach1:15
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