| # | Title | Artist | Rating | Length |
|---|
| 1 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso | Pyotr Ilyich Tchaikovsky | | 18:43 |
| 2 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky | | 8:14 |
| 3 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky | | 9:08 |
| 4 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante | Pyotr Ilyich Tchaikovsky | | 11:26 |
| 5 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) | [dialogue] | | 9:18 |
| 6 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) | [dialogue] | | 1:58 |
| 7 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) | [dialogue] | | 1:56 |
| 8 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) | [dialogue] | | 1:50 |
| 9 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) | [dialogue] | | 3:41 |
| 10 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" | [dialogue] | | 6:01 |
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