100 Greatest Australian Singles of the ’60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Sing
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2008)
registrazione di:
Sing
autore:
Al Kasha (composer, songwriter and arranger) e Sid Wyche
editore:
Jewel Music (Australia) Pty. Limited
Johnny O’Keefe?:??
2Smiley
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1970)
registrazione di:
Smiley
paroliere e compositore:
Johnny Young (Australian singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Australia Pty. Ltd.
Ronnie Burns?:??
3Someday
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1966)
registrazione di:
Someday
paroliere e compositore:
Tony Barber (60s Australian artist)
editore:
J. Albert & Son Pty. Ltd.
Tony Barber?:??
4Something About You, Baby
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1967)
registrazione di:
Something About You
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e EMI Songs Australia
The Vibrants?:??
5Soothe Me
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1968)
registrazione di:
Soothe Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Publishing Pty Ltd e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Groove?:??
6S.O.S. (Stop Her on Sight)
diritti fonografici (℗) detenuti da:
The News (1960's Australian group) (nel 1968)
registrazione di:
Stop Her on Sight (S.O.S.)
autore:
Al Hamilton, Richard Morris (Songwriter) e Edwin Starr
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
The News?:??
7Spicks & Specks
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (fino al 2013) e Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 2013)
registrazione di:
Spicks and Specks
paroliere e compositore:
Barry Gibb
editore:
BMG Music, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
Bee Gees?:??
8Step Back
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1992)
registrazione di:
Step Back
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L e J. Albert & Son Pty. Ltd.
Johnny Young?:??
9Surfside
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1963)
registrazione di:
Surfside
autore:
Johnny Devlin e Nat Kipner (Australian producer, songwriter, label owner & publisher)
editore:
Belinda Music e EMI Belinda Music Australia Pty. Ltd.
The Denvermen?:??
10Temptation ’bout to Get Me
diritti fonografici (℗) detenuti da:
The Virgil Brothers (nel 1968)
registrazione di:
Temptation ’bout to Get Me
paroliere e compositore:
Jimmy Diggs (US soul songwriter and vocalist)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Virgil Brothers?:??
11The Carnival Is Over
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
registrazione di:
The Carnival Is Over
autore:
[traditional] (special purpose artist), Catherine Courage, Frank Farian e Tom Springfield
editore:
Warner/Chappell Music Australia Pty. Ltd.
si basa su:
Из-за острова на стрежень (Stenka Razin)
The Seekers?:??
12The Loved One
diritti fonografici (℗) detenuti da:
PolyGram Pty Ltd. (AU subsidiary of PolyGram, fka PolyGram Records Pty Ltd.) (nel 1966)
registrazione di:
The Loved One
autore:
Ian H. Clyne, Gerry Humphreys e Robert John Lovett
editore:
Chris Gilbert Pty. Ltd., Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
The Loved Ones?:??
13The Real Thing
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1969)
registrazione di:
The Real Thing
paroliere e compositore:
John B. Young (Australian singer)
autore:
Johnny Young (Australian singer)
editore:
Chappell/Morris Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Russell Morris?:??
14The Star
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2004)
registrazione di:
The Star
paroliere e compositore:
Johnny Young (Australian singer)
editore:
Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Australia Pty. Ltd.
Ross D. Wyllie?:??
15Um, Um, Um
diritti fonografici (℗) detenuti da:
Python Lee Jackson (nel 1966)
registrazione di:
Um Um Um Um Um Um
paroliere e compositore:
Curtis Mayfield
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Mayfield Music (BMI), Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Python Lee Jackson?:??
16Undecided
diritti fonografici (℗) detenuti da:
Masters Apprentices Pty Limited (nel 1966)
registrazione di:
Undecided (Masters Apprentice song)
autore:
Mick Bower e Rick Morrison (The Master's Apprentices)
editore:
Apollo Music, Mushroom Music Pty. Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Publishing
The Masters Apprentices?:??
17Velvet Waters
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1965)
registrazione di:
Velvet Waters
autore:
Dorothy Dodd e William Plunkett
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Southern Music Publishing Co. (publishing company)
Tony Worsley?:??
18Wedding Ring
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1965)
registrazione di:
Wedding Ring (The Easybeats song)
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
The Easybeats?:??
19What Am I Doing Here With You?
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1967)
registrazione di:
What Am I Doing Here with You
autore:
Steve Barri e P.F. Sloan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal/MCA Music Publishing Pty Ltd
Bev Harrell?:??
20What’s Wrong With the Way I Live?
diritti fonografici (℗) detenuti da:
EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1967)
registrazione di:
What's Wrong With the Way I Live
autore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
PolyGram Music Publishing e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Twilights?:??
21Wild Weekend
diritti fonografici (℗) detenuti da:
The Thunderbirds (Melbourne rock'n'roll band, 1957-65 and later reformations) (nel 1963)
registrazione di:
Wild Weekend
autore:
Tom Shannon (Radio-TV disc jockey) e Phil Todaro
editore:
EMI Catalogue Partnership Australia Pty Ltd, Shan-Todd Publishing e Tupper Publishing Co.
The Thunderbirds?:??
22Woman You’re Breaking Me
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1968)
registrazione di:
Woman You’re Breaking Me
autore:
Brian Cadd e Richard Wright (Australian drummer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Australia Pty. Ltd.
The Groop?:??
23You’re Driving Me Insane
diritti fonografici (℗) detenuti da:
The Missing Links (nel 1965)
diritti fonografici (℗) detenuti da:
Half a Cow Records (nel 1965)
registrazione di:
You're Driving Me Insane
paroliere e compositore:
Baden Hutchins
editore:
Warner/Chappell Music Australia Pty. Ltd.
The Missing Links?:??
24You Stole My Love
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1999)
registrazione di:
You Stole My Love
paroliere e compositore:
Graham Gouldman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
Mike Furber and the Bowery Boys?:??
25You’ve All Got to Go
diritti fonografici (℗) detenuti da:
The Party Machine (nel 1969)
registrazione di:
You’ve All Got to Go
autore:
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Pty. Ltd.
The Party Machine?:??

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Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2015)
commercializzata da:Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited)