| orchestra |
|---|
| 1992-05 | All they that see him - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:44 |
| 1992-05 | All We Like Sheep (chorus) | | | Boston Baroque, Martin Pearlman | 3:22 |
| 1992-05 | And He Shall Purify (chorus) | Boston Baroque Orchestra and Chorus | | Boston Baroque Orchestra and Chorus, Martin Pearlman | 2:10 |
| 1992-05 | And the Glory of the Lord (chorus) | | | Boston Baroque, Martin Pearlman | 2:38 |
| 1992-05 | And with his stripes we are healed - Chorus | | | Boston Baroque, Martin Pearlman | 1:44 |
| 1992-05 | Behold, a Virgin Shall Conceive (alto recitative) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 0:22 |
| 1992-05 | Behold, and see if there be any sorrow - Tenor Arioso | | | Boston Baroque, Martin Pearlman | 1:13 |
| 1992-05 | Behold, I Tell You a Mystery (bass recitative) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 0:33 |
| 1992-05 | But Thanks Be to God (chorus) | | | Boston Baroque, Martin Pearlman | 2:08 |
| 1992-05 | But thou didst not leave his soul in Hell - Tenor Air | | | Boston Baroque, Martin Pearlman | 2:42 |
| 1992-05 | Comfort Ye, My People (tenor recitative) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 2:48 |
| 1992-05 | Every Valley Shall Be Exalted (tenor air) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 3:10 |
| 1992-05 | Hallelujah (chorus) | | | Boston Baroque, Martin Pearlman | 3:41 |
| 1992-05 | He That Dwelleth in Heaven (tenor recitative) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 0:12 |
| 1992-05 | He trusted in God - Chorus | | | Boston Baroque, Martin Pearlman | 2:16 |
| 1992-05 | He was cut off out of the land of the living - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:19 |
| 1992-05 | How beautiful are the feet - Soprano Air | | | Boston Baroque, Martin Pearlman | 2:04 |
| 1992-05 | I Know That My Redeemer Liveth (soprano air) | | | Karen Clift, Boston Baroque, Martin Pearlman | 5:04 |
| 1992-05 | If God be for us - Soprano Air | | | Boston Baroque, Martin Pearlman | 4:02 |
| 1992-05 | Let all the angels of God worship him - Chorus | | | Boston Baroque, Martin Pearlman | 1:26 |
| 1992-05 | Let Us Break Their Bounds Asunder (chorus) | | | Boston Baroque, Martin Pearlman | 1:41 |
| 1992-05 | Lift Up Your Heads (chorus) | | | Boston Baroque, Martin Pearlman | 2:54 |
| 1992-05 | Messiah, HWV 56, Pt. 1: Pifa (Pastoral Symphony) | | | Boston Baroque, Martin Pearlman | 2:53 |
| 1992-05 | O Death, Where Is Thy Sting? (alto & tenor duet) | | | Bruce Fowler, Catherine Robbin, Boston Baroque, Martin Pearlman | 1:09 |
| 1992-05 | O Thou That Tellest Good Tidings to Zion (alto air & chorus) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 5:20 |
| 1992-05 | Part One, Air: But who may abide | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 3:58 |
| 1992-05 | Part One, Air: He shall feed His flock like a shepherd | | | Karen Clift, Catherine Robbin, Boston Baroque, Martin Pearlman | 4:39 |
| 1992-05 | Part One, Air: The people that walked in darkness | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 4:06 |
| 1992-05 | Part One, Chor: For unto us a Child is born | | | Boston Baroque, Martin Pearlman | 3:36 |
| 1992-05 | Part One, Chor: Glory to the God | | | Boston Baroque, Martin Pearlman | 1:46 |
| 1992-05 | Part One, Chor: His yoke is easy | | | Boston Baroque, Martin Pearlman | 2:16 |
| 1992-05 | Part One, Recitative: And suddenly there was with the angel | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:16 |
| 1992-05 | Part One, Recitative: And the angel said unto them | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:35 |
| 1992-05 | Part One, Recitative: For behold, darkness shall cover the earth | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 1:49 |
| 1992-05 | Part One, Recitative: Then shall the eyes of the blind | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:23 |
| 1992-05 | Part One, Recitative: There were shepherds/Recitative: And lo, the angel of the Lord came upon them | | | Karen Clift, Boston Baroque, Martin Pearlman | 0:33 |
| 1992-05 | Part One, Recitative: Thus saith the Lord | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 1:24 |
| 1992-05 | Part Two, Air: He was despised | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 8:25 |
| 1992-05 | Part Two, Chor: Behold the lamb of God | | | Boston Baroque, Martin Pearlman | 2:28 |
| 1992-05 | Rejoice Greatly, o Daughter of Zion (soprano air) | | | Karen Clift, Boston Baroque, Martin Pearlman | 4:16 |
| 1992-05 | Since by Man Came Death (chorus) | | | Boston Baroque, Martin Pearlman | 2:05 |
| 1992-05 | Sinfonia | | | Boston Baroque, Martin Pearlman | 2:54 |
| 1992-05 | Surely he hath borne our griefs (chorus) | | | Boston Baroque, Martin Pearlman | 1:48 |
| 1992-05 | The Lord Gave the Word (chorus) | | | Boston Baroque, Martin Pearlman | 1:12 |
| 1992-05 | The Trumpet Shall Sound (bass air) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 8:41 |
| 1992-05 | Their Sound Is Gone Out (chorus) | | | Boston Baroque, Martin Pearlman | 1:21 |
| 1992-05 | Then Shall Be Brought to Pass (alto recitative) | | | Catherine Robbin, Boston Baroque, Martin Pearlman | 0:14 |
| 1992-05 | Thou art gone up on high - Alto Air | | | Boston Baroque, Martin Pearlman | 2:53 |
| 1992-05 | Thou Shalt Break Them (tenor air) | | | Bruce Fowler, Boston Baroque, Martin Pearlman | 2:05 |
| 1992-05 | Thy rebuke hath broken his heart - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 1:31 |
| 1992-05 | Unto which of the angels - Tenor Recitative | | | Boston Baroque, Martin Pearlman | 0:15 |
| 1992-05 | Why Do the Nations? (bass air) | | | Victor Ledbetter, Boston Baroque, Martin Pearlman | 2:41 |
| 1992-05 | Worthy Is the Lamb... Amen (chorus) | | | Boston Baroque, Martin Pearlman | 7:11 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): I. Introitus: "Requiem aeternam" | | | Boston Baroque, Martin Pearlman | 4:38 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): II. "Kyrie eleison" | | | Boston Baroque, Martin Pearlman | 2:20 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIa. Sequenz: "Dies irae" | | | Boston Baroque, Martin Pearlman | 1:49 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIb. Sequenz: "Tuba mirum" | | | Boston Baroque, Martin Pearlman | 2:51 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIc. Sequenz: "Rex tremendae" | | | Boston Baroque, Martin Pearlman | 1:51 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIId. Sequenz: "Recordare" | | | Boston Baroque, Martin Pearlman | 4:04 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIe. Sequenz: "Confutatis" | | | Boston Baroque, Martin Pearlman | 2:01 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIf. Sequenz: "Lacrimosa" | | | Boston Baroque, Martin Pearlman | 2:37 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IIIg. Sequenz: "Amen" | | | Boston Baroque, Martin Pearlman | 1:28 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IVa. Offertorium: "Domine Jesu" | | | Boston Baroque, Martin Pearlman | 3:14 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IVb. Offertorium: "Hostias" | | | Boston Baroque, Martin Pearlman | 3:09 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): IX. "Cum sanctis tuis" | | | Boston Baroque, Martin Pearlman | 2:24 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): V. "Sanctus" | | | Boston Baroque, Martin Pearlman | 2:14 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): VI. "Benedictus" | | | Boston Baroque, Martin Pearlman | 5:17 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): VII. "Agnus Dei" | | | Boston Baroque, Martin Pearlman | 3:12 |
| 1994-11-02 – 1994-11-03 | Requiem in D minor, K. 626 (Levin completion): VIII. Communio: "Lux aeterna" | | | Boston Baroque, Martin Pearlman | 3:02 |
| 2003-09-24 – 2003-09-26 | Suite no. 2 in B minor, BWV 1067: Sarabande | | | Martin Pearlman, Boston Baroque | 2:12 |
| Brandenburg Concerto No. 5, I (2) | | | Boston Baroque | 1:50 |
| Brandenburg Concerto No. 5, I (3) | | | Boston Baroque | 2:15 |
| Brandenburg Concerto No. 5, I (4) | | | Boston Baroque | 2:57 |
| Brandenburg Concerto No. 5, I (5) | | | Boston Baroque | 0:28 |
| Brandenburg Concerto No.5, I | | | Boston Baroque | 2:28 |
| Concerto Grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | | | Boston Baroque, Martin Pearlman | 2:37 |
| Concerto Grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | | | Boston Baroque, Martin Pearlman | 2:38 |
| Concerto Grosso in A minor, op. 6 no. 4, HWV 322: III. Largo e piano | | | Boston Baroque, Martin Pearlman | 2:27 |
| Concerto Grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | | | Boston Baroque, Martin Pearlman | 2:34 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: I. Grave | | | Boston Baroque, Martin Pearlman | 1:48 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: II. Allegro | | | Boston Baroque, Martin Pearlman | 2:07 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: III. Presto | | | Boston Baroque, Martin Pearlman | 3:51 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: IV. Largo | | | Boston Baroque, Martin Pearlman | 2:24 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: V. Allegro | | | Boston Baroque, Martin Pearlman | 2:31 |
| Concerto Grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet. Un poco larghetto | | | Boston Baroque, Martin Pearlman | 2:53 |
| Concerto Grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | | | Boston Baroque, Martin Pearlman | 1:28 |
| Concerto Grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | | | Boston Baroque, Martin Pearlman | 1:33 |
| Concerto Grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | | | Boston Baroque, Martin Pearlman | 2:26 |
| Concerto Grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise. Andante | | | Boston Baroque, Martin Pearlman | 5:35 |
| Concerto Grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo | | | Boston Baroque, Martin Pearlman | 1:12 |
| Concerto Grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto | | | Boston Baroque, Martin Pearlman | 3:41 |
| Concerto Grosso in F major, op. 6 no. 2, HWV 320: II. Allegro | | | Boston Baroque, Martin Pearlman | 2:27 |
| Concerto Grosso in F major, op. 6 no. 2, HWV 320: III. Largo | | | Boston Baroque, Martin Pearlman | 2:35 |
| Concerto Grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro ma non troppo | | | Boston Baroque, Martin Pearlman | 2:07 |
| Concerto Grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto | | | Boston Baroque, Martin Pearlman | 1:47 |
| Concerto Grosso in G major, op. 6 no. 1, HWV 319: II. Allegro | | | Boston Baroque, Martin Pearlman | 1:54 |
| Concerto Grosso in G major, op. 6 no. 1, HWV 319: III. Adagio | | | Boston Baroque, Martin Pearlman | 2:38 |
| Concerto Grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro | | | Boston Baroque, Martin Pearlman | 2:32 |
| Concerto Grosso in G major, op. 6 no. 1, HWV 319: V. Allegro | | | Boston Baroque, Martin Pearlman | 3:01 |
| Concerto Grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | | | Boston Baroque, Martin Pearlman | 3:30 |
| See all 105 relationships |
| performed |
|---|
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:25 |
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:21 |
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:54 |
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:27 |
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:31 |
| 1997-02-01 – 1997-02-04 | Antiphon | | | Boston Baroque, Martin Pearlman | 0:30 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / "Domine ad adiuvandum" | | | Martin Pearlman, Boston Baroque | 2:14 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: II. Psalm 109: Dixit Dominus | | | Martin Pearlman, Boston Baroque | 7:33 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: III. Motet: Nigra sum | | | Martin Pearlman, Boston Baroque | 3:57 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: IV. Psalm 112: Laudate pueri | | | Martin Pearlman, Boston Baroque | 5:52 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: IX. Motet: Audi coelum | | | Martin Pearlman, Boston Baroque | 9:33 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: V. Motet: Pulchra es | | | Martin Pearlman, Boston Baroque | 4:04 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VI. Psalm 121: Laetatus sum | | | Martin Pearlman, Boston Baroque | 6:31 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VII. Motet: Duo Seraphim | | | Martin Pearlman, Boston Baroque | 7:02 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: VIII. Psalm 126: Nisi Dominus | | | Martin Pearlman, Boston Baroque | 4:28 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: X. Psalm 147: Lauda Jerusalem | | | Martin Pearlman, Boston Baroque | 4:21 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria, ora pro nobis" | | | Martin Pearlman, Boston Baroque | 6:38 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XII. Hymn: Ave maris stella | | | Martin Pearlman, Boston Baroque | 8:16 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIa. Magnificat: Magnificat anima mea | | | Martin Pearlman, Boston Baroque | 0:48 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIb. Magnificat: Et exultavit | | | Martin Pearlman, Boston Baroque | 1:23 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIc. Magnificat: Quia respexit | | | Martin Pearlman, Boston Baroque | 1:52 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIId. Magnificat: Quia fecit mihi magna | | | Martin Pearlman, Boston Baroque | 1:03 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIe. Magnificat: Et misericordia | | | Martin Pearlman, Boston Baroque | 2:14 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIf. Magnificat: Fecit potentiam | | | Martin Pearlman, Boston Baroque | 0:54 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIg. Magnificat: Deposuit potentes de sede | | | Martin Pearlman, Boston Baroque | 2:37 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIh. Magnificat: Esurientes implevit bonis | | | Martin Pearlman, Boston Baroque | 1:37 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIi. Magnificat: Suscepit Israel | | | Martin Pearlman, Boston Baroque | 1:19 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIj. Magnificat: Sicut locutus est | | | Martin Pearlman, Boston Baroque | 0:58 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIk. Magnificat: Gloria Patri | | | Martin Pearlman, Boston Baroque | 3:19 |
| 1997-02-01 – 1997-02-04 | Vespro della Beata Vergine, SV 206: XIIIl. Magnificat: Sicut erat in principio | | | Martin Pearlman, Boston Baroque | 1:57 |
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