Evans in England

~ Release by Bill Evans (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Our Love Is Here to Stay
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Love Is Here to Stay (in 1969-12)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:44
2Sugar Plum
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Sugar Plum (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Pennywhistle Music
9:46
3Stella by Starlight
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Stella by Starlight (in 1969-12)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
6:18
4My Foolish Heart
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
My Foolish Heart (in 1969-12)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:41
5Waltz for Debby
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
Waltz for Debby (instrumental) (in 1969-12)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
7:59
6'round Midnight
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
’Round Midnight (in 1969-12)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:36
7The Two Lonely People
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live recording of:
The Two Lonely People (in 1969-12)
lyricist:
Carol Hall (musical theatre songwriter)
composer:
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
8:06
8Who Can I Turn To (When Nobody Needs Me)
engineer:
Fran Gala (sound engineer) and George Klabin (engineer and producer)
producer:
Zev Feldman (producer and author)
bass:
Eddie Gomez (jazz double bassist) (in 1969-12)
drums (drum set):
Marty Morell (drums) (in 1969-12)
piano:
Bill Evans (pianist) (in 1969-12)
recorded at:
Ronnie Scott’s in Soho (in 1969-12)
live cover recording of:
Who Can I Turn To (When Nobody Needs Me) (in 1969-12)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
7:30
2▶CD

Credits

Release

manufactured in:United States
mastered at:Resonance Records Studios in Beverly Hills