50 Years of Australian Rock & Roll

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleArtistRatingLength
1Pressure Down
assistant engineer:
Michael Wickow (engineer)
engineer:
Doug Brady (engineer)
producer:
Ross Fraser
guitar:
Brett Garsed
keyboard:
David Hirschfelder (Australian score composer)
arranger:
John Farnham, Ross Fraser and David Hirschfelder (Australian score composer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1986), Wheatley Records (label founded by Glenn Wheatley) (in 1986) and Wheatley Records Pty. Ltd. (in 1986, in 1987)
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne
recording of:
Pressure Down
lyricist and composer:
Harry Bogdanovs
publisher:
Irving Music, Inc., Rondor Music and Rondor Music (Australia) Pty Ltd
John Farnham43:45
2She’s the One
phonographic copyright (℗) by:
Regular Records (Australian label) (in 1987)
recording of:
She’s the One
writer:
John Field (Australian songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
The Cockroaches2:34
3Run to Paradise
bass:
Ian Hulme
drums (drum set):
Lindsay Tebbutt
guitar:
Brad Carr and Mark Gable
vocals:
Mark Gable
phonographic copyright (℗) by:
Mushroom Records (in 1987)
recording of:
Run to Paradise
writer:
Brad Carr and Mark Gable
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Publishing
Choirboys44:10
4Take Me Back
bass:
Steve Balbi
drums (drum set):
Kevin Nicol
guitar:
Stuart Fraser
keyboard:
Justin Stanley
vocals:
Jon Stevens (Australian/NZ rock singer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1987)
recorded at:
Rhinoceros Studios in Sydney (from 1987-04-13 to ????)
recording of:
Take Me Back
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Greenstone Music, peermusic (“Peermusic—the global independent”) and Warner Chappell
Noiseworks53:29
5What’s My Scene
bass:
Clyde Bramley
drums (drum set):
Mark Kingsmill
guitar:
Dave Faulkner (David Faulkner) and Brad Shepherd
harmonica:
Brad Shepherd
keyboard:
Dave Faulkner (David Faulkner)
vocals:
Dave Faulkner (David Faulkner)
phonographic copyright (℗) by:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
writer:
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) and Sony/ATV Music Publishing
Hoodoo Gurus3.353:49
6That Ain’t Bad
recording of:
That Ain’t Bad
writer:
Simon Day (Australian musician, member of Ratcat)
Ratcat34:00
7You I Know
phonographic copyright (℗) by:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1987)
recording of:
You I Know
writer:
Neil Finn
publisher:
Mushroom Music (Mushroom label’s publishing company)
Jenny Morris4:09
8I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) and Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
recorded at:
BMG Recording Studios in Theater District
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen
part of:
triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:45
9Better
phonographic copyright (℗) by:
rooArt (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 100)
recording of:
Better
writer:
Grant Walmsley
publisher:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets4:39
10Treaty
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1991)
part of:
triple j’s Hottest 100 of Australian Songs (number: 36)
recording of:
Treaty
writer:
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu and Mandawuy Yunupingu
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing and Yothu Yindi Music
Yothu Yindi4:05
11The Honeymoon Is Over
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1993) and Polydor Records Australia (in 1993)
recording of:
The Honeymoon Is Over
writer:
James Cruikshank, Tex Perkins (Australian singer-songwriter Greg Perkins) and Dan Rumour
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Cruel Sea2.53:09
12Green Limousine
recording of:
Green Limousine (The Badloves song)
writer:
Michael Spiby
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
The Badloves3:49
13Tomorrow
recording engineer and mixer:
Kevin Shirley (producer & mixer)
producer:
Kevin ‘Caveman’ Shirley (producer & mixer)
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1995)
recorded at:
Festival Studio in Pyrmont (Pyrmont, New South Wales)
mixed at:
Eclipse Studio in Sydney
part of:
triple j’s Hottest 100 of Australian Songs (number: 17)
recording of:
Tomorrow
lyricist and composer:
Ben Gillies and Daniel Johns
publisher:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (from 1997-10-14 until 2020-12-15) and Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (from 2020-12-15 to present)
Silverchair4.14:28
14Berlin Chair
assistant recording engineer:
Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03) and Brent Sigmeth (from 1993-07-27 until 1993-08-03)
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
recorded at:
Pachyderm Recording Studio in Cannon Falls (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Music in New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 81)
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.52:38
15Just Ace
assistant recording engineer:
Greg Courtney (in 1997-02)
recording engineer:
Phillip McKellar (Australian producer and engineer) (in 1997-02)
producer:
Grinspoon and Phillip McKellar (Australian producer and engineer) (in 1997-02)
assistant mixer:
Aaron Pratley (in 1997-04)
mixer:
Phillip McKellar (Australian producer and engineer) (in 1997-04)
phonographic copyright (℗) by:
Universal Music Australia (see annotation before using) (in 1997)
recorded at:
Rockinghorse in Byron Bay (Byron Bay, New South Wales) (in 1997-02)
mixed at:
Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales) (in 1997-04)
produced at:
RockingHorse Studios in Byron Bay (Byron Bay, New South Wales) (in 1997-02)
recording of:
Just Ace (in 1997-02)
writer:
Phil Jamieson (Australian musician)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Shock Music Publishing Pty. Ltd.
Grinspoon31:49
16Second Solution (single version)
recording engineer, producer and mixer:
Lindsay Gravina (engineer & guitarist)
bass guitar:
Scott Owen (The Living End bassist)
drums (drum set):
Travis Demsey
guitar:
Chris Cheney (The Living End frontman)
vocals:
Chris Cheney (The Living End frontman)
recorded at and mixed at:
Birdland Studios (Melbourne, Australia) in Melbourne
produced at:
Birdland Studios (Melbourne, Australia) in Melbourne
recording of:
Second Solution
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Living End33:11
17Are You Gonna Be My Girl
additional engineer:
Greg Gordon (producer/engineer)
assistant engineer:
Evil Chris
engineer:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
producer and mixer:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
additional guitar:
Brooklyn’s own Dave Sardy (American score composer)
bass guitar:
Mark Wilson (Bass player for Jet)
drums (drum set):
Chris Cester
guitar:
Cam Muncey and Nic Cester
vocals:
Cam Muncey, Chris Cester and Nic Cester
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
recorded at:
Larrabee East in Los Angeles and Sunset Sound in Hollywood
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles
music videos:
Are You Gonna Be My Girl by Jet (Australian garage rock band)
part of:
triple j’s Hottest 100 of Australian Songs (number: 23), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2003), Sean Michaels: The Top 30 Songs of 2003 (number: runner-up) and Indie 88: Top 500 Indie Rock Songs (number: 364)
recording of:
Are You Gonna Be My Girl
writer:
Nic Cester and Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:37
18Get Free
recording engineer:
Doug Boehm (from 2001-07 until 2002-02)
producer:
Rob Schnapf (producer and audio engineer)
assistant mixer:
Brian Douglass
mixer:
Andy Wallace (engineer) (in 2001)
additional percussion:
Ethan Johns and Steven Rhodes (Engineer)
bass:
Patrick Matthews (from 2001-07 until 2002-02)
drums (drum set):
Joey Waronker (from 2001-07 until 2002-02)
electric guitar, tambourine, background vocals and lead vocals:
Craig Nicholls (from 2001-07 until 2002-02)
vocals:
Craig Nicholls
phonographic copyright (℗) by:
Engine Room Music Pty Limited (in 2002)
recorded at:
The Sound Factory (1982–2017) in Hollywood (from 2001-07 until 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank (in 2001)
recording of:
Get Free (Vines song) (from 2001-07 until 2002-02)
lyricist and composer:
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:07
19On My Way
producer:
Andy Baldwin (Australian producer, currently at Rola Pola Studio)
recording of:
On My Way
writer:
Janet English, Kram (singer/drummer from Spiderbait) and Damian Whitty
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait3:25
20Someday, Someday
Thirsty Merc34:31
21Woman
engineer:
Ryan Castle
producer and mixer:
David Sardy (American score composer)
editor:
Andy Brohard
bass and keyboard:
Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew)
drums (drum set):
Myles Heskett
guitar:
Andrew Stockdale
vocals:
Andrew Stockdale
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Woman (Wolfmother song)
writer:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) and Andrew Stockdale
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.452:58
22Black Fingernails, Red Wine
phonographic copyright (℗) by:
Mushroom Records Pty Limited (in 2006)
recorded at:
The Grove Studios in New South Wales (in 2004)
part of:
triple j’s Hottest 100 of Australian Songs (number: 78)
recording of:
Black Fingernails, Red Wine (in 2004)
composer:
Stuart MacLeod, Joel Quartermain and Kav Temperley
publisher:
Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Eskimo Joe34:09

Credits

Release

manufactured by and marketed by:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)
copyrighted (©) by:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (from 2007 to present)