The Classic 100 Opera, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

ABC Classic FM compilation.

Anmerkung zuletzt geändert am 2025-02-02 13:38 UTC.

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Carmen : « L’Amour est un oiseau rebelle »
Mezzosoprangesang:
Lauris Elms
Orchester:
West Australian Symphony Orchestra
conductor:
Geoffrey Arnold (conductor)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet3:44
2Don Giovanni: Atto II. “Don Giovanni, a cenar teco”
Bass-Gesang [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer)
Bass-Gesang [Leporello]:
Michele Pertusi (operatic bass)
Bass-Gesang [The Statue]:
Mario Luperi (Italian bass)
Chorgesang:
London Voices
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:10
3Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
Mezzosoprangesang:
Lauris Elms
Orchester:
West Australian Symphony Orchestra
conductor:
Geoffrey Arnold (conductor)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
Komponist(in):
Camille Saint‐Saëns (composer)
Teil von:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:36
4Aida: Gloria all’Egitto
Chorgesang:
Coro del Teatro alla Scala di Milano
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Lorin Maazel (conductor)
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Teil von:
Aida: Atto II
Giuseppe Verdi9:33
5Le nozze di Figaro: Atto IV. “Pace, pace”
Baritongesang [Count]:
George London (bass-baritone)
Baritongesang [Figaro]:
Erich Kunz (baritone)
Bass-Gesang [Antonio]:
Wilhelm Felden (classical bass vocalist)
Bass-Gesang [Bartolo]:
Marjan Rus (Slovenian operatic bass)
Chorgesang:
Chorus of the Vienna State Opera (Chor der Wiener Staatsoper)
Soprangesang [Countess]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
Soprangesang [Susanna]:
Irmgard Seefried (soprano)
Tenor-Gesang [Don Basilio]:
Erich Majkut (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Figaro, Susanna, Il Conte)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart7:11
6La Wally: “Ebben?”
Soprangesang:
Yvonne Kenny (Australian soprano)
Orchester:
Melbourne Symphony Orchestra
conductor:
Vladimir Kamirski (conductor)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
Alfredo Catalani4:02
7Lucia di Lammermoor: Atto II. “Chi mi frena”
Baritongesang:
Malcolm Donnelly (Australian baritone opera singer)
Bass-Gesang:
Clifford Grant (operatic bass and actor)
Chorgesang:
Opera Australia Chorus
Mezzosoprangesang:
Patricia Price (mezzo-soprano)
Soprangesang:
Joan Sutherland (soprano)
Tenor-Gesang:
Sergei Baigildin (tenor) und Richard Greager (tenor)
Orchester:
Elizabethan Sydney Orchestra
conductor:
Richard Bonynge (conductor and pianist)
live recording of:
Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
Teil von:
Lucia di Lammermoor: Atto II
Gaetano Donizetti4:00
8Tosca: Atto II. “Vissi d’arte”
Soprangesang:
Rita Hunter (soprano)
Orchester:
Tasmanian Symphony Orchestra
conductor:
Dobbs Franks (conductor)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:17
9Tosca: Atto I. “Tre sbirri, una carrozza”
Baritongesang:
Tito Gobbi (baritone)
Chorgesang:
Coro del Teatro alla Scala di Milano
Tenor-Gesang:
Angelo Mercuriali (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:27
10Le nozze di Figaro: Atto III. “Dove sono i bei momenti”
Soprangesang:
Isobel Buchanan (soprano)
Orchester:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:33
11Der Rosenkavalier: “Mir ist die Ehre widerfahren”
Mezzosoprangesang:
Susan Graham (mezzo-soprano)
Soprangesang:
Barbara Bonney (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Christoph Eschenbach (pianist and conductor)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
Komponist(in):
Richard Strauss (German composer) (von 1909 bis 1910)
Librettist:
Hugo von Hofmannsthal
Teil von:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:18
12Don Giovanni: “Là ci darem la mano”
Baritongesang:
John Pringle (baritone)
Soprangesang:
Isobel Buchanan (soprano)
Orchester:
Queensland Symphony Orchestra (aka The Queensland Orchestra between 2001–2010)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:08
13Cavalleria rusticana: Easter Hymn
Chorgesang:
London Opera Chorus
Soprangesang:
Júlia Várady (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Gianandrea Gavazzani (conductor)
recording of:
Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn)
Komponist(in):
Pietro Mascagni (composer & conductor)
Librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
Pietro Mascagni5:24
4▶CD

Nennungen

Veröffentlichung

leitende(r) Produzent(in):Lyle Chan (executive producer at ABC Classics and ABC Jazz)