Don’t Smoke in Bed

~ Release by Holly Cole Trio (see all versions of this release, 12 available)

Tracklist

1▼CD
#TitleRatingLength
1I Can See Clearly Now
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:13
2Don’t Let the Teardrops Rust Your Shining Heart
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest lap steel guitar:
David Lindley
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Don't Let the Teardrops Rust Your Shining Heart
lyricist and composer:
Ben Watt
4:20
3Get Out of Town
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest harmonica:
Howard Levy
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Get Out of Town
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
4:43
4So and So
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
So and So
lyricist and composer:
Mary Margaret O’Hara
3:27
5The Tennessee Waltz
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest harmonica:
Howard Levy
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
3:40
6Everyday Will Be Like a Holiday
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest saxophone:
Joe Henderson (US jazz tenor saxophonist)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Everyday Will Be Like a Holiday
lyricist and composer:
William Bell and Booker T. Jones
publisher:
Irving Music, Inc., Cotillion (in 1991) and Warner Bros. (holding: file NO releases) (in 1991)
4:49
7Blame It on My Youth
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Blame It on My Youth
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
Blame It on My Youth
lyricist:
Edward Heyman
composer:
Oscar Levant
publisher:
Oscar Levant Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:00
8Ev’rything I’ve Got
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest percussion:
Art Avalos
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Ev’rything I’ve Got
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:55
9Je ne t’aime pas
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Je ne t’aime pas
lyricist:
Maurice Magre (writer, poet, playwright)
composer:
Kurt Weill (composer) (in 1934)
was commissioned by:
Heugel & Cie. (in 1934)
3:57
10Cry (If You Want to)
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
recording of:
Cry (If You Want to)
lyricist and composer:
Casey Scott
2:37
11Que Será, Será
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
guest harmonica:
Howard Levy
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
4:44
12Don’t Smoke in Bed
assistant engineer:
James Stewart (Canadian recording engineer) (from 1993-02 until 1993-03)
engineer:
Leanne Ungar (from 1993-02 until 1993-03)
producer:
David Was (from 1993-02 until 1993-03)
bass and percussion:
David Piltch (from 1993-02 until 1993-03)
piano:
Aaron Davis (from 1993-02 until 1993-03)
vocals:
Holly Cole (from 1993-02 until 1993-03)
recorded at:
Reaction Studios in Toronto (from 1993-02 until 1993-03)
mixed at:
Brooklyn Recording Studios in Los Angeles (in 1993-03)
cover recording of:
Don’t Smoke in Bed
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
2:27

Credits

Release

additional assistant engineer:Scott Stillman
executive producer:W. Tom Berry