Sounds of the Seventies: 1978, Take Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Track 7 is different from http://musicbrainz.org/release/97149cd2-9a3a-4a88-b2ec-347c4c2bda29.

Anmerkung zuletzt geändert am 2013-02-26 05:56 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:36
2I'm Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Bearbeitung von:
I’m Every Woman (remix version by Dancin’ Danny D) von Chaka Khan
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:34
3Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.33:24
4It's a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:35
5Wonderful Tonight
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Wonderful Tonight
Texter und Komponist(in):
Eric Clapton
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton53:11
6Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London) (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:47
7Every Kinda People
recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer3:19
8What's Your Name
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
recording of:
What’s Your Name
Verfasser(in):
Gary Rossington und Ronnie Van Zant
publisher:
Duchess Music Corporation (BMI-affiliated)
Lynyrd Skynyrd53:35
9Jack and Jill
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
recording of:
Jack & Jill
Texter und Komponist(in):
Ray Parker Jr.
publisher:
EMI Music Publishing (do not use as a release label!) und Raydiola Music
Raydio53:36
10The Groove Line
assistierende(r) Techniker(in):
Mike Hedges (UK producer/recording engineer) und Andy Jackson (UK recording engineer/prog musician)
Techniker(in) und Mix:
James Guthrie
Produzent(in):
Barry Blue (singer, producer, and songwriter)
assistierende(r) Mix:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
Orchestrator(in):
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recording of:
The Groove Line
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:20
11September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:39
12Flashlight
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 92), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 199) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 252)
recording of:
Flash Light
Verfasser(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) und Bernie Worrell (keyboardist, composer and record producer)
publisher:
Bridgeport Music, Inc., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Rick’s Music, Inc. (publishing company associated with Casablanca) und Rubberband Music, Inc.
Parliament4.44:28
13Reminiscing
recorded in:
Australien
produced in:
Australien
Produzent(in):
John Boylan und Little River Band
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978) und EMI Australia (company credits only; file no releases here!) (in 1978)
recording of:
Reminiscing
Texter und Komponist(in):
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band53:32
14Baby Come Back
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player53:33
15Imaginary Lover
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
recording of:
Imaginary Lover
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix
publisher:
Low-Sal Music Co.
Atlanta Rhythm Section54:10
16Back in the U.S.A.
recording engineer:
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Dan Dugmore und Waddy Wachtel
Klavier:
Don Grolnick
Schlagzeug [drums]:
Russell Kunkel (session drummer)
Hintergrundgesang:
Peter Asher, Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) und Waddy Wachtel
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles (in 1978-05)
cover recording of:
Back in the U.S.A.
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Arc Music Corp. (U.S. rock & blues publisher)
Linda Ronstadt52:59
17Can We Still Be Friends
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1978)
recording of:
Can We Still Be Friends
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Todd Rundgren53:13
18Strange Way
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
Bearbeitung von:
Strange Way von Firefall
recording of:
Strange Way (Firefall song)
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
El Sueno Music, Stephen Stills Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Firefall53:58
19Follow You Follow Me
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Follow You Follow Me
Texter:
Mike Rutherford
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) und Hit and Run Music (in 1978)
Genesis3.53:23
20You Belong to Me
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 59)
cover recording of:
You Belong to Me (Carly Simon/Michael McDonald song)
Verfasser(in):
Michael McDonald (R&B & soul singer) und Carly Simon
publisher:
C’est Music, Kobalt Music Publishing Ltd. (UK), Snug Music und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Carly Simon53:13

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