I Get Wet (10th anniversary special deluxe edition)

~ Release by Andrew W.K. (see all versions of this release, 13 available)

Annotation

10th anniversary reissue, featuring the original album on first disc and live, demo and alternate versions on the second.

A limited edition of 500 units was also made available which bundled the release with either a piece of Andrew's white jeans, a lock of his actual hair, or a flight ticket he used during a tour, plus an air freshener and an autographed booklet.

Annotation last modified on 2014-05-14 21:10 UTC.

Tracklist

1CD: The Original Album
#TitleRatingLength
1It’s Time to Party
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
It’s Time to Party
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.451:30
2Party Hard
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
music videos:
Party Hard by Andrew W.K.
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 89)
recording of:
Party Hard
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
4.653:05
3Girls Own Love
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Girls Own Love
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
revision of:
Girls Own Juice
3.53:13
4Ready to Die
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Ready to Die
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.72:55
5Take It Off
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Take It Off
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.53:10
6I Love NYC
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
I Love NYC
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.83:11
7She Is Beautiful
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
music videos:
She Is Beautiful by Andrew W.K.
recording of:
She Is Beautiful
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
part of:
Freaky Friday (2003)
4.153:34
8Party Til You Puke
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Party Til You Puke
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.42:34
9Fun Night
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Fun Night
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.23:23
10Got to Do It
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Got to Do It
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.23:55
11I Get Wet
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
I Get Wet
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
3.83:23
12Don’t Stop Living in the Red
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, New Jersey Studios in Minneapolis, Ocean Way Recording in Hollywood, Record One in Sherman Oaks, The Chop Shop (Scott Humphrey's studio) in Los Angeles and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood and Record One in Sherman Oaks
recording of:
Don’t Stop Living in the Red
writer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
41:41
2CD: The Bonus Tracks

Credits

Release

mastered at:Masterdisk in New York, New York, United States