It's Not About the Melody

~ Release by Betty Carter (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Naima's Love Song
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Jeffrey “Tain” Watts (jazz drummer) (from 1992-05-25 until 1992-05-26)
guest tenor saxophone:
Craig Handy (from 1992-05-25 until 1992-05-26)
piano:
John Hicks (American jazz pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
Naima’s Love Song (from 1992-05-25 until 1992-05-26)
lyricist:
Betty Carter
composer:
John Hicks (American jazz pianist)
publisher:
MyKag Music
8:26
2Stay as Sweet as You Are
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Christian McBride (American jazz bassist) (from 1992-05-25 until 1992-05-26)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1992-05-25 until 1992-05-26)
piano:
Mulgrew Miller (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
Stay as Sweet as You Are (from 1992-05-25 until 1992-05-26)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
publisher:
Chappell & Co.
7:11
3Make Him Believe
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Clarence Penn (Drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
Make Him Believe (from 1992-05-25 until 1992-05-26)
lyricist and composer:
Betty Carter
publisher:
MyKag Music
5:10
4I Should Care
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Clarence Penn (Drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
I Should Care (from 1992-05-25 until 1992-05-26)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:25
5Once Upon a Summertime
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Christian McBride (American jazz bassist) (from 1992-05-25 until 1992-05-26)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1992-05-25 until 1992-05-26)
piano:
Mulgrew Miller (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
Once Upon a Summertime (La Valse des lilas) (from 1992-05-25 until 1992-05-26)
lyricist:
Eddy Marnay (French lyricist)
composer:
Eddie Barclay and Michel Legrand
translator:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Ltd. (ended), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing AB (Sweden)
translated version of:
La Valse des lilas
5:59
6You Go to My Head
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
You Go to My Head (from 1992-05-25 until 1992-05-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
5:35
7In the Still Of the Night
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
In the Still of the Night (Cole Porter song) (from 1992-05-25 until 1992-05-26)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
4:08
8When It's Sleepy Time Down South
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Christian McBride (American jazz bassist) (from 1992-05-25 until 1992-05-26)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1992-05-25 until 1992-05-26)
piano:
Mulgrew Miller (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
When It’s Sleepy Time Down South (from 1992-05-25 until 1992-05-26)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
7:46
9The Love We Had Yesterday
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Walter Booker (from 1992-05-25 until 1992-05-26)
drums (drum set):
Jeffrey “Tain” Watts (jazz drummer) (from 1992-05-25 until 1992-05-26)
guest tenor saxophone:
Craig Handy (from 1992-05-25 until 1992-05-26)
piano:
John Hicks (American jazz pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
The Love We Had Yesterday (from 1992-05-25 until 1992-05-26)
lyricist and composer:
Pamela Watson (American pianist, vocalist, composer, arranger and educator,)
publisher:
Second Floor Music
7:17
10Dip Bag
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Clarence Penn (Drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
Dip Bag (from 1992-05-25 until 1992-05-26)
composer:
Betty Carter
publisher:
MyKag Music
8:56
11You're Mine, Too
recorded in:
New York, New York, United States (from 1992-05-25 until 1992-05-26)
engineer:
Joe Ferla
producer:
Betty Carter
bass:
Ariel J. Roland (from 1992-05-25 until 1992-05-26)
drums (drum set):
Clarence Penn (Drummer) (from 1992-05-25 until 1992-05-26)
piano:
Cyrus Chestnut (American jazz composer and pianist) (from 1992-05-25 until 1992-05-26)
vocals:
Betty Carter (from 1992-05-25 until 1992-05-26)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)
mixed at:
EastSide Sound in New York, New York, United States
recording of:
You're Mine, Too (from 1992-05-25 until 1992-05-26)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:12

Credits

Release

mastered at:Masterdisk in New York, New York, United States