Queen of Soul: The Atlantic Recordings

~ Veröffentlichung von Aretha Franklin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Spirit in the Dark (reprise)
Techniker(in):
Ray Thompson (engineer)
Produzent(in):
Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
baritone saxophone:
Jimmy Mitchell (saxophone) (am 1971-02-07)
Bass:
Jerry Jemmott (am 1971-02-07)
Conga:
Pancho Morales (am 1971-02-07)
Gitarre:
Cornell Dupree (am 1971-02-07)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1971-02-07) und Aretha Franklin (am 1971-02-07)
Orgel:
Billy Preston (am 1971-02-07)
Posaune:
Jack Hale (trombone) (am 1971-02-07)
Schlagzeug:
Bernard Purdie (am 1971-02-07)
Solo-Sopransaxophon und Solo-Tenorsaxophon:
King Curtis (saxophonist) (am 1971-02-07)
Tenorsaxophon:
Andrew Love (am 1971-02-07)
Trompete:
Roger Hopps (am 1971-02-07) und Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-07)
Hintergrundgesang:
Margaret Branch (am 1971-02-07), Brenda Bryant (am 1971-02-07) und Pat Smith (soul vocalist) (am 1971-02-07)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1971-02-07) und Aretha Franklin (am 1971-02-07)
arranger:
Arif Mardin
aufgenommen bei:
Fillmore West in San Francisco (am 1971-02-07)
live cover recording of:
Spirit in the Dark (am 1971-02-07)
Texter und Komponist(in):
Aretha Franklin
publisher:
Springtime Music, Inc.
Aretha Franklin feat. Ray Charles8:15
2How I Got Over (live)
Assistent recording engineer:
Jimmy Douglass (engineer), Gene Paul und George Piros
recording engineer:
Ray Thompson (engineer)
Techniker(in):
Wally Heider und Ray Thompson (engineer)
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix und Editing:
Arif Mardin
Bassgitarre:
Chuck Rainey (American bassist) (von 1972-01-13 bis 1972-01-14)
Conga:
Pancho Morales (von 1972-01-13 bis 1972-01-14)
Gitarre:
Cornell Dupree (von 1972-01-13 bis 1972-01-14)
Klavier:
Rev. James Cleveland (von 1972-01-13 bis 1972-01-14)
Orgel:
Ken Lupper (von 1972-01-13 bis 1972-01-14)
Schlagzeug:
Bernard “Pretty” Purdie (von 1972-01-13 bis 1972-01-14)
Hintergrundgesang:
Southern California Community Choir (von 1972-01-13 bis 1972-01-14)
Sologesang:
Aretha Franklin (von 1972-01-13 bis 1972-01-14)
chorus master:
Rev. James Cleveland (von 1972-01-13 bis 1972-01-14)
arranger:
Aretha Franklin
aufgenommen bei:
New Temple Missionary Baptist Church in Los Angeles (von 1972-01-13 bis 1972-01-14)
live cover recording of:
How I Got Over (von 1972-01-13 bis 1972-01-14)
Texter und Komponist(in):
Clara Ward
publisher:
Willa Ward Publishing (ASCAP-affiliated)
Aretha Franklin4:20
3So Swell When You’re Well
recording engineer:
Phil Schier (in 1972-04)
Techniker(in):
Phil Schier
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Quincy Jones und Phil Schier
Klavier:
Aretha Franklin (in 1972-04)
vocals:
Aretha Franklin (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
So Swell When You’re Well (in 1972-04)
Verfasser(in):
Aretha Franklin
Aretha Franklin4:16
4Master of Eyes (The Deepness of Your Eyes)
recording engineer:
Phil Schier (am 1972-08-25)
Techniker(in):
Phil Schier
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Quincy Jones und Phil Schier
Klavier:
Aretha Franklin (am 1972-08-25)
vocals:
Aretha Franklin (am 1972-08-25)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (am 1972-08-25)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Master of Eyes (The Deepness of Your Eyes) (am 1972-08-25)
Verfasser(in):
Aretha Franklin und Bernice Hart
Aretha Franklin3:25
5Somewhere
recording engineer:
Phil Schier (in 1972-04)
Techniker(in):
Phil Schier
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Quincy Jones und Phil Schier
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1972-04)
Klavier:
Aretha Franklin (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1972-04)
Texter:
Stephen Sondheim
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
West Side Story: Ballet Sequence
Aretha Franklin6:17
6I’m in Love
Techniker(in):
Phil Ramone
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Stanley Clarke (am 1973-04-10)
Gitarre:
Cornell Dupree (am 1973-04-10) und David Spinozza (am 1973-04-10)
Klavier:
Donny Hathaway (am 1973-04-10)
Perkussion:
Ralph MacDonald (am 1973-04-10)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (am 1973-04-10)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (am 1973-04-10), Gwen Guthrie (US singer, songwriter & pianist) (am 1973-04-10), Cissy Houston (am 1973-04-10) und Deidre Tuck (am 1973-04-10)
Sologesang:
Aretha Franklin (am 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1973-04-10)
cover recording of:
I’m in Love (am 1973-04-10)
Texter und Komponist(in):
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) und Tracebob Music Co.
Aretha Franklin2:50
7Ain’t Nothing Like the Real Thing
Techniker(in):
Phil Ramone
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Stanley Clarke (am 1973-04-10)
Gitarre:
David Spinozza (am 1973-04-10)
Keyboard:
Donny Hathaway (am 1973-04-10) und Bob James (US jazz keyboardist, arranger and producer) (am 1973-04-10)
Perkussion:
Ralph MacDonald (am 1973-04-10)
Schlagzeug:
Rick Marotta (US drummer/percussionist) (am 1973-04-10)
Hintergrundgesang:
Judy Clay (American soul and gospel singer) (am 1973-04-10), Cissy Houston (am 1973-04-10), Sylvia Shemwell (am 1973-04-10) und Myrna Smith (am 1973-04-10)
Sologesang:
Aretha Franklin (am 1973-04-10)
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1973-04-10)
cover recording of:
Ain’t Nothing Like the Real Thing (am 1973-04-10)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Aretha Franklin3:48
8Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:26
9Every Natural Thing
Techniker(in):
Gene Paul
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-08-13)
Gitarre:
Cornell Dupree (am 1973-08-13)
Hybrid-Piano und Orgel:
Richard Tee (am 1973-08-13)
Klavier und Sologesang:
Aretha Franklin (am 1973-08-13)
Perkussion:
Ralph MacDonald (am 1973-08-13) und Pancho Morales (am 1973-08-13)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-08-13)
Solo-Tenorsaxophon:
Joe Farrell (am 1973-08-13)
Hintergrundgesang:
Margaret Branch (am 1973-08-13), Ann S. Clark (am 1973-08-13) und Pat Smith (soul vocalist) (am 1973-08-13)
arranger:
Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1973-08-13)
recording of:
Every Natural Thing (am 1973-08-13)
Texter und Komponist(in):
Eddie Hinton
Aretha Franklin2:35
10Without Love
recording engineer:
Gene Paul (am 1974-01-14)
Techniker(in):
Gene Paul
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin und Gene Paul
Bass:
Gordon Edwards (funk/soul bassist) (am 1974-01-14)
Gitarre:
Cornell Dupree (am 1974-01-14) und Hugh McCracken (am 1974-01-14)
Hybrid-Piano:
Richard Tee (am 1974-01-14)
Klavier:
Aretha Franklin (am 1974-01-14)
Schlagzeug:
Bernard Purdie (am 1974-01-14)
vocals:
Aretha Franklin (am 1974-01-14)
Saiteninstrumente arranger:
Arif Mardin
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Aretha Franklin (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1974-01-14)
recording of:
Without Love (am 1974-01-14)
Verfasser(in):
Carolyn Franklin und Ivy Jo Hunter
Aretha Franklin3:49
11With Everything I Feel in Me
recording engineer:
Gene Paul (am 1974-01-15)
Techniker(in):
Gene Paul
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin und Gene Paul
baritone saxophone:
James Mitchell (US saxophonist/arranger) (am 1974-01-15)
Bass:
Chuck Rainey (American bassist) (am 1974-01-15)
Gitarre:
Cornell Dupree (am 1974-01-15) und Hugh McCracken (am 1974-01-15)
Horn:
The Memphis Horns (am 1974-01-15)
Klavier:
Aretha Franklin (am 1974-01-15)
Orgel:
Richard Tee (am 1974-01-15)
Posaune:
Jack Hale (trombone) (am 1974-01-15)
Schlagzeug:
Grady Tate (am 1974-01-15)
Tenorsaxophon:
Ed Logan (am 1974-01-15) und Andrew Love (am 1974-01-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1974-01-15)
Hintergrundgesang:
Margaret Branch (am 1974-01-15), Brenda Bryant (am 1974-01-15) und Pat Smith (soul vocalist) (am 1974-01-15)
concertmaster:
Gene Orloff
phonographisches Urheberrecht (℗) von:
Aretha Franklin (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1974-01-15)
recording of:
With Everything I Feel in Me (am 1974-01-15)
Verfasser(in):
Aretha Franklin
Aretha Franklin3:55
12Mr. D.J. (5 for the D.J.)
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Aretha Franklin und Jerry Wexler
Mix:
Aretha Franklin und David Hassinger
Bass:
Scott Edwards (bassist) (am 1975-04-15) und Tony Newton (am 1975-04-15)
Conga:
Bobbye Hall (am 1975-04-15)
Gitarre:
Jay Graydon (am 1975-04-15), Ray Parker Jr. (am 1975-04-15), Lee Ritenour (am 1975-04-15) und David T. Walker (am 1975-04-15)
Keyboard:
Clarence McDonald (am 1975-04-15) und Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) (am 1975-04-15)
Klavier:
Aretha Franklin (am 1975-04-15)
Perkussion:
Gary Coleman (US percussionist) (am 1975-04-15)
Schlagzeug:
Ed Greene (drummer) (am 1975-04-15)
Hintergrundgesang:
Margaret Branch (am 1975-04-15), Brenda Bryant (am 1975-04-15), Cissy Houston (am 1975-04-15) und Pam Vincent (am 1975-04-15)
vocals:
Aretha Franklin (am 1975-04-15)
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Aretha Franklin (in 1975)
aufgenommen bei:
Whitney Recording Studios in Glendale (am 1975-04-15)
recording of:
Mr. DJ (5 for the D.J.) (am 1975-04-15)
Verfasser(in):
Aretha Franklin
Aretha Franklin4:25
13Look Into Your Heart
Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bass:
Joseph Scott (US funk/soul bassist) (in 1976-04)
Gitarre:
Curtis Mayfield (in 1976-04), Gary Thompson (guitarist) (in 1976-04) und Phil Upchurch (in 1976-04)
Keyboard:
Curtis Mayfield (in 1976-04)
Schlagzeug:
Quinton Joseph (in 1976-04)
Hintergrundgesang:
Kitty Haywood Singers (in 1976-04)
vocals:
Aretha Franklin (in 1976-04)
arranger:
Curtis Mayfield und Richard Tufo
aufgenommen bei:
Curtom Studios in Chicago (in 1976-04)
cover recording of:
Look Into Your Heart (in 1976-04)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin4:03
14Sparkle
recording engineer und Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bass:
Joseph Scott (US funk/soul bassist) (in 1976-04)
Gitarre:
Curtis Mayfield (in 1976-04), Gary Thompson (guitarist) (in 1976-04) und Phil Upchurch (in 1976-04)
Keyboard:
Curtis Mayfield (in 1976-04)
Schlagzeug:
Quinton Joseph (in 1976-04)
Hintergrundgesang:
Kitty Haywood Singers (in 1976-04)
vocals:
Aretha Franklin (in 1976-04)
arranger:
Curtis Mayfield und Richard Tufo
Orchestrator(in):
Richard Tufo
aufgenommen bei:
Curtom Studios in Chicago (in 1976-04)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Sparkle (in 1976-04)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music, Inc.
Aretha Franklin4:12
15Rock With Me
recording engineer und Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bass:
Joseph Scott (US funk/soul bassist) (in 1976-04)
Gitarre:
Curtis Mayfield (in 1976-04), Gary Thompson (guitarist) (in 1976-04) und Phil Upchurch (in 1976-04)
Keyboard:
Curtis Mayfield (in 1976-04)
Schlagzeug:
Quinton Joseph (in 1976-04)
Hintergrundgesang:
Kitty Haywood Singers (in 1976-04)
vocals:
Aretha Franklin (in 1976-04)
arranger:
Curtis Mayfield und Richard Tufo
Orchestrator(in):
Richard Tufo
aufgenommen bei:
Curtom Studios in Chicago (in 1976-04)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Rock With Me (in 1976-04)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Aretha Franklin3:11
16Break It to Me Gently
recording engineer:
Frank Kejmar (engineer) (am 1976-07-13)
Techniker(in):
Frank Kejmar (engineer)
Koproduzent(in):
David Paich und Marty Paich
Produzent(in):
Carole Bayer Sager und Marvin Hamlisch
Bass:
Chuck Rainey (American bassist) (am 1976-07-13)
Conga:
Joe Clayton (am 1976-07-13)
Gitarre:
Ray Parker Jr. (am 1976-07-13) und Lee Ritenour (am 1976-07-13)
Keyboard:
David Paich (am 1976-07-13) und Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) (am 1976-07-13)
Schlagzeug:
Harold Mason (drums) (am 1976-07-13)
phonographisches Urheberrecht (℗) von:
Aretha Franklin (in 1977)
aufgenommen bei:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles (am 1976-07-13) und Whitney Recording Studios in Glendale (am 1976-07-13)
mixed at:
Studio 55 in Los Angeles
recording of:
Break It to Me Gently (am 1976-07-13)
Verfasser(in):
Carole Bayer Sager und Marvin Hamlisch
Aretha Franklin3:21
17Something He Can Feel
recording engineer und Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
arranger:
Curtis Mayfield und Richard Tufo
Orchestrator(in):
Richard Tufo
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 9)
recording of:
Something He Can Feel (von 1975-04-15 bis 1976-04)
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1975 bis heute)
Aretha Franklin46:19

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten