Shades of Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▼CD
Nr.TitelKünstlerBewertungLänge
1I Don’t Know How to Love Him
recorded in:
England
recording engineer:
Jeremy Gee, Anton Matthews, Alan O’Duffy und Stephen Vaughan (engineer)
Techniker(in):
Tony Bridge (mastering engineer) und Martin Rushent
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Tim Rice
vocals:
Yvonne Elliman
conductor:
Alan Doggett
phonographisches Urheberrecht (℗) von:
Decca Label Group (not for release label use! defunct North American label group) (in 1970), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
recording of:
I Don’t Know How to Love Him (in 1970)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Yvonne Elliman33:35
2One of a Kind (Love Affair)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recording of:
One of a Kind
Texter und Komponist(in):
Joseph Jefferson (70s soul/funk)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:18
3Goodbye Yellow Brick Road
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
Orchestrator(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville (in 1973-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.653:13
4Heart of Glass
Produzent(in):
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Remix von:
Heart of Glass von Blondie (US rock band)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie44:33
5Hearts
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981)
recording of:
Hearts
Texter und Komponist(in):
Jesse Barish
publisher:
Great Pyramid Music, Mercury Shoes Music, Painted Desert Music Corporation, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Marty Balin4:16
6Drift Away
recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:52
7Rikki Don’t Lose That Number
Techniker(in):
Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Gary Katz
Akustikgitarre:
Dean Parks (American session guitarist)
Bass:
Walter Becker
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos)
Solo-Gitarre:
Jeff “Skunk” Baxter
Hintergrundgesang:
Timothy B. Schmit
Hintergrundgesang und Sologesang:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974)
mixed at:
Cherokee Sound in Chatsworth
engineered at:
Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles
recording of:
Rikki Don’t Lose That Number
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
Steely Dan4.354:32
8The Thrill Is Gone
recording of:
The Thrill Is Gone (1951 blues song)
Verfasser(in):
Roy Hawkins (in 1951) und Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. und Universal Music Careers
B.B. King5:25
9Baby Hold On
recording engineer:
Andy Johns (in 1977-06)
assistierende(r) Techniker(in):
Mike Clink (Aufgabe: assistant), Roy Segal (Aufgabe: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (Aufgabe: assistant) und Tom Lubin (Aufgabe: assistant)
Techniker(in):
Andy Johns (Aufgabe: recording & mixing)
Produzent(in):
Bruce Botnick
Mix:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Bass:
Lonnie Turner
Bassgitarre:
Lonnie Turner
Gitarre:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
Keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols und Freddie Webb (keyboardist)
Mundharmonika, Saxophon und Sologesang:
Eddie Money
Perkussion:
Kevin Calhoun (percussionist), Gary Mallaber und Kevin Calhoun (composer)
Schlagzeug:
Gary Mallaber
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Gast vocals:
Jo Baker (US singer, involved with Elvin Bishop)
Hintergrundgesang:
Randy Nichols
vocals:
Eddie Money und Jo Baker (US singer, involved with Elvin Bishop)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco (in 1977-06) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1977-06)
recording of:
Baby Hold On (in 1977-06)
Verfasser(in):
Jimmy Lyon (rock guitarist, worked with Eddie Money) und Eddie Money
publisher:
Cashola Music und Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.53:31
10If I Were Your Woman
recording of:
If I Were Your Woman
Verfasser(in):
Clarence McMurray (producer, songwriter, engineer), Gloria Jones (US singer/songwriter, known for “Tainted Love”) und Pam Sawyer (British‐born American lyricist and songwriter)
Gladys Knight & the Pips3:55
11At This Moment
phonographisches Urheberrecht (℗) von:
Alfa Records, Inc. (holding company - file NO releases here!) (in 1981)
recording of:
At This Moment
Texter und Komponist(in):
William P. McCord und Billy Vera
publisher:
Vera-Cruz Music Co und WB Music Corp. (1929–2019)
Billy Vera & The Beaters4:15
12You Showed Me
phonographisches Urheberrecht (℗) von:
High Concept (in 1986)
recording of:
You Showed Me
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds) und Roger McGuinn
publisher:
Tickson Music
The Turtles3:05
13Tonight, I Celebrate My Love
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood (in 1983) und Studio Sound in North Hollywood (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:29
14Lotta Love
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre:
Herb Pedersen
Bass:
Bob Glaub
flute:
Plas Johnson
Gitarre:
Dave Kalish
Keyboard:
Mark T. Jordan
Saxophon:
Andrew Love
Schlagzeug:
Rick Schlosser (drummer)
Tamburin:
Nicolette Larson
Hintergrundgesang:
Nicolette Larson und Ted Templeman
conductor:
Jimmie Haskell
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Lotta Love
Texter:
Neil Young (Canadian singer, songwriter & musician)
Komponist(in):
Frank Sampedro und Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music
Nicolette Larson53:11
15Angel of the Morning
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Angel of the Morning (am 1980-09-04)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
April Music, EMI Blackwood, EMI Songs Ltd. und Unichappell Music
Juice Newton4.354:12
16Black Water
recording engineer:
Donn Landee
zusätzlich recording engineer:
Lee Herschberg
sonstige Unterstützung:
Benita Brazier (Aufgabe: production coordinator)
Produzent(in):
Ted Templeman
autoharp:
Arlo Guthrie (American folk singer-songwriter)
Bratsche / Viola:
Novi
Conga und Timbales:
Eddie Guzman
Keyboard:
Bill Payne
Marimba, Rahmentrommel [pandeiro] und tabla:
Milt Holland
Pedal-Steel-Gitarre:
Jeff “Skunk” Baxter
arranger:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love und The Memphis Horns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1974)
recording of:
Black Water
Texter, Verfasser(in) und Komponist(in):
Patrick Simmons
publisher:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:17
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Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten