Celebrate Broadway, Volume 10: Best Musicals!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

"with: Carol Channing, Glenn Close, Len Cariou & Angela Lansbury, Gene Barry & George Hearn, Ken Page & Nell Carter, Zero Mostel, Robert Morse, Colm Wilkinson, Constance Towers, Yul Brynner, Gwen Verdon & Richard Kiley and many others."

Anmerkung zuletzt geändert am 2015-11-27 07:48 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
142nd Street: Overture
recording engineer:
Paul Goodman (engineer)
Produzent(in):
Thomas Z. Shepard
vocals:
Danny Carroll (Broadway musical performer)
conductor:
John Lesko
vocals arranger:
John Lesko
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1980-11-16)
recording of:
Audition
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
recording of:
Overture (42nd Street)
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
Harry Warren4:46
2Fiddler on the Roof: If I Were a Rich Man
recording engineer:
Ernie Oelrich
Sologesang [Tevye]:
Zero Mostel (actor) (am 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (am 1964-09-27)
vocals arranger:
Milton Greene (orchestrator, musical director, conductor, arranger)
Orchestrator(in):
Don Walker (orchestrator)
aufgenommen bei:
Webster Hall in East Village (am 1964-09-27)
recording of:
If I Were a Rich Man (Fiddler on the Roof) (am 1964-09-27)
Texter:
Sheldon Harnick
Komponist(in):
Jerry Bock
publisher:
Chappell & Co. und Sunbeam Music Corp.
Teil von:
Fiddler on the Roof
Jerry Bock4:57
3La Cage aux Folles: Song on the Sand
vocals:
Gene Barry
conductor:
Donald Pippin (Broadway musical theatre director and conductor)
Orchestrator(in):
Jim Tyler (Broadway orchestrator & arranger)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (am 1983-08-04)
recording of:
Song on the Sand (La Da Da Da) (from “La Cage aux folles”) (am 1983-08-04)
Texter und Komponist(in):
Jerry Herman
Teil von:
La Cage aux folles (complete musical)
Jerry Herman3:59
4Ain’t Misbehavin’: Honeysuckle Rose
recording engineer:
Paul Goodman (engineer)
Produzent(in):
Thomas Z. Shepard
vocals:
Nell Carter und Ken Page
arranger und Orchestrator(in):
Luther Henderson
recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Fats Waller4:01
5Hello, Dolly!: Hello, Dolly!
recording engineer:
Ernie Oelrich (am 1964-01-19)
vocals:
Carol Channing (am 1964-01-19)
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989)
aufgenommen bei:
Webster Hall in East Village (am 1964-01-19)
recording of:
Hello, Dolly! (am 1964-01-19)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
Jerry Herman5:44
6Kiss of the Spiderwoman: Kiss of the Spiderwoman
recording of:
Kiss of the Spider Woman (from Kiss of the Spider Woman, the Kander & Ebb musical)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
Teil von:
Kiss of the Spider Woman (Kander & Ebb musical)
Kander & Ebb3:01
7Jerome Robbin’s Broadway: Overture
recording engineer:
Paul Goodman (engineer) (von 1989-02-12 bis 1989-02-28) und James Nichols (von 1989-02-12 bis 1989-02-28)
zusätzliche(r) Techniker(in):
Frank Rodríguez
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn
vocals:
Debbie Gravitte (von 1989-02-12 bis 1989-02-28) und Michael Lynch (von 1989-02-12 bis 1989-02-28)
conductor:
Paul Gemignani (von 1989-02-12 bis 1989-02-28)
aufgenommen bei:
RCA Studio A (New York) in New York, New York, Vereinigte Staaten (von 1989-02-12 bis 1989-02-28)
recording of:
Gotta Dance (Look Ma, I'm Dancin'!) (von 1989-02-12 bis 1989-02-28)
Texter und Komponist(in):
Hugh Martin
recording of:
Papa, Won't You Dance With Me? (von 1989-02-12 bis 1989-02-28)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
High Button Shoes (1947 musical)
recording of:
Shall We Dance? (The King and I) (von 1989-02-12 bis 1989-02-28)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
Hugh Martin / Jule Styne / Rodgers & Hammerstein3:27
8Kismet: Stranger in Paradise
recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
Texter:
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Frank Music Co. Ltd. (vom 1953 bis heute)
basiert auf:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
Teil von:
Kismet (full musical)
George Forrest & Robert Wright4:10
9Sweeney Todd: A Little Priest
Sologesang:
Len Cariou und Angela Lansbury
conductor:
Paul Gemignani
recording of:
Sweeney Todd: A Little Priest (von 1979-03-12 bis 1979-03-13)
Orchestrator(in):
Jonathan Tunick
Texter und Komponist(in):
Stephen Sondheim
Teil von:
Sweeney Todd: The Demon Barber of Fleet Street
Stephen Sondheim7:17
10Redhead: Look Who’s in Love
vocals:
Richard Kiley (actor, singer) und Gwen Verdon (actress)
recording of:
Look Who's in Love (Redhead)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Albert Hague
Teil von:
Redhead (musical)
Albert Hague2:09
11A Little Night Music: Send in the Clowns
recording engineer:
David Hewitt (engineer) (am 1992-06-10) und Bill King (Engineer) (am 1992-06-10)
Produzent(in):
Jay David Saks (producer of classical and musical theatre recordings)
Mix und Editing:
Ken Hahn
vocals:
Glenn Close (am 1992-06-10)
Orchester:
American Theatre Orchestra (am 1992-06-10)
conductor:
Paul Gemignani (am 1992-06-10)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1993)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan (am 1992-06-10)
Stephen Sondheim4:11
12The King and I: Shall We Dance?
vocals:
Yul Brynner (in 1977) und Constance Towers (in 1977)
conductor:
Milton Rosenstock (conductor, composer, arranger)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
recording of:
Shall We Dance? (The King and I) (in 1977)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
Rodgers & Hammerstein5:06
13Les Misérables: Bring Him Home
assistierende(r) Techniker(in):
Gareth Cousins
Techniker(in):
Haydn Bendall (producer and engineer)
Produzent(in):
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood (in 1988-12)
recording of:
Bring Him Home (Valjean) (in 1988-12)
Texter:
Alain Boublil und Herbert Kretzmer
Komponist(in):
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Les Misérables (Claude-Michel Schönberg musical, English version)
Claude‐Michel Schönberg3:26
14How to Succeed in Business Without Really Trying: Brotherhood of Man
vocals:
Ruth Kobart, Robert Morse (Broadway actor and singer) und Sammy Smith (film and stage actor)
recording of:
Brotherhood of Man (How to Succeed in Business Without Really Trying)
Texter und Komponist(in):
Frank Loesser
Frank Loesser4:10
15Phantom of the Opera: The Music of the Night
vocals:
Colm Wilkinson
Andrew Lloyd Webber5:53

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten