1000 Years of Classical Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Crux fidelis
Interpret(in):
Neil McEwan und David Russell (classical guitarist)
[anonymous]4:00
2Sumer is icumen in (live)
vocals:
The Song Company (Australian vocal ensemble)
conductor:
Roland Peelman (Belgian-born Australian conductor)
[anonymous]2:56
3Spem in alium
Chorgesang:
Cantillation
conductor:
Antony Walker (Australian conductor)
recording of:
Spem in alium
Komponist(in):
Thomas Tallis (composer)
Thomas Tallis9:40
4Lachrimae
Laute:
Rosemary Hodgson (lutenist)
Interpret(in):
Justin Burwood (tenor)
recording of:
Lachrimae Pavan (catch-all for unspecified version)
Komponist(in):
John Dowland (composer and lutenist)
John Dowland5:50
5Vespers of the Blessed Virgin Mary: 3. Nigra sum
Instrumente:
Tommie Andersson und Daniel Yeadon (cello and viol player)
Tenor-Gesang:
Paul McMahon (Australian tenor)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:04
6Dido and Aeneas, Z. 626: Act III: “Thy hand, Belinda… When I am laid in earth”
Mezzosoprangesang:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
Orchester:
Adelaide Symphony Orchestra
conductor:
Nicholas Milton (conductor)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
Komponist(in):
Henry Purcell (Baroque composer)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
Komponist(in):
Henry Purcell (Baroque composer) (in 1689)
Librettist:
Nahum Tate
Teil von:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:36
7Rosary Sonatas: No. 10 “Crucifixio”, C 99: 3. Variatio
Cello:
Rosanne Hunt
Cembalo und Orgel:
Linda Kent (harpsichordist / organist)
Geige / Violine:
Elizabeth Wallfisch (violinist)
teilweise recording of:
The Mystery Sonatas: The Five Sorrowful Mysteries: 10. The Crucifixion
Komponist(in):
Heinrich Ignaz Franz von Biber (composer)
Teil von:
The Church Music of Heinrich Biber (Nummer: C 99)
adaptations:
Violin Sonata in A minor “Victori der Christen”
Teil von:
The Mystery Sonatas (Rosenkranzsonaten)
Heinrich Ignaz Franz von Biber4:04
8Lidio e Clori: Ah! si, purtroppo è vero (Ah yes, alas it is true)
Instrumente:
Chacona
Countertenorgesang [Lidio]:
James Sanderson (counter-tenor)
Soprangesang [Clori]:
Jane Edwards (Australian soprano)
conductor:
Rosalind Halton (harpsichordist)
teilweise recording of:
Dove fuggi, o bella Clori, H. 210 "Lidio e Clori"
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Alessandro Scarlatti’s Cantate da Camera (Nummer: H. 210)
Alessandro Scarlatti3:53
9The Four Seasons: “Spring” (Violin Concerto in E major), op. 8 no. 1, RV 269: I. Allegro
Geige / Violine [baroque violin]:
Elizabeth Wallfisch (violinist) (von 1996-08-20 bis 1996-08-26)
Orchester:
Australian Brandenburg Orchestra (von 1996-08-20 bis 1996-08-26)
conductor:
Paul Dyer (conductor) (von 1996-08-20 bis 1996-08-26)
arranger:
Ernest Pätzold (arranger)
aufgenommen bei:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney (von 1996-08-20 bis 1996-08-26)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (von 1996-08-20 bis 1996-08-26)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:31
10Dardanus, Act III: “Paix favorable, paix adorable”
Bass-Gesang:
David Greco (baritone)
Soprangesang:
Anna Fraser (soprano)
Orchester:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Dardanus, RCT 35 : Acte III, Scène 3. « Paix favorable, paix adorable » (Une Phrigienne, Un Phrigien)
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Dardanus, RCT 35 : Acte III
Jean‐Philippe Rameau2:05
11Stabat Mater, P. 77: 1. Stabat Mater Dolorosa
Mezzosoprangesang:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
Soprangesang:
Sara Macliver (soprano)
Orchester:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:29
12Brandenburg Concerto no. 3 in G major, BWV 1048: 1. Allegro
Orchester:
Orchestra of the Antipodes
conductor:
Anna McDonald (Australian violinist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:33
13Concerto for Two Violins in D minor, BWV 1043: 1. Vivace
recording engineer und Produzent(in):
Virginia Read (engineer/editor/producer) (in 2005-10)
Geige / Violine:
Helena Rathbone (violinist) (von 2005-10-20 bis 2005-10-24) und Richard Tognetti (violinist & conductor) (von 2005-10-20 bis 2005-10-24)
Orchester:
Australian Chamber Orchestra (Australian orchestra founded in 1975) (von 2005-10-20 bis 2005-10-24)
conductor:
Richard Tognetti (violinist & conductor)
aufgenommen bei:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney (von 2005-10-20 bis 2005-10-24)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (von 2005-10-20 bis 2005-10-24)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:26
14Lobet den Herrn, BWV 230
Instrumente:
Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist) und Daniel Yeadon (cello and viol player)
conductor:
Antony Walker (Australian conductor)
recording of:
Lobet den Herrn, alle Heiden, BWV 230
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (Nummer: BWV 230) und Bach Compendium (Nummer: BC C 6)
Johann Sebastian Bach6:57
15The Well‐Tempered Clavier, Book I, BWV 846: Prelude in C major
Cembalo:
Erin Helyard
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
16Water Music Suite in D major, HWV 349: 2. Alla Hornpipe
Orchester:
Tasmanian Symphony Orchestra
conductor:
Graham Abbott
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (Wassermusik Suite Nr. 2 D-Dur, HWV 349: II. Alla Hornpipe)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1717)
Teil von:
Water Music Suite no. 2 in D major, HWV 349 (Wassermusik Suite Nr. 2 D-Dur, HWV 349)
George Frideric Handel3:12
17Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord”
Chorgesang:
Cantillation
Orchester:
Orchestra of the Antipodes
conductor:
Antony Walker (Australian conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel2:28
18Julius Caesar in Egypt, HWV 17: Piangerò la sorte mia (I shall weep at my fate)
Soprangesang:
Yvonne Kenny (Australian soprano)
Orchester:
Australian Brandenburg Orchestra
conductor:
Paul Dyer (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:41
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