111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Annotation

Copyright: © 2009 Deutsche Grammophon GmbH, Berlin
This Compilation ℗ 2009 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2025-01-22 12:22 UTC.

Tracklist

1▶Digital Media
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#TitleArtistRatingLength
1Six Songs, op. 34: II. Auf den Flügeln des Gesanges, MWV K86
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
John H. West (classical engineer/producer)
piano:
Sebastian Knauer (pianist) (in 2007-06)
violin:
Daniel Hope (violinist) (in 2007-06)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Grazer Congress: Kammermusiksaal in Graz (in 2007-06) and Stefaniensaal in Graz (in 2007-06)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements) (in 2007-06)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:24
23 Pieces for Piano, op. 2: 1. Etude in C-sharp minor (live)
producer:
Thomas Frost (classical music producer)
editor:
Rainer Höpfner (engineer), Thomas MacCluskey (engineer) and Lothar Schmidt (engineer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (from 1986-04-18 until 1986-04-20)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1986)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского (Moscow Tchaikovsky Conservatory) in Moscow, Russia (on 1986-04-20)
live recording of:
3 Pieces, op. 2: No. 1. Étude in C‐sharp minor (on 1986-04-20)
composer:
Александр Николаевич Скрябин (Alexander Scriabin, pianist and composer) (in 1887)
part of:
3 Pieces, op. 2
Alexander Scriabin2:42
3Porgy And Bess: It Ain't Necessarily So
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Porgy and Bess: It Ain’t Necessarily So (for piano and violin, arr. Heifetz) (in 1945-11)
composer:
George Gershwin (composer)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin2:29
4Winterreise, D. 911: 24. Der Leiermann
piano:
Michael Raucheisen (pianist) (in 1942-12)
baritone vocals:
Hans Hotter (German operatic bass-baritone) (in 1942-12)
recording of:
Winterreise, op. 89, D. 911: XXIV. Der Leiermann (in 1942-12)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827)
part of:
Winterreise, op. 89, D. 911
Franz Schubert3:34
54 Letzte Lieder, TrV 296: No. 1, Frühling
recording engineer:
Volker Martin (engineer)
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:03
6Peer Gynt, op. 23: Act IV: No. 13, Prelude. Morning Mood
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1987-06) and Neeme Järvi (Estonian conductor) (in 1987-06)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg (in 1987-06)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:13
7Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna
producer:
Hans Hirsch (producer at Deutsche Grammophon)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
UFA-Tonstudio in Berlin (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:37
8Coriolan Overture, op. 62 (recorded 1966)
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer) and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-09-21 until 1965-09-22)
conductor:
Herbert von Karajan (conductor) (from 1965-09-21 until 1965-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-09-21 until 1965-09-22)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1965-09-21 until 1965-09-22)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62) (from 1965-09-21 until 1965-09-22)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven9:00
9Bagatelle no. 25 in A minor, WoO 59 "Für Elise": Poco moto
producer:
Wolfgang Lohse
piano:
Wilhelm Kempff (pianist) (in 1964-05)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover) (in 1964-05)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59) (in 1964-05)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:11
10Joshua, HWV 64 (original version): O Had I Jubal's Lyre
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano)
orchestra:
Venice Baroque Orchestra
conductor:
Andrea Marcon (Italian conductor & keyboardist)
recording of:
Joshua, HWV 64: Act III, no. 56. "Oh! had I Jubal's lyre" (Achsah)
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-07-19 until 1747-08-19)
librettist:
Thomas Morell
part of:
Joshua, HWV 64: Act III
George Frideric Handel2:30
11Symphony no. 8 in G major, op. 88, B. 163: III. Allegretto grazioso - Molto vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-06)
conductor:
Rafael Kubelík (conductor) (in 1966-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1966-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1966-06)
recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (in 1966-06)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:38
12Sonata for Violin and Piano no. 8 in G, op. 30 no. 3: 3. Allegro vivace
assistant engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
Wolfgang Stengel
producer and editor:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1993-12)
violin:
Gidon Kremer (violinist) (in 1993-12)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Auditorium Stravinski in Montreux (in 1993-12)
recording of:
Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3: III. Allegro vivace (in 1993-12)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Violin and Piano no. 8 in G major, op. 30 no. 3
Ludwig van Beethoven3:21
13Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer:
Wolf‐Dieter Karwatky and Hans‐Rudolf Müller (engineer)
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:21
14Kinderszenen, op. 15: 7. Träumerei (live)
piano:
Lang Lang (Chinese pianist) (in 2003-11)
recorded at:
Carnegie Hall in Midtown Manhattan (in 2003-11)
live recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 2003-11)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:21
15String Quartet no. 1 in E-flat, op. 12, MWV R 25: 2. Canzonetta: Allegretto
strings:
LaSalle Quartet (in 1969-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich) (in 1969-12)
recording of:
String Quartet no. 1 in E-flat major, op. 12: II. Canzonetta. Allegretto più mosso (in 1969-12)
composer:
Felix Mendelssohn (composer) (in 1829)
part of:
String Quartet no. 1 in E-flat major, op. 12
Felix Mendelssohn4:13
16Candide: Act I: No. 14, I Am Easily Assimilated (Old Lady's Tango)
choir vocals:
London Symphony Chorus (from 1989-12-15 until 1989-12-18)
mezzo-soprano vocals [Old Lady]:
Christa Ludwig (mezzo-soprano) (from 1989-12-15 until 1989-12-18)
soprano vocals [Cunegonde]:
June Anderson (soprano) (from 1989-12-15 until 1989-12-18)
orchestra:
London Symphony Orchestra (from 1989-12-15 until 1989-12-18)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1989-12-15 until 1989-12-18)
chorus master:
Simon Joly (conductor, chorus master) (from 1989-12-15 until 1989-12-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1989-12-15 until 1989-12-18)
recording of:
Candide: Act I. I Am Easily Assimilated (Old Lady’s Tango) (from 1989-12-15 until 1989-12-18)
lyricist and composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:14
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