| Bassoon Concerto in F major, op. 75: I. Allegro ma non troppo | | | | | | | | |
| Bassoon Concerto in F major, op. 75: II. Adagio | | | | | | | | |
| Bassoon Concerto in F major, op. 75: III. Rondo: Allegro | | | | | | | | |
| Burleske in D minor, TrV 145 | | | | | | | | |
| Caprice Bohémien, op. 12 | | | | | Symphonic poem | | | |
| Cello Concertino, op. 132: I. Andante mosso - Cadenza | | | | | | | | |
| Cello Concertino, op. 132: II. Andante | | | | | | | | |
| Cello Concertino, op. 132: III. Allegretto | | | | | | | | |
| Cello Concerto in E minor, op. 58: I. Andante – Poco meno mosso (Andante assai) – Adagio | | - Philharmonia Orchestra, Walter Süsskind, János Starker
- Steven Isserlis, Frankfurt Radio Symphony Orchestra, Paavo Järvi
- Alban Gerhardt, Bergen Philharmonic Orchestra, Andrew Litton
- Christine Walevska, Orchestre Philharmonique de Monte‐Carlo, Eliahu Inbal
- Alexander Ivashkin, Russian State Symphony Orchestra, Valeri Polyansky
| | | | | | |
| Cello Concerto in E minor, op. 58: II. Allegro giusto | | - Philharmonia Orchestra, Walter Süsskind, János Starker
- Steven Isserlis, Frankfurt Radio Symphony Orchestra, Paavo Järvi
- Alban Gerhardt, Bergen Philharmonic Orchestra, Andrew Litton
- Christine Walevska, Orchestre Philharmonique de Monte‐Carlo, Eliahu Inbal
- Alexander Ivashkin, Russian State Symphony Orchestra, Valeri Polyansky
| | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto | | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato | | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza | | | | | | | | |
| Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro con moto | | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: I. Largo | | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: II. Scherzo: Allegretto | | | | | | | | |
| Cello Concerto no. 2 in G minor, op. 126: III. Finale: Allegretto | | | | | | | | |
| Concert Waltz no. 1 in D major, op. 47 | | | | | | | | |
| Concert Waltz no. 2 in F major, op. 51 | | | | | | | | |
| Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | | | | | | | | |
| Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio | | | | | | | | |
| Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto | | | | | | | | |
| Concerto for Cello in C minor, op. 66: I. Lento ma non troppo | | | | | | | | |
| Concerto for Cello in C minor, op. 66: II. Allegro vivace | | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | | | | | | | | |
| Concerto for Violoncello and Orchestra no. 2: I. Moderato | | | | | | | | |
| Concerto for Violoncello and Orchestra no. 2: II. Allegro | | | | | | | | |
| Concerto for Violoncello and Orchestra no. 2: III. Lento | | | | | | | | |
| Concerto for Violoncello and Orchestra no. 2: IV. Allegretto vivo | | | | | | | | |
| Concerto for Violoncello and Orchestra no. 2: V. Grave | | | | | | | | |
| Hamlet, op. 77 | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: II. The First Antiphon: Bless the Lord, О My Soul | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: III. The Second Antiphon: Glory Be to the Father - Only-Begotten Son | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: IV. The Third Antiphon: In Your Kingdom | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: V. The Little Entrance: Come, Let Us Worship | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: VI. Trisagion: Lord, We Pray That You May Be Merciful | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: VII. The Augmented Litany | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: VIII. Cherubic Hymn | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: X. Credo | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XI. The Eucharistic Prayer: A Mercy Of Peace | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XII. We Praise Тhee | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XIII. Hymn to the Mother of God: It Is Truly Meet | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XIV. The Lord's Prayer: Our Father | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XIX. Blessed Be the Name of the Lord | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XVI. Communion Hymn: Praise the Lord From The Heavens | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XVII. Blessed Is He - We Have Seen the Light | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XVIII. Hymn Of Praise: Let Our Mouths Be Filled | | | | | | | | |
| Liturgy of St. John Chrysostom, op. 31: XX. Dismissal | | | | | | | | |
| Marche slave in B-flat minor, op. 31 | | | | | | | | |
| Mass no. 2 in E minor: I. Kyrie | | | | | | | | |
| Mass no. 2 in E minor: II. Gloria | | | | | | | | |
| Mass no. 2 in E minor: III. Credo | | | | | | | | |
| Mass no. 2 in E minor: IV. Sanctus | | | | | | | | |
| Mass no. 2 in E minor: V. Benedictus | | | | | | | | |
| Mass no. 2 in E minor: VI. Agnus Dei | | | | | | | | |
| Mše, op. 86, B. 175: I. Kyrie | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Dalibor Jedlička, Oldřich Lindauer, Marcela Machotková, Czech Philharmonic Chorus, Stanislava Škatulová, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| Mše, op. 86, B. 175: II. Gloria | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Czech Philharmonic Chorus, Jaroslav Tvrzský, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| Mše, op. 86, B. 175: III. Credo | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Czech Philharmonic Chorus, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| Mše, op. 86, B. 175: IV. Sanctus | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Czech Philharmonic Chorus, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| Mše, op. 86, B. 175: V. Benedictus | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Czech Philharmonic Chorus, Jaroslav Tvrzský, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| Mše, op. 86, B. 175: VI. Agnus Dei | | - London Symphony Orchestra, István Kertész
- Igor Ijurra Fernández, Ewa Biegas, José Antonio López, Orfeón Pamplonés, Marina Rodríguez-Cusí, Javier Tomé, Orquesta Sinfónica de Navarra, Antoni Wit
- Josef Veselka, Dalibor Jedlička, Oldřich Lindauer, Marcela Machotková, Czech Philharmonic Chorus, Stanislava Škatulová, Prague Symphony Orchestra, Václav Smetáček
- Russian State Symphonic Cappella, Russian State Symphony Orchestra, Valéry Polyansky
| | | | | | |
| On the Dnieper, op. 51: Conclusion | | | | | Ballet | | | |
| On the Dnieper, op. 51: Introduction | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 1: Male variation and finale | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 1: Meeting | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 1: Mimic scene | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 1: Pas de deux | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: Dance of the bride | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: Dance of the groom | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: Dance of the men | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: Engagement | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: Mimic scene | | | | | Ballet | | | |
| On the Dnieper, op. 51: Scene 2: The quarrel | | | | | Ballet | | | |
| Poème lyrique, op. 12 | | | | | | | | |
| Prince Igor: Act III | | | | | | | | |
| Prince Igor: Overture | | | | | Overture | | | |
| Requiem from the music to Schiller's drama "Don Carlos": I. Requiem - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": II. Kyrie - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": III. Dies Irae | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": IV. Tuba mirum | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": IX. Hostias | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": V. Rex tremendae - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": VI. Recordare - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": VII. Lacrymosa - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": VIII. Domine Jesu - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": X. Sanctus | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": XI. Benedictus - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": XII. Agnus Dei | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": XIII. Credo - | | | | | | | | |
| Requiem from the music to Schiller's drama "Don Carlos": XIV. Requiem | | | | | | | | |
| Romance for Violin and Orchestra no. 1 in G major, op. 40 | | | | | | | | |
| Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 | | | | | Symphonic poem | | | |
| Scherzo in D minor, TN ii/40 | | | | | | | | |
| Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina | | | | | | | | |
| Sérénade mélancolique in B-flat minor, op. 26 | | | | | | | | |
| Slavonic Dances, op. 72: No. 1 in B major: Molto vivace | | | | | | | | |
| Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso | | | | | | | | |
| Slavonic Dances, op. 72: No. 3 in F major: Allegro | | | | | | | | |