2000 ans de Musique

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Les premiers siècles de notre ère
2▶CD: Le règne de la polyphonie (1200-1450)
3▶CD: La musique de la Renaissance
4▶CD: La révolution baroque (XVIIe siècle)
5▼CD: Le Baroque tardif (début du XVIIIe siècle)
#TitleArtistRatingLength
1Water Music en Ré majeur: Allegro
Georg Friedrich Händel2:00
2Water Music, en Ré majeur: Alla hornpipe
Georg Friedrich Händel3:48
3Giulio Cesare: Aria "Va tacito" (Cesare)
instruments:
Concerto Köln
contralto vocals:
Jennifer Larmore (mezzo-soprano)
mezzo-soprano vocals:
Jennifer Larmore (mezzo-soprano) (in 1991)
orchestra:
Concerto Köln (in 1991)
conductor:
René Jacobs (conductor) (in 1991)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare) (in 1991)
composer:
George Frideric Handel (German‐British baroque composer) (in 1724)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
part of:
Giulio Cesare: Atto I
Georg Friedrich Händel7:12
4Messiah: Chorus: "Halleluja!"
orchestra:
Les Arts Florissants (French baroque ensemble)
conductor:
William Christie (harpsichordist and conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:27
5Leçons de Ténèbres du Mercredy: JOD / Manum suem misit / Omnus populus ejus. LAMED O vos omnes. MEM
recording of:
Troisième leçon de ténèbres: JOD
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
recording of:
Troisième leçon de ténèbres: LAMED
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
recording of:
Troisième leçon de ténèbres: MEM
composer:
François Couperin (French composer of the Baroque era)
part of:
Troisième leçon de ténèbres
François Couperin7:47
6Deuxième Livre de pièces de clavecin: VI. Les Baricades Mistérieuses
harpsichord:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Sixième ordre de clavecin en si bémol majeur: No. 5. Les Barricades mistérieuses
composer:
François Couperin (French composer of the Baroque era)
part of:
Sixième ordre de clavecin en si bémol majeur
François Couperin2:43
7Caster & Pollux: Que tout gémisse!
Jean‐Philippe Rameau3:36
8Les Indes galantes: Air des Sauvages
Jean‐Philippe Rameau2:05
9Maddalena ai piedi di Cristo: La mia virtude (Amor Celeste, Amor Terreno)
partial recording of:
Maddalena ai piedi di Cristo
composer:
Antonio Caldara (Italian composer)
Antonio Caldara2:28
10Maddalena ai piedi di Cristo: In lagrime stemprato il core qui cadear costei (Maddalena)
partial recording of:
Maddalena ai piedi di Cristo
composer:
Antonio Caldara (Italian composer)
Antonio Caldara4:28
11I quattro stagioni, op. 8: L'estate. Allegro non molto. Presto. Tempo impetuoso
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi8:28
12Sonate K. 444
harpsichord:
Rafael Puyana (harpsichordist)
recording of:
Sonata in D minor, K 444, L 420
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 420) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 444)
Domenico Scarlatti3:58
13Magnificat en Ré majeur, BWV 243: Magnificat anima mea Dominum
engineer:
Michel Pierre (audio engineer)
producer:
Michel Bernard (engineer / producer)
bassoon:
Kate Van Orden (bassoon) (in 1990-01)
cello:
Harm Jan Schwitters (cellist) (in 1990-01) and Ageet Zweistra (in 1990-01)
flute:
Patrick Beuckels (flautist) (in 1990-01) and Marc Hantaï (classical flute player) (in 1990-01)
oboe:
Taka Kitazato (oboist) (in 1990-01) and Marcel Ponseele (oboist) (in 1990-01)
organ:
Jan-Willem Jansen (organist) (in 1990-01)
timbales:
Jean Chamboux (percussionist) (in 1990-01)
trumpet:
Jonathan Impett (trumpeter) (in 1990-01), Stephen Keavy (trumpet player) (in 1990-01) and Léon Petré (Belgian classical trumpeter) (in 1990-01)
viola:
Christine Angot (violinist) (in 1990-01) and Galina Zinchenko (violinist) (in 1990-01)
violin:
Peter Van Boxelaere (violinist) (in 1990-01), Adrian Chamorro (Colombian violin player) (in 1990-01), Myriam Gevers (Franco-Belgian violinist) (in 1990-01), Nicolette Moonen (Dutch violist & violinist) (in 1990-01), Martha Moore (violinist) (in 1990-01) and 寺神戸亮 (Ryo Terakado, violinist) (in 1990-01)
alto vocals:
Gérard Lesne (countertenor)
bass vocals:
Peter Kooij (Peter Kooy, baritone)
choir vocals:
Collegium Vocale Gent (in 1990-01) and Ensemble vocal européen de la Chapelle royale (in 1990-01)
soprano vocals:
Agnès Mellon (soprano) and Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) (in 1990-01) and Collegium Vocale Gent (in 1990-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1990-01)
concertmaster:
Roy Goodman (conductor and violinist) (in 1990-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1990-01)
premiered in:
Leipzig (on 1733-07-02)
composed in:
Leipzig (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:04
14Suite en Ré majeur, BWV 1068: Aria
performer:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:20
15Le Clavier bien tempéré, BWV 846: Praeludium I
harpsichord:
Davitt Moroney (cembalist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 1988-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:00
16Passion selon saint Matthieu: Wir setzen uns mit Tränen mieder
choir vocals:
Collegium Vocale Gent (in 1984-09) and Ensemble vocal européen de la Chapelle royale (in 1984-09)
orchestra and performer:
La Chapelle Royale (French baroque vocal ensemble) (in 1984-09)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1984-09)
recorded at:
L'Église St Gilles in Brugge (Bruges) (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:35
17Canon
instruments:
London Baroque (founded 1978 by Charles Medlam)
conductor:
Charles Medlam (cellist, viol player and conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:45
6▶CD: Le style classique (fin du XVIIIe siècle)
7▶CD: L'âge d'or du romantisme
8▶CD: Le post-romantisme et l'éveil des nations
9▶CD: La musique moderne (1900-1950)
10▶CD: La musique contemporaine (1950-2000)