Some Other Time: The Lost Session From the Black Forest

~ Veröffentlichung von Bill Evans with Eddie Gomez and Jack DeJohnette (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Recorded at MPS Studios in Villingen, Germany on June 20, 1968. Also released as a 2 LP set

Anmerkung zuletzt geändert am 2016-04-24 23:36 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1You Go to My Head
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
You Go to My Head (am 1968-06-20)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
5:01
2Very Early
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
recording of:
Very Early (am 1968-06-20)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. und TRO-Acorn Music
5:15
3What Kind of Fool Am I?
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
What Kind of Fool Am I? (am 1968-06-20)
Texter und Komponist(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Essex Music und Ludlow Music
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1963 winner)
Teil von:
Stop the World – I Want to Get Off
5:23
4I’ll Remember April
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
I’ll Remember April (am 1968-06-20)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
4:10
5My Funny Valentine
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1968-06-20)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
7:00
6Baubles, Bangles and Beads
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
Baubles, Bangles and Beads (from “Kismet”) (am 1968-06-20)
Verfasser(in):
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Frank Music Corp. und Scheffel Music Corp
basiert auf:
String Quartet no. 2 in D major: II. Scherzo. Allegro
Teil von:
Kismet (full musical)
4:41
7Turn Out the Stars
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
recording of:
Turn Out the Stars (am 1968-06-20)
Komponist(in):
Bill Evans (pianist)
publisher:
Ludlow Music, Inc.
4:58
8It Could Happen to You
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
It Could Happen to You (am 1968-06-20)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:02
9In a Sentimental Mood
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
In a Sentimental Mood (am 1968-06-20)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
4:20
10These Foolish Things
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
These Foolish Things (Remind Me of You) (am 1968-06-20)
Texter:
Holt Marvell (in 1935)
Komponist(in):
Jack Strachey (in 1935)
zusätzliche(r) Komponist(in):
Harry Link (US vaudeville actor & songwriter)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. und Lafleur Music Ltd.
4:16
11Some Other Time
recording engineer:
Joachim-Ernst Berendt und Hans Georg Brunner‐Schwer
Mix:
Fran Gala (sound engineer) und George Klabin (engineer and producer)
Klavier:
Bill Evans (pianist) (am 1968-06-20)
Kontrabass:
Eddie Gomez (jazz double bassist) (am 1968-06-20)
Schlagzeug:
Jack DeJohnette (am 1968-06-20)
phonographisches Urheberrecht (℗) von:
Resonance Records (jazz)
aufgenommen bei:
MPS-Studio in Villingen-Schwenningen (am 1968-06-20)
instrumental cover recording of:
On the Town: Some Other Time (am 1968-06-20)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
On the Town
5:30
2▶CD

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
mastered at:Resonance Records Studios in Beverly Hills