Timeless Tales (For Changing Times)

~ Release by Joshua Redman (see all versions of this release, 2 available)

Annotation

Recorded at Avatar Studios, New York City
Mixed at River Sound, New York City
Mastered at Masterdisk, New York City

℗ © 1998 Warner Bros. Records Inc.
Made in Germany

Issued in a jewel case with a four-fold leaflet.

Rights Society: GEMA/BIEM
Rights Society (Tracks 1, 3, 4, 6, 9, 11, 13, 17): ASCAP
Rights Society (Track 7): SESAC
Rights Society (Tracks 2, 5, 8, 10, 12, 14 to 16): BMI
Label Code: LC 0392
Price Code: WE 833
Matrix / Runout (Variant 1): [Warner logo] 936247052-2 07/98
Mastering SID Code (Variant 1): IFPI L012
Mould SID Code (Variant 1): IFPI 0509
Matrix / Runout (Variant 2): [Warner logo] 936247052-2 07/98
Mastering SID Code (Variant 2): IFPI L012
Mould SID Code (Variant 2): IFPI 05N4
Matrix / Runout (Variant 3): [Warner logo] 936247052-2 07/98
Mastering SID Code (Variant 3): IFPI L012
Mould SID Code (Variant 3): IFPI 0506

Annotation last modified on 2024-01-03 19:01 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Summertime
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
6:17
2Interlude 1
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:45
3Visions
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
cover recording of:
Visions
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
4:25
4Yesterdays
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
7:20
5Interlude 2
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:35
6I Had a King
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
5:40
7The Times They Are A-Changin'
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
cover recording of:
The Times They Are A‐Changin’
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
5:08
8Interlude 3
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:20
9It Might as Well Be Spring
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
6:28
10Interlude 4
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:14
11How Deep Is the Ocean
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
4:04
12Interlude 5
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:25
13Love for Sale
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
6:31
14Interlude 6
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:59
15Eleanor Rigby
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
cover recording of:
Eleanor Rigby
written in:
London (Greater London) (in 1965) and Weybridge (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood (in 1966)
8:47
16Interlude 7
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
0:35
17How Come U Don't Call Me Anymore
assistant engineer:
Jay A. Ryan (recording engineer) and Aya Takemura
engineer:
James Farber (sound engineer)
producer:
James Farber (sound engineer) and Joshua Redman (tenor saxophonist)
bass:
Larry Grenadier
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
piano:
Brad Mehldau (American jazz pianist, composer, and arranger)
tenor saxophone:
Joshua Redman (tenor saxophonist)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
mixed at:
River Sound Studio in New York, New York, United States
5:00

Credits

Release

mastered at:Masterdisk in New York, New York, United States