Classical Moods

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Classical Moods: Romance
2▶CD: Classical Moods: Tranquillity
3▼CD: Classical Moods: Celebration
#TitleArtistRatingLength
1Overture (from Ruslan and Ludmilla)
producer:
Wilhelm Meister (Tonmeister / recording producer) (in 1987-11) and Kiyoshi Satomi (producer) (in 1987-11)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1987-11)
conductor:
Wolfgang Sawallisch (conductor) (in 1987-11)
balance engineer:
Hans Schmidt (recording engineer) (in 1987-11)
recorded at:
Herkulessaal in München (Munich) (in 1987-11)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1987-11)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Михаил Иванович Глинка5:20
2Overture (from Candide)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Candide: Overture
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein4:13
3Jupiter, the Bringer of Jollity (from the Planets, op. 32)
orchestra:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:38
4Allegro molto vivace (extract from Mvmt III from Symphony no. 6 in minor "Pathétique")
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Rafael Kubelík (conductor)
partial recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский5:22
5Rondo: Allegro vivace (Mvmt III from Horn Concerto no. 4 in E-flat major, K. 495)
producer:
David Groves (classical music producer at EMI)
horn:
Radovan Vlatković (hornist) (from 1985-11-07 until 1985-11-09)
orchestra:
English Chamber Orchestra (from 1985-11-07 until 1985-11-09)
conductor:
Jeffrey Tate (conductor) (from 1985-11-07 until 1985-11-09)
balance engineer:
Mark Vigars (engineer) (from 1985-11-07 until 1985-11-09)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-11-07 until 1985-11-09)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1985-11-07 until 1985-11-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:41
6(Piave): La donna é mobile (from Rigoletto, Act 3)
tenor vocals [Duca]:
Nicolai Gedda (tenor)
orchestra:
Orchestra of the Opera House, Rome
conductor:
Francesco Molinari‐Pradelli (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:59
7Coronation March (from Crown Imperial)
organ:
Noel Rawsthorne (British organist)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Sir Charles Groves (conductor)
recording of:
Crown Imperial (march)
composer:
William Walton (British composer and conductor) (in 1937)
publisher:
Oxford University Press
William Walton6:31
8Military Polonaise in A major, op. 40 no. 1
piano:
Daniel Adni (pianist)
recording of:
Polonaise in A major, op. 40 no. 1 “Military”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1838)
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 3), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 120) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 152)
part of:
Polonaises, op. 40
Fryderyk Chopin5:33
9Votre toast, je peux vous le rendre (Toredor's Song from Carmen, Act 2)
producer:
Michel Glotz
bass-baritone vocals [Escamillo]:
Robert Massard (baritone) (from 1964-07-06 until 1964-07-20)
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
chorus master:
Jean Laforge (choral conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
10Allegro giocoso, ma non troppo vivace (Mvmt III beginning from Violin Concerto in D major, op. 77)
violin:
Yehudi Menuhin (violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms2:54
11Prélude (from Te Deum)
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1990-11)
conductor:
Sir Neville Marriner (conductor) (in 1990-11)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (in 1990-11)
recording of:
Te Deum, H. 146: Prélude (in 1990-11)
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:52
12Allegro assai (Mvmt III from Brandenburg Concerto no. 2 in F major, BWV 1047)
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
oboe:
Celia Nicklin (oboist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Philip Pickett (musician) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
trumpet:
Mark Bennett (trumpeter) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
violin:
Kenneth Sillito (violinist) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:48
13(Ghislanzoni): Gloria all'Egitto (from Aida Act 2)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lamberto Gardelli (conductor)
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
Giuseppe Verdi1:35
14The Great Gate of Kiev (from Pictures at an Exhibition)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский5:24
15Prelude to Act 3 (from Lohengrin)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic)
conductor:
Mariss Jansons (Latvian conductor)
recording of:
Lohengrin, WWV 75: Akt III. Vorspiel
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner2:50
16(Piave): Libiamo ne'lieti calici (Brindisi from La traviata Act 1)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (from 1980-07-05 until 1980-07-15)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:50
17Conclusion (from 1812) (extract from Overture)
orchestra:
Oslo Philharmonic Orchestra (Oslo Philharmonic) (in 1987)
conductor:
Mariss Jansons (Latvian conductor) (in 1987)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
partial recording of:
The Year 1812, Festival Overture in E-flat major, op. 49 (in 1987)
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Пётр Ильич Чайковский3:30
4▶CD: Classical Moods: Dreams
5▶CD: Classical Moods: Passion