The Ultimate Rock Ballads Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Burning Heart (disc 1)
2▶CD: Burning Heart (disc 2)
3▶CD: These Dreams
4▶CD: The Flame (disc 1)
5▶CD: The Flame (disc 2)
6▶CD: Love Hurts (disc 1)
7▼CD: Love Hurts (disc 2)
Nr.TitelKünstlerBewertungLänge
1Tiny Dancer
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Davey Johnstone (am 1971-08-09)
Bassgitarre:
David Glover (bass guitarist) (am 1971-08-09)
E-Gitarre:
Caleb Quaye (am 1971-08-09)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (am 1971-08-09)
Schlagzeug:
Roger Pope (am 1971-08-09)
Steel-Gitarre:
BJ Cole (am 1971-08-09)
Hintergrundgesang:
Tony Burrows (am 1971-08-09), Roger Cook (US‐based British singer, songwriter and producer) (am 1971-08-09), Lesley Duncan (am 1971-08-09), Dee Murray (am 1971-08-09), Nigel Olsson (am 1971-08-09), Barry St. John (am 1971-08-09), Terry Steele (am 1971-08-09), Liza Strike (am 1971-08-09) und Sue Glover & Sunny Leslie (am 1971-08-09)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho (am 1971-08-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 47) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 387)
recording of:
Tiny Dancer (am 1971-08-09)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.256:17
2If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood und Criterion Studios in Los Angeles
mixed at:
The Complex Studios in Los Angeles
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.753:59
3Can’t Fight This Feeling
Produzent(in):
Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) und Gary Richards
arranger:
Kevin Cronin (guitarist, singer and songwriter) und REO Speedwagon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling (in 1984-08)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:55
4Come Sail Away
Techniker(in):
Rob Kingsland und Barry Mraz
assistierende(r) Produzent(in):
Barry Mraz
Produzent(in):
Styx (rock band from Chicago)
Akustikgitarre und E-Gitarre [lead] und zwölfsaitige Gitarre:
Tommy Shaw (of Styx)
Bassgitarre:
Chuck Panozzo
Gitarre und Synthesizer [ARP Odyssey]:
James Young (member of Styx, guitarist, singer and songwriter)
Keyboard und Synthesizer und Sologesang:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
vocals:
Chuck Panozzo, John Panozzo, Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
remixer:
Rob Kingsland, Barry Mraz und Styx (rock band from Chicago)
aufgenommen bei und remixed at:
Paragon Studios in Chicago
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 56)
recording of:
Come Sail Away
Texter und Komponist(in):
Dennis DeYoung
publisher:
Rondor Music International (merged into UMG 2019), Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) und Stygian Songs (publishing company for the rock band Styx) (in 1977)
Styx3.556:06
5Love Hurts
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.53:02
6Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.54:00
7Fooled Around and Fell in Love
Produzent(in):
Elvin Bishop und Bill Szymczyk
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1975)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop4.52:59
8We’re Ready
Techniker(in) und Produzent(in):
Tom Scholz
Akustikgitarre, Bassgitarre, Bogengitarre [guitar violins], E-Gitarre, Effektgerät, Flügel, Hammond-Orgel, Hybrid-Piano und Kinoorgel:
Tom Scholz (in 1981)
Schlagzeug:
Jim Masdea (in 1981) und Tom Scholz (in 1981)
Sologesang:
Brad Delp (in 1981)
arranger:
Tom Scholz
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1986)
aufgenommen bei:
Tom Scholz Hideaway Studio II in Massachusetts, Vereinigte Staaten (in 1981)
recording of:
We’re Ready (in 1981)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Hideaway Hits (in 1986)
Boston43:59
9Rocky Mountain Way
Produzent(in):
Bill Szymczyk und Joe Walsh (Eagles/James Gang)
Bassgitarre und Gitarre:
Kenny Passarelli (Bass, piano) (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hybrid-Piano, Klavier, Perkussion und Schlagzeug:
Joe Vitale (von 1972 bis 1973)
Keyboard:
Rocke Grace (von 1972 bis 1973), Joe Vitale (von 1972 bis 1973) und Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Synthesizer und Sologesang:
Joe Walsh (Eagles/James Gang) (von 1972 bis 1973)
Hintergrundgesang:
Rocke Grace (von 1972 bis 1973) und Kenny Passarelli (Bass, piano) (von 1972 bis 1973)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (von 1972 bis 1973)
Verfasser(in):
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale und Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:14
10Second Chance
Ko-Techniker(in):
Edd Miller (engineer)
Techniker(in), Produzent(in) und Mix:
Rodney Mills
assistierende(r) Mix:
Thom Kidd
Bass:
Larry Junstrom
Blechblasinstrumente [horns]:
The “Noise Gator” Horns
Gitarre [guitars]:
Danny Chauncey (guitarist, singer and songwriter) und Jeff Carlisi
Keyboard:
Max Carl
Perkussion:
Robert W. Johnson
Schlagzeug:
Jack Grondin
Vibraslap:
Eddddddd Miller (engineer)
Hintergrundgesang:
Robert White Johnson und The “Six Goomers” (American rock band)
vocals:
Donnie Van Zant und Max Carl
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1988), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988), Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.) (in 2001) und Interscope Geffen (A&M) Records (Interscope Geffen A&M, label group, not normally a release label) (in 2003)
aufgenommen bei:
Soundscape Studios (Atlanta) in Atlanta
mixed at:
Cheshire Sound Studios in Atlanta
recording of:
Second Chance
Verfasser(in):
Cal Curtis, Jeff Carlisi und Max Carl
publisher:
Cal Curtis Publishing, Rocknocker Music Co., SBK Blackwood Music Inc. (1987-12-30–1989-07-14) und Too Tall Tunes
.38 Special4.755:05
11In a Big Country
Techniker(in):
Will Gosling
Produzent(in):
Steve Lillywhite
Musikvideos:
In a Big Country von Big Country
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 17)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country44:47
12(Can’t Live Without Your) Love and Affection
recording engineer und Mix:
David Thoener
A&R-Management:
David J. Holman und David Thoener
Produzent(in):
Marc Tanner und David Thoener
zusätzliche(r) Mix:
David J. Holman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2004)
recording of:
(Can’t Live Without Your) Love and Affection
Verfasser(in):
Gunnar Nelson, Matthew Nelson (from the Nelson twins) und Marc Tanner
Nelson3:57
13Sentimental Street
Techniker(in):
John Van Nest
Produzent(in):
Pat Glasser
Keyboard und Hintergrundgesang:
Alan Fitzgerald
recording of:
Sentimental Street
Verfasser(in):
Jack Blades (of Night Ranger) und Alan Fitzgerald
publisher:
Figs. D Music und Rough Play Music
Night Ranger4:13
14Midnight Rider
Techniker(in):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks und Buddy Thornton
Produzent(in):
Gregg Allman und Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
aufgenommen bei:
Capricorn Sound Studio in Macon (in 1973)
recording of:
Midnight Rider (in 1973)
Texter und Verfasser(in):
Gregg Allman und Robert Kim Payne
Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Gregg Allman54:27
15Baby I Love Your Way
live recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton4:49
16Freebird
Techniker(in):
Al Kooper, Bob “Tub” Langford, Rodney Mills und Danny Turbeville
Produzent(in):
Al Kooper
Bassgitarre:
Ed King (US guitarist, bassist & songwriter) (in 1973-04)
Gitarre [lead guitar]:
Allen Collins (in 1973-03)
Gitarre [rhythm guitar]:
Gary Rossington (in 1973-03)
Keyboard:
Billy Powell (in 1973-03)
Orgel:
Al Kooper (in 1973-04)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-04)
zusätzlich Orgel:
Roosevelt Gook (in 1973-04)
Sologesang:
Ronnie Van Zant (in 1973-04)
remixer:
Al Kooper
aufgenommen bei:
Studio One (Doraville, GA) in Doraville (in 1973-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 19), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 26), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 191) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 407)
recording of:
Free Bird (in 1973-04)
Texter und Komponist(in):
Allen Collins und Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) und Universal Duchess Music Corp.
Lynyrd Skynyrd4.79:05
8▶CD: High Enough

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gedruckt in:Vereinigte Staaten