Wheels of Fire

~ Release by Cream (see all versions of this release, 32 available)

Annotation

24kt Gold Repress with 3 unlisted bonus track

Annotation last modified on 2019-06-08 14:04 UTC.

Tracklist

1CD: In the Studio
#TitleRatingLength
1White Room
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1968-06)
drums (drum set) and percussion and timpani:
Ginger Baker (from 1967-07 until 1968-06)
guitar:
Eric Clapton (from 1967-07 until 1968-06)
viola:
Felix Pappalardi (from 1967-07 until 1968-06)
vocals:
Jack Bruce (from 1967-07 until 1968-06)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
recorded at:
IBC Studios in London (Greater London) (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 368)
recording of:
White Room (from 1967-07 until 1968-06)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) and Jack Bruce
publisher:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music, Inc.
sub-publisher:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
4.25:02
2Sitting on Top of the World
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1967-09) and Tom Dowd (from 1967-07 until 1967-09)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1967-09)
drums (drum set):
Ginger Baker (from 1967-07 until 1967-09)
guitar:
Eric Clapton (from 1967-07 until 1967-09)
vocals:
Jack Bruce (from 1967-07 until 1967-09)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
IBC Studios in London (Greater London) (in 1967-07) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-09)
cover recording of:
Sittin’ on Top of the World (Chicago blues version by Howlin’ Wolf aka Chester Arthur Burnett) (from 1967-07 until 1967-09)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Chappell Morris Ltd.
version of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
45:02
3Passing the Time (long version)
recording engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass, calliope and lead vocals:
Jack Bruce
drums (drum set) and glockenspiel:
Ginger Baker
guitar:
Eric Clapton
organ [pedals]:
Felix Pappalardi
vocals:
Ginger Baker and Eric Clapton
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
Passing the Time (from 1968-02 until 1968-06)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd. and Unichappell Music, Inc.
25:49
4As You Said
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
acoustic guitar and cello:
Jack Bruce (from 1968-02 until 1968-06)
hi-hat:
Ginger Baker (from 1968-02 until 1968-06)
vocals:
Jack Bruce (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
As You Said (from 1968-02 until 1968-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp. and Unichappell Music, Inc.
34:23
5Pressed Rat and Warthog
recording engineer:
Adrian Barber (producer/engineer) (from 1967-10 until 1968-02) and Tom Dowd (from 1967-10 until 1968-02)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass and recorder:
Jack Bruce (from 1967-10 until 1968-02)
drums (drum set) and spoken vocals [recitation]:
Ginger Baker (from 1967-10 until 1968-02)
flute [tonette] and trumpet:
Felix Pappalardi (from 1967-10 until 1968-02)
guitar:
Eric Clapton (from 1967-10 until 1968-02)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-10, in 1968-02)
recording of:
Pressed Rat and Warthog (from 1967-10 until 1968-02)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Dratleaf Music Ltd. and Unichappell Music, Inc.
33:17
6Politician
recording engineer:
Adrian Barber (producer/engineer) (from 1967-10 until 1968-02) and Tom Dowd (from 1967-10 until 1968-02)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-10 until 1968-02)
drums (drum set):
Ginger Baker (from 1967-10 until 1968-02)
guitar:
Eric Clapton (from 1967-10 until 1968-02)
vocals:
Jack Bruce (from 1967-10 until 1968-02)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-10, in 1968-02)
recording of:
Politician (from 1967-10 until 1968-02)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.54:15
7Those Were the Days
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass and lead vocals:
Jack Bruce (from 1968-02 until 1968-06)
drums (drum set), marimba and tubular bells:
Ginger Baker (from 1968-02 until 1968-06)
guitar:
Eric Clapton (from 1968-02 until 1968-06)
handbell [Swiss hand bells]:
Felix Pappalardi (from 1968-02 until 1968-06)
vocals:
Eric Clapton (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
Those Were the Days (from 1968-02 until 1968-06)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
32:57
8Born Under a Bad Sign
recording engineer:
Adrian Barber (producer/engineer) (from 1967-07 until 1967-09) and Tom Dowd (from 1967-07 until 1967-09)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-07 until 1967-09)
drums (drum set) and tambourine:
Ginger Baker (from 1967-07 until 1967-09)
guitar:
Eric Clapton (from 1967-07 until 1967-09)
vocals:
Jack Bruce (from 1967-07 until 1967-09)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
IBC Studios in London (Greater London) (from 1967-07 until 1967-08) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-09)
cover recording of:
Born Under a Bad Sign (from 1967-07 until 1967-09)
lyricist:
William Bell
composer:
Booker T. Jones
publisher:
Cotillion Music Inc. (BMI), Irving Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music, Inc.
43:13
9Deserted Cities of the Heart
recording engineer:
Adrian Barber (producer/engineer) (from 1968-02 until 1968-06) and Tom Dowd (from 1968-02 until 1968-06)
engineer:
Adrian Barber (producer/engineer) and Tom Dowd
producer:
Felix Pappalardi
acoustic guitar, bass and cello:
Jack Bruce (from 1968-02 until 1968-06)
drums (drum set):
Ginger Baker (from 1968-02 until 1968-06)
guitar:
Eric Clapton (from 1968-02 until 1968-06)
viola:
Felix Pappalardi (from 1968-02 until 1968-06)
vocals:
Jack Bruce (from 1968-02 until 1968-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
Deserted Cities of the Heart (from 1968-02 until 1968-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp., Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
33:43
10Anyone for Tennis
producer:
Felix Pappalardi
bass, organ and piano:
Jack Bruce (in 1968-02)
drums (drum set) and percussion:
Ginger Baker (in 1968-02)
guitar:
Eric Clapton (in 1968-02)
mellotron and viola:
Felix Pappalardi (in 1968-02)
vocals:
Ginger Baker (in 1968-02) and Jack Bruce (in 1968-02)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968), Robert Stigwood Organisation Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-10)
recording of:
Anyone for Tennis? (The Savage Seven Theme) (from 1967-10 until 1968-02)
writer:
Eric Clapton and Martin Sharp (Australian artist, cartoonist, songwriter & filmmaker)
publisher:
Dratleaf Music Ltd., Unichappell Music, Inc. and Warner Chappell Music, Inc.
42:43
11Sitting on Top of the World (alt. mix)
recorded at:
IBC Studios in London (Greater London) (in 1967-07) and Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1967-09)
cover recording of:
Sittin’ on Top of the World (Chicago blues version by Howlin’ Wolf aka Chester Arthur Burnett) (from 1967-07 until 1967-09)
lyricist and composer:
Chester Arthur Burnett
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Chappell Morris Ltd.
version of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
35:02
12As You Said (alt. mix)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
As You Said (from 1968-02 until 1968-06)
lyricist:
Pete Brown (UK poet & producer, with Cream and Jack Bruce)
composer:
Jack Bruce
publisher:
Casserole Music Corp. and Unichappell Music, Inc.
34:24
13Passing the Time (alt. mix)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (in 1968-02, in 1968-06)
recording of:
Passing the Time (from 1968-02 until 1968-06)
writer:
Ginger Baker and Mike Taylor (British jazz pianist and composer)
publisher:
Casserole Music Corp., Dratleaf Music Ltd. and Unichappell Music, Inc.
34:33
2CD: Live at the Fillmore

Credits

Release

printed in:United States