100 Violin Masterworks

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Concerto for Violin and Strings in E major, op. 8, no. 1, RV 269 “La Primavera”: I. Allegro
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1982-12), Itzhak Perlman (violinist and conductor) (in 1982-12), Isaac Stern (violinist) (in 1982-12) and Pinchas Zukerman (violinist/conductor) (in 1982-12)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1982-12)
conductor:
Zubin Mehta (conductor) (in 1982-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1982-12)
recorded at:
Charles Bronfman Auditorium in Tel Aviv (in 1982-12)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (in 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:24
2Violin Concerto no. 1 in B-Flat major, K. 207, Cadenzas: Itzhak Perlman: I. Allegro moderato
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Christopher Adler (editor)
violin:
Itzhak Perlman (violinist and conductor) (in 1985-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
James Levine (US conductor and pianist) (in 1985-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1985-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1985-06)
recording of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: I. Allegro moderato (in 1985-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207
Wolfgang Amadeus Mozart6:47
3Sorochintsy Fair, Transcribed S. Rachmaninoff (1873-1943): Hopak
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich) (from 1975-11-15 until 1975-11-18)
recording of:
The Fair at Sorochintsï: Gopak (for violin and piano, arr. Rachmaninoff) (from 1975-11-15 until 1975-11-18)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
arranger:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1926)
arrangement of:
The Fair at Sorochintsï: Hopak
Модест Петрович Мусоргский1:48
4Partita for Violin Solo no. 2 in D minor, BWV 1004: IV. Gigue
violin:
David Garrett (classical violinist) (in 1993-11)
balance engineer:
Gregor Zielinsky (Balance engineer) (in 1993-11)
recorded at:
Bibliotheksaal in Polling, Bayern (Bavaria) (in 1993-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1993-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach3:32
5Wild Swans Suite: Eliza Aria (Version for Violin and Piano)
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Jacques Ammon (German-Chilean pianist) (in 2012-07)
violin:
Daniel Hope (violinist) (in 2012-07)
recorded at:
Funkhaus Nalepastraße in Berlin (in 2012-07)
recording of:
Wild Swans: Eliza Aria (catch-all for arrangements) (in 2012-07)
composer:
Elena Kats‐Chernin (Uzbek-Australian composer) (in 2003)
arranger:
Elena Kats‐Chernin (Uzbek-Australian composer)
arrangement of:
Wild Swans Concert Suite: II. Eliza Aria
Elena Kats‐Chernin3:08
6Hungarian Dance no. 5 in G minor, WoO 1 No.5
violin:
Roby Lakatos (in 1998-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Galaxy Studios in Mol (in 1998-01)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 2, no. 10 in F major: Presto (Brahms orchestration) (in 1998-01)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 2, no. 10 in E major: Presto
part of:
Hungarian Dances for orchestra, WoO 1, Book 2
Johannes Brahms3:27
7Concerto for Violin and Strings in F minor, op. 8, no. 4, RV 297 “L’inverno”: II. Largo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1980-02)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:30
8Violin Concerto no. 2 in E major, BWV 1042: I. Allegro
violin:
Lisa Batiashvili (violinist) (in 2013-12)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2013-12)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2013-12)
recorded at:
August Everding Saal in Grünwald (in 2013-12)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro) (in 2013-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach7:08
9Violin Concerto no. 2 in B minor, op. 7, MS. 48: III. Rondo à la clochette, “La campanella”
solo violin:
Salvatore Accardo (violinist and conductor) (in 1975-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1975-01)
conductor:
Charles Dutoit (conductor) (in 1975-01)
recorded at:
Barking Town Hall in London (Greater London) (in 1975-01)
partial recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” (in 1975-01)
composer:
Niccolò Paganini (Italian composer and violinist) (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini1:33
10Partita for Violin Solo no. 3 in E major, BWV 1006: I. Preludio
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1983-01)
recorded at:
Nikolauskloster in Jüchen (in 1983-01)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1983-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:54
11Legende, op. 17
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt (in 1992-11)
recording of:
Légende, op. 17 (for violin and orchestra or piano) (in 1992-11)
composed in:
London (Greater London) (in 1859)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1859)
dedicated to:
Isabella Hampton
publisher:
Kistner (in 1861)
part of:
Works of Henryk Wieniawski by opus number (number: op. 17)
Henryk Wieniawski7:37
12Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 1
bass synthesizer:
Christian Badzura (in 2016-10)
harp:
Jane Berthe (harpist) (in 2016-10)
violin:
Daniel Hope (violinist) (in 2016-10)
orchestra:
Zürcher Kammerorchester (in 2016-10)
conductor:
Daniel Hope (violinist) (in 2016-10)
recorded at:
Tongyeong Concert Hall in Tongyeong (in 2016-10)
recording of:
The Four Seasons: Spring 1 (in 2016-10)
additional composer:
Max Richter (German pianist and score composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Max Richter (German pianist and score composer)
arrangement of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
part of:
The Four Seasons Recomposed
Max Richter2:37
13Violin Concerto in D, op. 61, Cadenzas by Wolfgang Schneiderhan: III. Rondo. Allegro
violin:
Wolfgang Schneiderhan (violinist) (in 1962-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-05)
conductor:
Eugen Jochum (conductor) (in 1962-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1962-05)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (in 1962-05)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven5:42
14Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: II. Largo ma non tanto
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrakh (violinist) (in 1961-02) and Igor Oistrakh (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent) (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:30
1524 Caprices for Violin, op. 1, MS. 25: no. 24 in A minor
recording engineer:
Klaus Behrens (engineer)
producer:
Werner Mayer (classical producer)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich) (in 1977-05)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1977-05)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini4:23
16Double Concerto for 2 Violins, Strings & Continuo in D minor, BWV 1043: I. Vivace
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
editor:
Joachim Niss
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
violin:
Simon Standage (English violinist and conductor) (in 1983-03) and Elizabeth Wilcock (violinist) (in 1983-03)
orchestra:
The English Concert (in 1983-03)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-03)
recorded at:
Henry Wood Hall (London) in London (Greater London) (in 1983-03)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (in 1983-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:39
17Sinfonia Concertante for Violin, Viola and Orchestra in E‐flat, K. 364: III. Presto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
viola:
Pinchas Zukerman (violinist/conductor) (in 1982-12)
violin:
Itzhak Perlman (violinist and conductor) (in 1982-12)
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1982-12)
conductor:
Zubin Mehta (conductor) (in 1982-12)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1982-12)
recorded at:
Charles Bronfman Auditorium in Tel Aviv (in 1982-12)
live recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1982-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart36:27
18Echorus
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
solo violin:
Chié Peters (in 2012-07)
violin:
Daniel Hope (violinist) (in 2012-07)
orchestra:
Deutsches Kammerorchester Berlin (in 2012-07)
conductor:
Simon Halsey (conductor) (in 2012-07)
recorded at:
Funkhaus Nalepastraße in Berlin (in 2012-07)
recording of:
Echorus (in 2012-07)
composer:
Philip Glass (US composer & pianist) (from 1994 until 1995)
dedicated to:
Yehudi Menuhin (violinist) and Edna Michell (violinist)
publisher:
Dunvagen Music Publishers, Inc. (ASCAP affiliated)
Philip Glass5:52
19Ich steh mit einem Fuß im Grabe, Cantata BWV 156: Sinfonia
violin:
Lisa Batiashvili (violinist) (in 2013-12)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2013-12)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2013-12)
recorded at:
August Everding Saal in Grünwald (in 2013-12)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (in 2013-12)
premiered in:
Leipzig (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:41
205 Mélodies, op. 35bis: II. Lento, ma non troppo: Poco più mosso - Tempo I
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
grand piano:
Martha Argerich (Argentine pianist) (from 1991-03 until 1991-04)
violin:
Gidon Kremer (violinist) (from 1991-03 until 1991-04)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases)
recorded at:
Maison de la Radio: Studio 4 in Brussels (Brussels-Capital Region) (from 1991-03 until 1991-04)
recording of:
Five Melodies for Violin and Piano, op. 35 bis: II. Lento, ma non troppo (from 1991-03 until 1991-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1925)
part of:
Five Melodies for Violin and Piano, op. 35bis
Сергей Сергеевич Прокофьев2:47
21Thaïs, Acte Deux: Meditation
recording engineer:
Wolf‐Dieter Karwatky (from 1992-11-17 until 1992-11-18) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (from 1992-11-17 until 1992-11-18)
additional producer:
Werner Mayer (classical producer) (from 1992-11-17 until 1992-11-18)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (from 1992-11-17 until 1992-11-18)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1992-11-17 until 1992-11-18)
conductor:
James Levine (US conductor and pianist) (from 1992-11-17 until 1992-11-18)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt (from 1992-11-17 until 1992-11-18)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (in 1992-11)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet6:36
226 Consolations, S. 172, Transcription for Violin: Nathan Milstein: no. 3 in D‐flat major: Lento, placido
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich) (from 1975-11-15 until 1975-11-18)
recording of:
Consolation no. 3 in D‐flat (for violin and piano, arr. Milstein) (from 1975-11-15 until 1975-11-18)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
piano and violin arranger:
Nathan Milstein (violinist)
arrangement of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido
Franz Liszt3:14
233 Romances, op. 94: II. Einfach, innig
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Lohse
piano:
Pierre Barbizet (pianist) (in 1965-10)
violin:
Christian Ferras (violinist) (in 1965-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1965-10)
recording of:
3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano) (in 1965-10)
composer:
Robert Schumann (German classical composer) (from 1849-12-07 until 1849-12-12)
part of:
3 Romanzen, op. 94 (for oboe and piano)
Robert Schumann3:23
24Violin Concerto in E minor, op. 64, MWV O 14: II. Andante
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Nathan Milstein (violinist) (from 1973-03-12 until 1973-03-13)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (from 1973-03-12 until 1973-03-13)
conductor:
Claudio Abbado (conductor) (from 1973-03-12 until 1973-03-13)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (from 1973-03-12 until 1973-03-13)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante) (from 1973-03-12 until 1973-03-13)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:49
25Preghiera (arr. by Fritz Kreisler from Piano Concerto no. 2 in C minor, op. 18, 2nd movement)
piano:
Daniel Trifonov (Daniil Trifonov, pianist) (from 2015-05-01 until 2015-05-03)
violin:
Gidon Kremer (violinist) (from 2015-05-01 until 2015-05-03)
recorded at:
Trifolion (Echternach) in Luxembourg (from 2015-05-01 until 2015-05-03)
recording of:
Preghiera (from 2015-05-01 until 2015-05-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Сергей Рахманинов5:21
26Vocalise-étude (en forme de Habanera), M. 51
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Pièce en forme de habañera (catch-all for arrangements) (from 1993-09 until 1993-10)
composer:
Maurice Ravel (French composer)
arrangement of:
Pièce en forme de habañera (original version for bass vocals and piano)
Maurice Ravel2:53
27Shest’ romansov, op. 6, TH 93: no. 1
recording engineer:
Andrew Mellor (engineer) (in 2012-11)
producer:
Alexander Van Ingen
mixer:
Andrew Mellor (engineer)
piano:
Yannick Nézet‐Séguin (Canadian conductor) (in 2012-11)
violin:
Lisa Batiashvili (violinist) (in 2012-11)
recorded at:
Muziekcentrum van de Omroep: Studio 5 in Hilversum (in 2012-11)
instrumental recording of:
6 Romances, op. 6, no. 1: Do Not Believe, My Friend (Не верь, мой друг) (6 Romances, op. 6 no. 1: Do Not Believe, My Friend) (in 2012-11)
lyricist:
Алексей К. Толстой (Aleksey Tolstoy, Russian 19th century writer) (in 1856)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869-11)
dedicated to:
Александра Меншикова
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 211)
part of:
6 Romances, op. 6
Пётр Ильич Чайковский3:39
28I giorni: Andante
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Jacques Ammon (German-Chilean pianist) (in 2012-07)
violin:
Daniel Hope (violinist) (in 2012-07)
orchestra:
Deutsches Kammerorchester Berlin (in 2012-07)
conductor:
Simon Halsey (conductor) (in 2012-07)
recorded at:
Funkhaus Nalepastraße in Berlin (in 2012-07)
recording of:
I giorni (catch-all for arrangements) (in 2012-07)
composer:
Ludovico Einaudi (Italian composer and pianist)
arrangement of:
I giorni (for piano)
Ludovico Einaudi5:36
29Yumeji’s Theme
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
梅林茂3:19
30Sonata for Piano and Violin in E minor, K. 304: II. Tempo di minuetto
producer:
Thomas Frost (classical music producer)
editor:
Stephan Flock
piano:
Natalie Zhu (pianist) (from 2004-02 until 2004-11)
violin:
Hilary Hahn (violinist) (from 2004-02 until 2004-11)
balance engineer:
Stephan Flock (from 2004-02 until 2004-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2005)
recorded at:
Richard B. Fisher Center for the Performing Arts in Annandale-on-Hudson (from 2004-02 until 2004-11)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (from 2004-02 until 2004-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart5:37
313 Romances for Violin and Piano, op. 22: II. Allegretto
recording engineer:
Peter Hecker
assistant engineer:
Clemens Deller
producer:
Sid McLauchlan (engineer/producer)
piano:
Alice Sara Ott (pianist) (in 2012-10)
violin:
Lisa Batiashvili (violinist) (in 2012-10)
recorded at:
Bavaria Musikstudios in München (Munich) (in 2012-10)
recording of:
Drei Romanzen für Pianoforte und Violine, op. 22: Nr. 2. Allegretto - Mit zartem Vortrag (in 2012-10)
composer:
Clara Schumann (German pianist and composer) (in 1853)
part of:
Drei Romanzen für Pianoforte und Violine, op. 22
Clara Schumann2:42
32Violin Concerto in A, D.96: IV. Largo andante
engineer:
Jürgen Bulgrin (sound engineer) (in 2004-05)
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
violin:
Giuliano Carmignola (violinist) (in 2004-05)
orchestra:
Venice Baroque Orchestra (in 2004-05)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2004-05)
balance engineer:
Ulrich Vette (engineer) (in 2004-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli (in 2004-05)
recording of:
Concerto for Violin, Strings and Continuo in A major, D. 96: II. Largo andante in E major [Alternative] (in 2004-05)
composer:
Giuseppe Tartini (Italian composer)
Giuseppe Tartini4:40
33American Beauty
violin:
Daniel Hope (violinist) (in 2013-01)
orchestra:
Royal Stockholm Philharmonic Orchestra (in 2013-01)
conductor:
Alexander Shelley (conductor) (in 2013-01)
recorded at:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm (in 2013-01)
recording of:
American Beauty (in 2013-01)
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
part of:
American Beauty (1999)
Thomas Newman3:01
34Three Pieces From Schindler’s List for Solo Violin and Orchestra: Theme From “Schindler’s List”
violin:
Roby Lakatos (in 1998-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Galaxy Studios in Mol (in 1998-01)
recording of:
Main Theme (Schindler’s List) (in 1998-01)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams5:49
35Spiegel im Spiegel
piano:
Hélène Grimaud (French pianist) (in 2010-11)
violin:
Lisa Batiashvili (violinist) (in 2010-11)
recorded at:
Espace de projection (IRCAM) in Paris (in 2010-11)
recording of:
Spiegel im Spiegel (for violin and piano) (in 2010-11)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Arvo Pärt10:23
36Carmen Fantasy, op. 25: Introduction. Allegro moderato
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
violin:
Itzhak Perlman (violinist and conductor) (in 1986-09)
orchestra:
New York Philharmonic (in 1986-09)
conductor:
Zubin Mehta (conductor) (in 1986-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1986-09)
recorded at:
Manhattan Center Studios in Midtown Manhattan (in 1986-09)
recording of:
Carmen Fantasy, op. 25: Introduction. Allegro moderato (in 1986-09)
composer:
Pablo de Sarasate (violinist and composer) (in 1883)
part of:
Carmen Fantasy, op. 25 (for violin and orchestra)
Pablo de Sarasate2:46
3712 Danzas españolas, op. 37 (arr. for violin and piano): V. Andaluza
piano:
Clifford Benson (piano accompanist)
violin:
Shlomo Mintz (violinist, violist and conductor)
recording of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) (for violin and piano, Kreisler)
composer:
Enrique Granados (composer)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
12 danzas españolas, op. 37, nº 5: Andaluza (Playera)
Enrique Granados3:23
38Violin Concerto in A minor, op. 82: III. Allegro
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
violin:
Erica Morini (violinist) (from 1958-10-14 until 1958-10-17)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1958-10-14 until 1958-10-17)
conductor:
Ferenc Fricsay (conductor) (from 1958-10-14 until 1958-10-17)
balance engineer:
Werner Wolf (engineer/producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1958-10-14 until 1958-10-17)
partial recording of:
Violin Concerto in A minor, op. 82 (from 1958-10-14 until 1958-10-17)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1904)
dedicated to:
Leopold Auer (Hungarian violinist and composer)
premiered at:
Russian Musical Society: [concert] (1905-02-15)
part of:
Works of Alexander Glazunov by opus number (number: op. 82)
Александр Константинович Глазунов6:25
39Chanson russe (arr. Dushkin From “Mavra”)
producer:
Werner Mayer (classical producer)
piano:
Georges Pludermacher (pianist) (from 1975-11-15 until 1975-11-18)
violin:
Nathan Milstein (violinist) (from 1975-11-15 until 1975-11-18)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-11-15 until 1975-11-18)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (from 1975-11-15 until 1975-11-18) and Residenz (Munich Residenz, former royal palace in Munich, Germany) in München (Munich) (from 1975-11-15 until 1975-11-18)
recording of:
Parasha's Aria from Mavra (for violin and piano, Dushkin) (from 1975-11-15 until 1975-11-18)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
arranger:
Samuel Dushkin (American violinist and transcriber)
arrangement of:
Mavra: Parasha's Song (original aria)
Игорь Фёдорович Стравинский3:25
40Vocalise, op. 34: no. 14
producer:
Sid McLauchlan (engineer/producer)
piano:
Hélène Grimaud (French pianist) (in 2010-11)
violin:
Lisa Batiashvili (violinist) (in 2010-11)
recorded at:
Herkulessaal in München (Munich) (in 2010-11)
recording of:
Vocalise, op. 34 no. 14 (for violin and piano, unspecified arranger) (in 2010-11)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Рахманинов5:35
41Variations D 802 on “Trockne Blumen” for Violin and Piano from “Die schöne Müllerin”: Introduktion. Andante
producer:
Jürgen Bulgrin (sound engineer) and Wolfgang Stengel
piano:
Oleg Maisenberg (pianist) (in 1993-11)
violin:
Gidon Kremer (violinist) (in 1993-11)
balance engineer:
Gregor Zielinsky (Balance engineer)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich) (in 1993-11)
recording of:
Variations in E minor on the song "Trockne Blumen", D. 802: I. Introduction. Andante (in 1993-11)
composer:
Franz Schubert (composer) (in 1824)
part of:
Variations in E minor on the song "Trockne Blumen", D. 802 (for flute and piano)
Franz Schubert2:50
42La Gitana: Allegro moderato, quasi recitativo – Allegro giusto e ritmico: più lento, quasi andantino – Allegretto grazioso
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
La Gitana (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler3:06
43Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro ma non tanto
engineer:
Julian Schwenkner (engineer) (in 2016-07)
producer:
Friedemann Engelbrecht
violin:
Lisa Batiashvili (violinist) (in 2016-07)
orchestra:
Staatskapelle Berlin (in 2016-07)
conductor:
Daniel Barenboim (pianist and conductor) (in 2016-07)
recorded at:
Funkhaus Nalepastraße in Berlin (in 2016-07)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (in 2016-07)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:32
44Sonatensatz “FAE sonate”: Scherzo
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
piano:
Daniel Barenboim (pianist and conductor) (in 1974-11)
violin:
Pinchas Zukerman (violinist/conductor) (in 1974-11)
balance engineer:
Hans‐Rudolf Müller (engineer) and Klaus Scheibe (editor/engineer) (in 1974-11)
recorded at:
Manhattan Center in Midtown Manhattan (in 1974-11)
recording of:
F-A-E Sonata: III. Scherzo c-moll (Sonata for Violin and Piano, WoO post 2, "F-A-E": III. Scherzo in C minor) (in 1974-11)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
Johannes Brahms. Thematisch-Bibliographisches Werkverzeichnis (number: WoO 2)
part of:
F-A-E Sonata
Johannes Brahms5:35
45St. Matthew Passion, BWV 244, Part Two: no. 39 Aria (alto): “Erbarme dich”
oboe d'amore:
François Leleux (oboist and conductor) (in 2013-12)
violin:
Lisa Batiashvili (violinist) (in 2013-12)
orchestra:
Kammerorchester des Symphonieorchesters des Bayerischen Rundfunks (Chamber orchestra of the Bavarian Radio Symphony Orchestra) (in 2013-12)
conductor:
Radoslaw Szulc (violinist and conductor) (in 2013-12)
recorded at:
August Everding Saal in Grünwald (in 2013-12)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria "Erbarme dich, mein Gott" (catch-all for arrangements) (in 2013-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Johann Sebastian Bach6:46
46Violin Concerto in D major, op. 35, TH 59: II. Canzonetta. Andante
recording engineer:
Andrew Halifax (in 2008-11) and Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (in 2008-11)
producer:
Andreas K. Meyer (US sound engineer)
violin:
Hilary Hahn (violinist) (in 2008-11)
orchestra:
Royal Liverpool Philharmonic Orchestra (in 2008-11)
conductor:
Vasily Petrenko (conductor) (in 2008-11)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool (in 2008-11)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (in 2008-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:24
47Sonata in G minor for Violin & Piano, L 140: I. Allegro vivo
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : I. Allegro vivo (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:53
48Sonata in G minor for Violin & Piano, L 140: II. Intermède. Fantasque et léger
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : II. Intermède: fantasque et léger (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:16
49Sonata in G minor for Violin & Piano, L 140: III. Finale. Très animé
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich) (from 1993-09 until 1993-10)
recording of:
Sonate pour violon et piano en sol mineur, L. 140 : III. Finale: très animé (from 1993-09 until 1993-10)
composer:
Claude Debussy (French composer) (from 1916-10 until 1917-04)
part of:
Sonate pour violon et piano en sol mineur, L. 140
Claude Debussy4:10
50Concerto for Violin and Orchestra: II. ♩ = ca. 108
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (violinist) (in 1992-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-02)
conductor:
Christoph von Dohnányi (German conductor) (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1992-02)
recording of:
Violin Concerto no. 1: II. ♩ = ca. 108 (in 1992-02)
composer:
Philip Glass (US composer & pianist) (in 1987)
part of:
Violin Concerto no. 1
Philip Glass8:45
51Concerto in A minor for 2 Violins, Strings, and Continuo, RV 523: I. Allegro molto
assistant engineer:
Bastian Schick
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2007-10) and Viktoria Mullova (violinist) (in 2007-10)
orchestra:
Venice Baroque Orchestra (in 2007-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2007-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2007-10)
recording of:
Concerto for 2 Violins in A minor, RV 523: I. Allegro molto (in 2007-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi3:54
52Concerto in A minor for 2 Violins, Strings, and Continuo, RV 523: II. Largo
assistant engineer:
Bastian Schick
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2007-10) and Viktoria Mullova (violinist) (in 2007-10)
orchestra:
Venice Baroque Orchestra (in 2007-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2007-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2007-10)
recording of:
Concerto for 2 Violins in A minor, RV 523: II. Largo (in 2007-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi2:17
53Concerto in A minor for 2 Violins, Strings, and Continuo, RV 523: III. Allegro
assistant engineer:
Bastian Schick
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2007-10) and Viktoria Mullova (violinist) (in 2007-10)
orchestra:
Venice Baroque Orchestra (in 2007-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2007-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2007-10)
recording of:
Concerto for 2 Violins in A minor, RV 523: III. Allegro (in 2007-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi2:46
54Sonata in C major, op. 1: No. 7: I–III. Allegro – Grave – Allegro
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
organ:
Trevor Pinnock (conductor / harpsichord) (in 1986-03)
theorbo:
Nigel North (English lute player) (in 1986-03)
violin:
Micaela Comberti (English violinist) (in 1986-03) and Simon Standage (English violinist and conductor) (in 1986-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Abbey Road Studios in St John's Wood (in 1986-03)
recording of:
Sonate da chiesa a trè in C major, op. 1 no. 7 (in 1986-03)
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1681)
part of:
12 sonate da chiesa, op. 1
Arcangelo Corelli4:22
55Sonata for Violin Solo no. 1 in G minor, BWV 1001: I. Adagio
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1967-07)
recorded at:
Théâtre municipal de Vevey in Vevey (in 1967-07)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: I. Adagio (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach4:44
56Sonata for Violin Solo no. 1 in G minor, BWV 1001: II. Fuga. Allegro
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1967-07)
recorded at:
Théâtre municipal de Vevey in Vevey (in 1967-07)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach5:47
57Sonata for Violin Solo no. 1 in G minor, BWV 1001: III. Siciliana
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1967-07)
recorded at:
Théâtre municipal de Vevey in Vevey (in 1967-07)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: III. Siciliana (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach3:48
58Sonata for Violin Solo no. 1 in G minor, BWV 1001: IV. Presto
producer:
Vittorio Negri (conductor)
violin:
Henryk Szeryng (violinist) (in 1967-07)
recorded at:
Théâtre municipal de Vevey in Vevey (in 1967-07)
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto (in 1967-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach2:57
59Trio Sonata for 2 Violins and Continuo in G, op. 5, no. 4, HWV 399: I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-04)
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
viola da gamba:
Jean-Michel Forest (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg (in 1983-04)
partial recording of:
Trio Sonata in G major, op. 5 no. 4, HWV 399 (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 399)
part of:
Trio Sonatas, op. 5
George Frideric Handel2:02
60Trio Sonata for 2 Violins and Continuo in G, op. 5, no. 4, HWV 399: II. A tempo ordinario. Allegro non presto – Adagio
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-04)
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
viola da gamba:
Jean-Michel Forest (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg (in 1983-04)
partial recording of:
Trio Sonata in G major, op. 5 no. 4, HWV 399 (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 399)
part of:
Trio Sonatas, op. 5
George Frideric Handel4:15
61Trio Sonata for 2 Violins and Continuo in G, op. 5, no. 4, HWV 399: III. Passacaille
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-04)
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
viola da gamba:
Jean-Michel Forest (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg (in 1983-04)
partial recording of:
Trio Sonata in G major, op. 5 no. 4, HWV 399 (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 399)
part of:
Trio Sonatas, op. 5
George Frideric Handel4:39
62Trio Sonata for 2 Violins and Continuo in G, op. 5, no. 4, HWV 399: IV. Gigue (Presto)
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-04)
harpsichord:
Henk Bouman (in 1983-04) and Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
viola da gamba:
Jean-Michel Forest (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg (in 1983-04)
partial recording of:
Trio Sonata in G major, op. 5 no. 4, HWV 399 (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 399)
part of:
Trio Sonatas, op. 5
George Frideric Handel1:05
63Trio Sonata for 2 Violins and Continuo in G, op. 5, no. 4, HWV 399: V. Menuet (Allegro moderato)
executive producer:
Dr. Andreas Holschneider
producer:
Wolfgang Mitlehner
cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-04)
harpsichord:
Andreas Staier (in 1983-04)
instruments and orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1983-04)
viola da gamba:
Jean-Michel Forest (in 1983-04)
violin:
Hajo Bäß (viola player) (in 1983-04) and Reinhard Goebel (violinist and conductor) (in 1983-04)
conductor:
Reinhard Goebel (violinist and conductor) (in 1983-04)
balance engineer:
Jörg Iwaschuta
recorded at:
Zentralsaal in Bamberg (in 1983-04)
partial recording of:
Trio Sonata in G major, op. 5 no. 4, HWV 399 (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 399)
part of:
Trio Sonatas, op. 5
George Frideric Handel0:59
64Concerto for Violin, Strings and Harpsichord in G minor, R. 325: I. Allegro molto
recording engineer:
Ingmar Haas (engineer) (in 2006-01)
producer and editor:
Hans Bernhard Bätzing (engineer, producer)
violin:
Giuliano Carmignola (violinist) (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2006-01)
balance engineer:
Ulrich Vette (engineer) (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: I. Allegro molto (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi3:31
65Concerto for Violin, Strings and Harpsichord in G minor, R. 325: II. Largo
recording engineer:
Hans Bernhard Bätzing (engineer, producer) and Ingmar Haas (engineer) (in 2006-01)
executive producer:
Marita Prohmann
producer and editor:
Hans Bernhard Bätzing (engineer, producer)
violin:
Giuliano Carmignola (violinist) (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2006-01)
balance engineer:
Ulrich Vette (engineer) (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: II. Largo a piacimento (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
Antonio Vivaldi1:57
66Concerto for Violin, Strings and Harpsichord in G minor, R. 325: III. Presto
recording engineer:
Ingmar Haas (engineer) (in 2006-01)
producer and editor:
Hans Bernhard Bätzing (engineer, producer)
violin:
Giuliano Carmignola (violinist) (in 2006-01)
orchestra:
Venice Baroque Orchestra (in 2006-01)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2006-01)
balance engineer:
Ulrich Vette (engineer) (in 2006-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach (in 2006-01)
recording of:
Concerto for Violin, Strings and Continuo in G minor, RV 325: III. Presto (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin, Strings and Continuo in G minor, RV 325
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (in 2006-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:03
67Concerto for Violin and Strings in F major, op. 8, no. 3, RV 293 “L’autunno”: I. Ballo, e canto de’ villanelli. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi14:52
68Concerto for Violin and Strings in F major, op. 8, no. 3, RV 293 “L’autunno”: II. Ubriachi dormienti. Adagio molto
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:30
69Concerto for Violin and Strings in F major, op. 8, no. 3, RV 293 “L’autunno”: III. La caccia. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:02
70Violin Concerto no. 1 in A minor, BWV 1041: I. Allegro moderato
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:23
71Violin Concerto no. 1 in A minor, BWV 1041: II. Andante
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach6:45
72Violin Concerto no. 1 in A minor, BWV 1041: III. Allegro assai
assistant engineer:
Sherri Hendrickson (in 2003-01)
engineer:
Marc Stedman (in 2003-01)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (in 2003-01)
orchestra:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
balance engineer:
Tom Lazarus (in 2003-01)
recorded at:
Zipper Hall in Los Angeles (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (in 2003-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:19
73Sonata in G minor, op. 2, no.6: I–III. Allemanda. Corrente – Giga
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch (engineer)
cello:
Anthony Pleeth (cellist) (in 1986-03)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1986-03)
violin:
Micaela Comberti (English violinist) (in 1986-03) and Simon Standage (English violinist and conductor) (in 1986-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Abbey Road Studios in St John's Wood (in 1986-03) and Abbey Road Studios: Studio 1 in St John's Wood (in 1986-03)
recording of:
Sonate da camera a trè in G minor, op. 2 no. 6 (in 1986-03)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
12 sonate da camera, op. 2
Arcangelo Corelli5:57
74Perpetuela: Allegro vivace
recording engineer:
Klaus Behrens (engineer)
producer:
Klaus Hiemann (engineer/producer)
solo violin and violin:
Salvatore Accardo (violinist and conductor) (in 1976-01)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1976-01)
conductor:
Charles Dutoit (conductor) (in 1976-01)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Barking Town Hall in London (Greater London) (in 1976-01)
recording of:
Sonata movimento perpetuo, MS 66 (Perpetuela) (in 1976-01)
composer:
Niccolò Paganini (Italian composer and violinist) (from 1831 until 1832)
part of:
Catalogo tematico delle musiche di Niccolò Paganini (number: MS 66)
Niccolò Paganini3:10
7524 Caprices for Violin, op. 1, MS. 25: no. 1 in E
recording engineer:
Klaus Behrens (engineer)
producer:
Werner Mayer (classical producer)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich) (in 1977-05)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 1 in E major: Andante “l’Arpeggio” (in 1977-05)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:45
7624 Caprices for Violin, op. 1, MS. 25: no. 13 in B‐flat
recording engineer:
Klaus Behrens (engineer)
producer:
Werner Mayer (classical producer)
violin:
Salvatore Accardo (violinist and conductor) (in 1977-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1977-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich) (in 1977-05)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 13 in B-flat major: Allegro “The Devil’s Laughter” (in 1977-05)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini1:58
77Polichinelle (Sérénade): Allegro giocoso e ritmico
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Polichinelle (for violin & piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler1:23
78Syncopation: Allegretto grazioso
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Syncopation (for violin & piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler1:39
79Spanish Serenade, op. 20, (arr. Fritz Kreisler): Allegretto
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Sérénade Espagnole (for violin and piano, Kreisler) (in 1980-06)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (from 1887 until 1888)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
2 Pieces for Cello and Orchestra, op. 20: II. Sérénade Espagnole
Александр Константинович Глазунов2:39
80Caprice in E‐flat (arr. Fritz Kreisler): Alla saltarella – Allegretto scherzando
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Caprice in E-flat: Alla saltarella – Allegretto scherzando (for violin and piano, arr. Kreisler) (in 1980-06)
composer:
Henryk Wieniawski (Polish composer and violinist) (from 1853 until 1854)
piano and violin arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
arrangement of:
L’École moderne, op. 10: 5. Alla saltarella, Scherzando
Александр Константинович Глазунов1:55
813 Old Viennese Dances: I. Liebesfreud
producer:
Wolfgang Stengel
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
balance engineer:
Wolfgang Mitlehner (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
Liebesfreud (for violin and piano) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:04
82«La precieuse» in the style of Couperin
piano:
Clifford Benson (piano accompanist) (in 1980-06)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-06)
recorded at:
Jerusalem Music Centre in Jerusalem (in 1980-06)
recording of:
La Précieuse (im Stile von Louis Couperin) (in 1980-06)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler2:19
83Greensleeves
engineer:
Mike Hatch (engineer/editor)
cello:
Jonathan Cohen (British conductor, cellist & keyboardist) (in 2009-06) and William Conway (UK cellist) (in 2009-06)
double bass:
Enno Senft (double bass player) (in 2009-06)
harpsichord:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2009-06)
lute:
Stefan Maas (in 2009-06)
percussion:
Hans‐Kristian Kjos Sørensen (in 2009-06)
solo violin:
Daniel Hope (violinist) (in 2009-06)
theorbo:
Stephan Rath (lutenist and theorbist) (in 2009-06)
viola:
Stewart Eaton (violist) (in 2009-06)
violin:
Lucy Gould (violinist) (in 2009-06)
recording of:
Greensleeves to a Ground (arr. by Olivier Fourés) (in 2009-06)
composer:
[anonymous] (special purpose artist)
arranger:
Olivier Fourés
arrangement of:
Variations on the Theme of "Greensleeves to a Ground" for recorder and guitar
[anonymous]4:40
84Six Songs, op. 34, MWV K86: II. Auf den Flügeln des Gesanges
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer and editor:
John H. West (classical engineer/producer)
piano:
Sebastian Knauer (pianist) (in 2007-06)
violin:
Daniel Hope (violinist) (in 2007-06)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Grazer Congress: Kammermusiksaal in Graz (in 2007-06) and Stefaniensaal in Graz (in 2007-06)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements) (in 2007-06)
composer:
Felix Mendelssohn (composer)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Felix Mendelssohn2:22
85Praeludium and Allegro in the style of Pugnani
recorded in:
New York, New York, United States (in 1961-09)
piano:
Brooks Smith (piano) (in 1961-09)
violin:
Ruggiero Ricci (violinist) (in 1961-09)
recording of:
Prélude et Allegro dans le style de Pugnani (in 1961-09)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler4:38
86Variations on a theme by Corelli
recorded in:
New York, New York, United States (in 1961-09)
piano:
Brooks Smith (piano) (in 1961-09)
violin:
Ruggiero Ricci (violinist) (in 1961-09)
recording of:
Variations on a Theme of Corelli (for violin and piano) (in 1961-09)
arranger:
Fritz Kreisler (Austrian‐American violinist and composer)
Giuseppe Tartini2:51
87Études‐caprices for 2 violins, op. 18: no. 2 in E‐flat major
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins) (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski5:08
88Études‐caprices for 2 violins, op. 18: no. 5 in E major
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 5, in E major, Praeludium. Allegretto scherzando (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 5)
part of:
Études-Caprices, op. 18
recording of:
Étude-Caprice, op. 18 no. 2, in E-flat major, Andante (for 2 violins)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 2)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:53
89Études‐caprices for 2 violins, op. 18: no. 4 in A minor
violin:
David Oistrakh (violinist) (on 1957-04-19) and Igor Oistrakh (violinist) (on 1957-04-19)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Staatlicher Rundfunk (Berlin) in Berlin (on 1957-04-19)
recording of:
Étude-Caprice, op. 18 no. 4, in A minor, Tempo di Saltarella, ma non troppo vivo (original version for 2 violins) (on 1957-04-19)
composer:
Henryk Wieniawski (Polish composer and violinist) (in 1862)
part of:
Works of Henryk Wieniawski by opus number (number: op. 18 no. 4)
part of:
Études-Caprices, op. 18
Henryk Wieniawski1:32
90Marche miniature viennoise
piano:
Oleg Maisenberg (pianist) (in 1995-12)
violin:
Gidon Kremer (violinist) (in 1995-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1995-12)
recording of:
Marche miniature viennoise (in 1995-12)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
Fritz Kreisler3:17
91Sonata for Solo Violin, BB 124, Sz.117: IV. Presto
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
violin:
Tibor Varga (Hungarian violinist and conductor) (in 1962-09)
balance engineer:
Harald Baudis (sound engineer) (in 1962-09)
recorded at:
Studio Lankwitz in Lankwitz (in 1962-09)
recording of:
Sonata for Solo Violin, Sz.117, BB 124: IV. Presto (in 1962-09)
composer:
Bartók Béla (Béla Bartók, composer) (in 1944)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Sonata for Solo Violin, Sz.117, BB 124
Béla Bartók5:33
92Sonata for Violin and Piano no. 5 in F, op. 24: “Spring”: II. Adagio molto espressivo
executive producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
piano:
Wilhelm Kempff (pianist) (in 1970-06)
violin:
Yehudi Menuhin (violinist) (in 1970-06)
balance engineer:
Hansjoachim Reiser (engineer/producer)
recorded at:
Conway Hall in London (Greater London) (in 1970-06)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo (in 1970-06)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven6:22
9324 Caprices for Violin, op. 1, MS. 25: no. 5 in a minor
piano:
Bruno Canino (composer and pianist)
violin:
David Garrett (classical violinist)
recording of:
24 Caprices for Solo Violin, op. 1, WoO 25: No. 5 in A minor: Agitato (for violin and piano, Schumann)
composer:
Niccolò Paganini (Italian composer and violinist)
arranger:
Robert Schumann (German classical composer)
arrangement of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 5 in A minor: Agitato
part of:
24 Caprices for Solo Violin, op. 1, WoO 25 (for violin and piano, Schumann)
Niccolò Paganini3:07
9424 Caprices for Violin, op. 1, MS. 25: no. 9 in E
piano:
Bruno Canino (composer and pianist)
violin:
David Garrett (classical violinist)
recording of:
24 Caprices for Solo Violin, op. 1, WoO 25: No. 9 in E major: Allegretto “La Chasse” (for violin and piano, Schumann)
composer:
Niccolò Paganini (Italian composer and violinist)
arranger:
Robert Schumann (German classical composer) (in 1853)
arrangement of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 9 in E major: Allegretto “La Chasse”
part of:
24 Caprices for Solo Violin, op. 1, WoO 25 (for violin and piano, Schumann)
Niccolò Paganini3:02
95Le carnaval des animaux, R. 125: Le Cygne
piano:
Albert Hirsh (pianist) (in 1957-07)
violin:
Wolfgang Schneiderhan (violinist) (in 1957-07)
recorded at:
Schloss Klessheim in Salzburg (in 1957-07)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello) (in 1957-07)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:23
96Children’s Corner, L. 113 (arr. by Jascha Heifetz): VI. Golliwogg’s Cakewalk
piano:
Emanuel Bay (in 1945-11)
violin:
Jascha Heifetz (violinist) (in 1945-11)
recorded at:
World Broadcasting System Studios in New York, New York, United States (in 1945-11)
recording of:
Golliwog’s Cakewalk (for violin and piano, arr. Heifetz) (in 1945-11)
composer:
Claude Debussy (French composer) (from 1906-06 until 1908-07)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version)
Claude Debussy2:30
97Small Concert Pieces, op. 21: no. 4: Moto perpetuo
piano:
Emanuel Bay (in 1946-07)
violin:
Jascha Heifetz (violinist) (in 1946-07)
recorded at:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood (in 1946-07)
recording of:
4 Small Concert Pieces, op. 21: No. 4. Moto perpetuo (for violin and piano) (in 1946-07)
composer:
Cecil Burleigh
dedicated to:
Albert Spalding (violinist)
part of:
4 Small Concert Pieces, op. 21 (for violin and piano)
Cecil Burleigh1:11
98Berceuse sur le nom de Gabriel Fauré
piano:
Jean Antonietti (Pianist) (in 1951-08)
violin:
Johanna Martzy (violinist) (in 1951-08)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover) (in 1951-08)
recording of:
Berceuse sur le nom de Gabriel Fauré (in 1951-08)
composer:
Maurice Ravel (French composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 74)
Maurice Ravel2:34
99Le petit nègre, L.114 (arr. by André Pascal)
recorded in:
Berlin (in 1958-11)
violin:
Tibor Bisztriczky (in 1958-11)
performer:
Felix Schröder (in 1958-11)
recording of:
Le petit Nègre, L. 114, CD 122 (catch-all for arrangements) (in 1958-11)
composer:
Claude Debussy (French composer) (in 1909)
arrangement of:
Le Petit Nègre, L. 114, CD 122 (for piano)
Claude Debussy1:38
100Valse sentimentale, op. 51: no. 6
recorded in:
Berlin (in 1958-11)
violin:
Tibor Bisztriczky (in 1958-11)
performer:
Felix Schröder (in 1958-11)
recording of:
6 Pieces, op. 51 no. 6: Valse sentimentale (for piano) (in 1958-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1882)
part of:
6 Pieces, op. 51 (for piano)
Пётр Ильич Чайковский2:21

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part of:100 Masterworks (Deutsche Grammophon) (order: 2)