Star Trek (The Deluxe Edition)

~ Veröffentlichung von Michael Giacchino (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Anmerkung

Codes, Numbers, Etc.

Unless otherwise noticed, the following may help to identify this release, however other (not yet listed) sets of that data may match this release as well and should be added below:

Set 1

Added by calestyo.

Medium 1

Matrix Number: VCL041011081 1R
Master SID Code: IFPI L241
Mould SID Code: IFPI 4150
Stamper: 01
Other Inscriptions Near The Hub: none
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 2

Matrix Number: VCL041011082 2N
Master SID Code: IFPI L250
Mould SID Code: IFPI 4155
Stamper: 01
Other Inscriptions Near The Hub: none
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Miscellaneous

Limited release of 5000 units.

Anmerkung zuletzt geändert am 2016-01-10 04:49 UTC.

Titelliste

1CD
2CD
Nr.TitelBewertungLänge
1Nice to Meld You
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Nice to Meld You
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
3:14
2Hail to the Chief
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Hail to the Chief
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
0:52
3I Gotta Beam Me
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
I Gotta Beam Me
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:02
4Scotty’s Tanked
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Scotty’s Tanked
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
1:37
5What’s With You?
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
What’s With You?
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:12
6Either Way, Someone’s Going Down
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Either Way, Someone’s Going Down
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:44
7Trekking Down the Narada
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Trekking Down the Narada
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:31
8Run and Shoot Offense
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Run and Shoot Offense
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:03
9Does It Still McFly?
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Does It Still McFly?
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:02
10Nero Death Experience
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Nero Death Experience
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
5:38
11Nero Fiddles, Narada Burns
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Nero Fiddles, Narada Burns
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
2:28
12Black Holes Have a Lot of Pull
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Black Holes Have a Lot of Pull
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
0:55
13Back From Black
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
Back From Black
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
0:57
14That New Car Smell
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
That New Car Smell
Orchestrator(in):
Tim Simonec
Komponist(in):
Michael Giacchino (American score composer)
4:46
15To Boldly Go
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
To Boldly Go
Orchestrator(in):
Tim Simonec
Komponist(in):
Alexander Courage und Michael Giacchino (American score composer)
Version von:
Where No Man Has Gone Before (original Star Trek title theme)
0:26
16End Credits
recording engineer und Mix:
Dan Wallin
Produzent(in):
Michael Giacchino (American score composer)
Orchester:
Hollywood Studio Symphony
conductor:
Tim Simonec
phonographisches Urheberrecht (℗) von:
Paramount Pictures (in 2010)
aufgenommen bei und mixed at:
Barbra Streisand Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City
recording of:
End Credits (Star Trek)
Orchestrator(in):
Tim Simonec
Komponist(in):
Alexander Courage und Michael Giacchino (American score composer)
cover recording of:
Where No Man Has Gone Before (original Star Trek title theme)
Orchestrator(in):
Mike Townend
zusätzlicher Texter:
Gene Roddenberry (television writer and producer)
Komponist(in):
Alexander Courage und Gene Roddenberry (television writer and producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
Empath Finale (contains "Theme From Star Trek (TV Series)" by Alexander Courage & Gene Roddenberry and "Mr. Spock" by Gerald Fried)
9:11

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten