Triple Concerto / Choral Fantasy

~ Release by Beethoven; Itzhak Perlman, Yo‐Yo Ma, Daniel Barenboim, Chor der Deutschen Staatsoper, Berliner Philharmoniker, Daniel Barenboim (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo cello:
Yo‐Yo Ma (cellist) (from 1995-02-15 until 1995-02-16)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
solo violin:
Itzhak Perlman (violinist and conductor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven17:02
2Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo cello:
Yo‐Yo Ma (cellist) (from 1995-02-15 until 1995-02-16)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
solo violin:
Itzhak Perlman (violinist and conductor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven5:37
3Concerto for Piano, Violin, Cello, and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo cello:
Yo‐Yo Ma (cellist) (from 1995-02-15 until 1995-02-16)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
solo violin:
Itzhak Perlman (violinist and conductor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live recording of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1803)
part of:
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”
Ludwig van Beethoven12:51
4Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio –
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
version of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: Original introduction (Original introduction, not part of standard repertoire)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven3:56
5Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐i. Finale. Allegro – Meno allegro –
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven5:01
6Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐ii. Allegro molto –
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven1:35
7Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iii. Adagio, ma non troppo –
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:54
8Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐iv. Marcia, assai vivace – Allegro –
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven2:10
9Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 “Choral Fantasy”: II‐v. Allegretto, ma non troppo (quasi andante con moto) – Presto
producer:
John Fraser (UK producer)
editor:
Matthew Cocker (editor)
solo piano:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
alto vocals:
Andrea Bönig (mezzo-soprano) (from 1995-02-15 until 1995-02-16)
bass vocals:
René Pape (operatic bass) (from 1995-02-15 until 1995-02-16)
choir vocals:
Chor der Deutschen Staatsoper (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano I]:
Carola Höhn (operatic soprano) (from 1995-02-15 until 1995-02-16)
soprano vocals [soprano II]:
Katharina Kammerloher (German operatic mezzo-soprano) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor I]:
Endrik Wottrich (tenor) (from 1995-02-15 until 1995-02-16)
tenor vocals [tenor II]:
Pär Lindskog (tenor) (from 1995-02-15 until 1995-02-16)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1995-02-15 until 1995-02-16)
conductor:
Daniel Barenboim (pianist and conductor) (from 1995-02-15 until 1995-02-16)
chorus master:
Ernst Stoy (chorus master) (from 1995-02-15 until 1995-02-16)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Berliner Philharmonie in Mitte (from 1995-02-15 until 1995-02-16)
live partial recording of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto (from 1995-02-15 until 1995-02-16)
composer:
Ludwig van Beethoven (German composer) (in 1808)
revised by:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”
Ludwig van Beethoven4:07

Credits

Release

manufactured in:USA
printed in:USA