The World of Solti

~ Release by Sir Georg Solti (see all versions of this release, 1 available)

Annotation

© «2025 UMG Recordings, Inc.»
℗ «2025 UMG Recordings, Inc. FP»

Countries excluded (Deezer + Spotify)

(As of 2025-06-22).

  • Central America: 🇧🇿 Belize (bz)
  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 British Virgin Islands (vg) 🇧🇸 Bahamas (bs) 🇭🇹 Haiti (ht)
  • South America: 🇫🇰 Falkland Islands (fk) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad) 🇸🇲 San Marino (sm)
  • Eastern Europe: 🇧🇾 Belarus (by) 🇲🇩 Moldova (md)
  • Eastern Africa: 🇮🇴 British Indian Ocean Territory (io)
  • Western Asia: 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo)
  • South-Eastern Asia: 🇧🇳 Brunei (bn) 🇱🇦 Laos (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Federated States of Micronesia (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)
Annotation last modified on 2025-06-22 05:23 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Enigma Variations, op. 36: Var. 9. Adagio “Nimrod”
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (on 1974-05-15)
conductor:
Sir Georg Solti (conductor) (on 1974-05-15)
recorded at:
Medinah Temple in Chicago (on 1974-05-15)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (on 1974-05-15)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar3:17
2Tannhäuser: Overture (concert version)
engineer:
James Brown (Decca engineer, 1960s) (task: stereo) and Gordon Parry (engineer)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1961-10-11, on 1961-10-13, from 1961-10-23 until 1961-10-25)
conductor:
Sir Georg Solti (conductor) (on 1961-10-11, on 1961-10-13, from 1961-10-23 until 1961-10-25)
recorded at:
Sofiensaal in Landstraße (on 1961-10-13, from 1961-10-23 until 1961-10-25)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre (on 1961-10-11)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre (on 1961-10-13)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre (from 1961-10-23 until 1961-10-25)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:13
3The Planets, op. 32: 4. Jupiter, the Bringer of Jollity
engineer:
Andrew Pinder and Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1978-02-14 until 1978-02-15)
conductor:
Sir Georg Solti (conductor) (from 1978-02-14 until 1978-02-15)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London) (from 1978-02-14 until 1978-02-15)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 1978-02-14 until 1978-02-15)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:15
4Die Zauberflöte, K. 620, Act II: No. 14, Der Hölle Rache – Dialogue. Morden soll ich?
producer:
Christopher Raeburn (producer)
soprano vocals [Die Königin der Nacht]:
Cristina Deutekom (soprano) (in 1969-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1969-10)
conductor:
Sir Georg Solti (conductor) (in 1969-10)
balance engineer:
James Lock (James Locke, engineer) (in 1969-10) and Gordon Parry (engineer) (in 1969-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1970)
recorded at:
Sofiensaal in Landstraße (in 1969-10)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1969-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:09
5Rusalka, op. 114, Act I: O Silver Moon
soprano vocals [Rusalka]:
Renée Fleming (soprano) (in 1996-12)
orchestra:
London Symphony Orchestra (in 1996-12)
conductor:
Sir Georg Solti (conductor) (in 1996-12)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1996-12)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1996-12)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:56
6Prince Igor: Polovtsian Dances (incl. Dance of the Polovtsian Maidens) (with chorus)
producer:
John Culshaw
choir vocals:
London Symphony Chorus (on 1966-05-27)
orchestra:
London Symphony Orchestra (on 1966-05-27)
conductor:
Sir Georg Solti (conductor) (on 1966-05-27)
chorus master:
John Alldis (chorusmaster and conductor) (on 1966-05-27)
balance engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Kingsway Hall in London (Greater London) (on 1966-05-27)
recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (from 1966-01-31 until 1966-05-27)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
recording of:
Prince Igor: Act II. Polovtsian Dance with Choir
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
part of:
Prince Igor: Act II
Alexander Borodin13:39
7Symphony no. 8 in E‐flat major “Symphony of a Thousand”: Pt. 1: II. Imple superna gratia
engineer:
Gordon Parry (engineer) (from 1971-08 until 1971-09) and Kenneth Wilkinson (engineer) (from 1971-08 until 1971-09)
producer:
David Harvey (producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1971-09) and Wiener Singverein (in 1971-09)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (in 1971-09)
solo bass vocals:
Martti Talvela (operatic bass) (in 1971-09)
solo contralto vocals [Alto I]:
Yvonne Minton (mezzo-soprano) (in 1971-09)
solo contralto vocals [Alto II]:
Helen Watts (contralto) (in 1971-09)
solo soprano vocals [Soprano I]:
Heather Harper (soprano) (in 1971-09)
solo soprano vocals [Soprano II]:
Lucia Popp (soprano) (in 1971-09)
solo tenor vocals:
René Kollo (tenor) (in 1971-09)
orchestra:
Chicago Symphony Orchestra (from 1971-08 until 1971-09)
conductor:
Sir Georg Solti (conductor) (from 1971-08 until 1971-09)
recorded at:
Sofiensaal in Landstraße (from 1971-08 until 1971-09)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1971-08 until 1971-09)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
partial recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:26
8Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 1. Stick Dance (from Mezöszabad) (live In Chicago, 1993)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
live recording of:
Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra) (in 1993)
orchestrator:
Bartók Béla (Béla Bartók, composer) (in 1917)
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1922)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 68) and Béla Bartók's Works (BB) (number: BB 76)
orchestration of:
Romanian Folk Dances, Sz. 56, BB 68
Béla Bartók1:20
9Die Walküre, WWV 86B (concert version): Dritter Aufzug: The Ride of the Valkyries
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (conductor) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:05
10Háry János Suite: Viennese Musical Clock
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:10
11Aida: Act 2: Marcia
engineer:
René Boux and Lewis Layton (engineer)
producer:
Richard Mohr (producer)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1961)
additional conductor:
Luigi Ricci (assistant conductor)
conductor:
Sir Georg Solti (conductor) (in 1961)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1961)
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1961)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi6:03
124 Lieder, op. 27, TrV 170: 4. Morgen!
piano:
Sir Georg Solti (conductor)
soprano vocals:
Kiri Te Kanawa (soprano)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
4 Lieder, op. 27
Richard Strauss3:07
13Der Rosenkavalier, op. 59: Act 1: “Di rigori armato il seno”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:05
14Symphony no. 40 in G minor, K. 550: 1. Molto allegro
recorded in:
Frankfurt am Main (Frankfurt) (from 1984-06-15 until 1984-06-16)
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Chamber Orchestra of Europe (from 1984-06-15 until 1984-06-16)
conductor:
Sir Georg Solti (conductor) (from 1984-06-15 until 1984-06-16)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
Alte Oper in Frankfurt am Main (Frankfurt) (from 1984-06-15 until 1984-06-16)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1984-06-15 until 1984-06-16)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:19
15Suite for the Birthday of Prince Charles: 1. Intrada
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Suite for the Birthday of Prince Charles: I. Intrada
composer:
Sir Michael Tippett (composer) (in 1948)
part of:
Suite for the Birthday of Prince Charles
Sir Michael Tippett2:44
16Ruslan and Lyudmila: Overture
producer:
John Culshaw
orchestra:
London Symphony Orchestra (on 1966-01-31, from 1966-02-02 until 1966-02-03)
conductor:
Sir Georg Solti (conductor) (on 1966-01-31, from 1966-02-02 until 1966-02-03)
balance engineer:
Gordon Parry (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London) (on 1966-01-31, from 1966-02-02 until 1966-02-03)
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (from 1966-01-31 until 1966-02-03)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:04
17Cantata Profana, BB. 100, Sz. 94 "The Nine Splendid Stags": 3. Moderato
recording of:
Cantata profana, Sz. 94: III. „Volt egy öreg apó” Moderato (kórus, tenor)
part of:
Cantata profana, Sz. 94 (Hungarian version)
Béla Bartók2:56
18Don Giovanni, K. 527: Overture (live at Royal Festival Hall, London, 1996)
producer:
Michael Woolcock (producer)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1996-10-05 until 1996-10-07)
conductor:
Sir Georg Solti (conductor) (from 1996-10-05 until 1996-10-07)
balance engineer:
Neil Hutchinson (sound engineer) (from 1996-10-05 until 1996-10-07) and James Lock (James Locke, engineer) (from 1996-10-05 until 1996-10-07)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth (from 1996-10-05 until 1996-10-07)
live recording of:
Don Giovanni: Ouvertura (from 1996-10-05 until 1996-10-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
Wolfgang Amadeus Mozart5:26
19Das Rheingold: Vierte Szene: Entry of the Gods Into Valhalla
engineer:
James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (conductor) (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
recording of:
Excerpt from Das Rheingold: Entrance of the Gods into Valhalla (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (composer) (from 1851 until 1854)
part of:
Das Rheingold: Scene IV
Richard Wagner5:20
20Symphony no. 5: I. Trauermarsch
orchestra:
Tonhalle‐Orchester Zürich (from 1997-07-12 until 1997-07-13)
conductor:
Sir Georg Solti (conductor) (from 1997-07-12 until 1997-07-13)
recorded at:
Tonhalle (Kongresshaus Zürich) in Zurich (Zürich) (from 1997-07-12 until 1997-07-13)
live recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (from 1997-07-12 until 1997-07-13)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:24
21Un ballo in maschera: Act 3: “Forse la soglia attinse”
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Bruno Bartoletti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:25
22Elektra, op. 58, TrV 223: “Allein! Weh, ganz allein”
sound engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
producer:
John Culshaw
soprano vocals [Elektra]:
Birgit Nilsson (soprano) (in 1967-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1967-06)
conductor:
Sir Georg Solti (conductor) (in 1967-06)
recorded at:
Sofiensaal in Landstraße (in 1967-06)
recording of:
Elektra: "Allein! Weh ganz allein" (Elektra) (in 1967-06)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Elektra (op. 58; TrV 223)
Richard Strauss9:26
23The Rite of Spring, K15: Pt. 2: IX. Introduction
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (in 1974-05, on 1974-05-14)
conductor:
Sir Georg Solti (conductor) (in 1974-05, on 1974-05-14)
recorded at:
Medinah Temple in Chicago (on 1974-05-14)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (on 1974-05-14)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
recording of:
Le Sacre du printemps: II. Le Sacrifice: I. Introduction (in 1974-05)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (from 1911 until 1913)
publisher:
Boosey & Hawkes Ltd.
part of:
Le Sacre du printemps: II. Le Sacrifice (The Rite of Spring: Part II: The Sacrifice)
Igor Stravinsky4:00
24La traviata, Act I: Prelude (live at London, 1994)
assistant recording engineer:
Adam Chignell (in 1994-12) and Ian Watson (editor/engineer/producer) (in 1994-12)
recording engineer:
John Dunkerley (engineer) (in 1994-12), Simon Eadon (classical music engineer) (in 1994-12) and Michael Mailes (engineer) (in 1994-12)
producer:
Andrew Cornall (engineer / producer)
editor:
Ian Watson (editor/engineer/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1994-12)
conductor:
Sir Georg Solti (conductor) (in 1994-12)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London) (in 1994-12)
live recording of:
La traviata: Preludio (in 1994-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:37
25Háry János Suite: Song
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Háry János Suite: III. Song: Andante, poco rubato
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:47
26Symphony no. 1 in D major: IV. Stürmisch bewegt
engineer:
James Lock (James Locke, engineer)
producer:
John Culshaw
orchestra:
London Symphony Orchestra (from 1964-01-17 until 1964-01-18, on 1964-02-03, on 1964-02-05)
conductor:
Georg Solti (Sir Georg Solti, conductor) (from 1964-01-17 until 1964-01-18, on 1964-02-03, on 1964-02-05)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only)
recorded at:
Kingsway Hall in London (Greater London) (from 1964-01-17 until 1964-01-18, on 1964-02-03, on 1964-02-05)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (from 1964-01-17 until 1964-02-05)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:20
27Die Walküre (concert version): Dritter Aufzug: Wotan’s Farewell and Magic Fire Music
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir Georg Solti (conductor)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner15:04