| produced |
|---|
| 8 Slavonic Dances, Op.46, B.83; No.1 in C (Presto) | | Royal Philharmonic Orchestra, Stanley Black | 4:17 |
| Camptown Races | | Robert Merrill | 3:40 |
| Carmen Suite no. 1: II. Aragonaise | | New Philharmonia Orchestra, Charles Munch | 2:16 |
| Carmen Suite no. 1: III. Intermezzo | | New Philharmonia Orchestra, Charles Munch | 2:25 |
| Carmen Suite no. 1: V. Les dragons d'Alcala | | New Philharmonia Orchestra, Charles Munch | 1:39 |
| Carmen Suite no. 1: VI. Les toréadors | | New Philharmonia Orchestra, Charles Munch | 4:25 |
| Carmen Suite no. 2: II. Habanera | | New Philharmonia Orchestra, Charles Munch | 2:06 |
| Carmen Suite no. 2: V. La garde montante | | New Philharmonia Orchestra, Charles Munch | 3:40 |
| Carmen Suite no. 2: VI. Danse bohème | | New Philharmonia Orchestra, Charles Munch | 4:49 |
| Carmina Burana: Blanziflor et Helena: 24. Ave formosissima | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 2:01 |
| Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 2:25 |
| Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 2:43 |
| Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 2:28 |
| Carmina Burana: I. Primo vere: 3. Veris leta facies | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 5:10 |
| Carmina Burana: I. Primo vere: 4. Omnia Sol temperat | | John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 2:21 |
| Carmina Burana: I. Primo vere: 5. Ecce gratum | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 2:49 |
| Carmina Burana: II. In taberna: 11. Estuans interius | | John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 2:31 |
| Carmina Burana: II. In taberna: 12. Olim lacus colueram | | Brighton Festival Chorus, Louis Devos, Royal Philharmonic Orchestra, Antal Doráti | 3:45 |
| Carmina Burana: II. In taberna: 13. Ego sum abbas | | Brighton Festival Chorus, John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 1:59 |
| Carmina Burana: II. In taberna: 14. In taberna quando sumus | | Brighton Festival Chorus, John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 2:58 |
| Carmina Burana: III. Cour d’amours: 15. Amor volat undique | | Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti | 3:36 |
| Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia | | John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 2:33 |
| Carmina Burana: III. Cour d’amours: 17. Stetit puella | | Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | 2:26 |
| Carmina Burana: III. Cour d’amours: 18. Circa mea pectora | | Brighton Festival Chorus, John Shirley‐Quirk, Royal Philharmonic Orchestra, Antal Doráti | 2:10 |
| Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 0:59 |
| Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 1:00 |
| Carmina Burana: III. Cour d’amours: 21. In trutina | | Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | 2:20 |
| Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum | | Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti | 2:34 |
| Carmina Burana: III. Cour d’amours: 23. Dulcissime | | Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | 0:37 |
| Carmina Burana: Uf dem anger: 6. Tanz | | Royal Philharmonic Orchestra, Antal Doráti | 1:48 |
| Carmina Burana: Uf dem anger: 7. Floret silva nobilis | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 3:28 |
| Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 3:19 |
| Carmina Burana: Uf dem anger: 9. Reie; Swaz hie gat umbe; Chume, chum, geselle min; Swaz hie gat umbe | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 4:46 |
| Carmina Burana: Uf dem anger: 10. Were diu werlt alle min | | Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | 0:57 |
| Daphnis & Chloë - Suite no. 2: I. Lever du jour | | London Symphony Chorus, London Symphony Orchestra, Leopold Stokowski | 9:22 |
| Daphnis & Chloë - Suite no. 2: II. Pantomime | | London Symphony Orchestra, Leopold Stokowski | 3:50 |
| Daphnis & Chloë - Suite no. 2: III. Danse générale | | London Symphony Orchestra, Leopold Stokowski, London Symphony Chorus | 3:45 |
| Das Rheingold, Scene 4: Entry of the gods into Valhalla | | London Symphony Orchestra, Leopold Stokowski | 7:40 |
| Die Walküre, Dritter Aufzug: The Ride of the Walkyres | | London Symphony Orchestra, Leopold Stokowski | 5:09 |
| Fanfare from "L'Eventail de Jeanne" | | Radio Filharmonisch Orkest, Leopold Stokowski | 2:14 |
| Götterdämmerung, Dritter Aufzug: Siegfried's Death and Funeral Music | | London Symphony Orchestra, Leopold Stokowski | 11:56 |
| Götterdämmerung, Prologue: Dawn and Siegfried's Rhine Journey | | Barry Tuckwell, London Symphony Orchestra, Leopold Stokowski | 11:57 |
| Hungarian Rhapsody, no. 2 | | London Philharmonic Orchestra, Stanley Black | 10:57 |
| L'Arlésienne Suite no. 1: I. Prélude, Allegro deciso | | New Philharmonia Orchestra, Charles Munch | 8:24 |
| L'Arlésienne Suite no. 1: II. Minuet, Allegro giocoso | | New Philharmonia Orchestra, Charles Munch | 3:28 |
| L'Arlésienne Suite no. 1: III. Adagietto | | New Philharmonia Orchestra, Charles Munch | 4:02 |
| L'Arlésienne Suite no. 1: IV. Carillon, Allegro moderato | | New Philharmonia Orchestra, Charles Munch | 5:07 |
| L'Arlésienne Suite no. 2: IV. Farandole | | New Philharmonia Orchestra, Charles Munch | 3:35 |
| La cathédrale engloutie (orchestral version) | | New Philharmonia Orchestra, Leopold Stokowski | 6:37 |
| La Damnation de Faust, op. 24, part 2: Ballet des Sylphes | | London Symphony Orchestra, Leopold Stokowski | 3:20 |
| La Normandie / Can Can | | London Festival Chorus, London Festival Orchestra, Stanley Black | 3:06 |
| Marche slave, op. 31 | | London Symphony Orchestra, Leopold Stokowski | 9:45 |
| Marnie | | London Philharmonic Orchestra, Bernard Herrmann | 10:08 |
| Miller's Dance & Final Dance (from The Three Cornered Hat) | | London Festival Orchestra, Stanley Black | 9:48 |
| Music to Goethe's Tragedy “Egmont”, op. 84: Overture | | Philharmonia Orchestra, Leopold Stokowski | 8:56 |
| Night on the Bare Mountain | | London Symphony Orchestra, Leopold Stokowski | 9:22 |
| North by Northwest | | London Philharmonic Orchestra, Bernard Herrmann | 3:06 |
| Ouverture solennelle “1812”, op. 49 | | Chorus of the Welsh National Opera, Royal Philharmonic Chorus, Royal Philharmonic Orchestra, Leopold Stokowski, The Band of the Grenadier Guards | 17:10 |
| Overture to The Yeoman of the Guard | | Royal Philharmonic Orchestra, Sir Malcolm Sargent | 5:13 |
| Polovtsian Dances, from: Prince Igor | | Chorus of the Welsh National Opera, Royal Philharmonic Chorus, Royal Philharmonic Orchestra, Leopold Stokowski | 11:17 |
| Psycho: A Narrative for Orchestra | | London Philharmonic Orchestra, Bernard Herrmann | 14:31 |
| Scheherazade — The Young Prince and the Young Princess | | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | 11:53 |
| Scheherazade, op. 35: Festival at Bagdad, The Sea, The Shipwreck against a rock surmounted by a bronze warrior (The Shipwreck) | | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | 12:06 |
| Scheherazade, op. 35: The Sea and Sinbad's Ship | | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | 10:03 |
| Scheherazade, op. 35: The Story of the Calender Prince | | Erich Gruenberg, London Symphony Orchestra, Leopold Stokowski | 11:40 |
| Siegfried; Forest murmurs | | London Symphony Orchestra, Leopold Stokowski | 9:15 |
| Symphonie fantastique, op. 14: I. Rêveries. Passions (Largo - Allegro agitato ed appassionato assai) | | New Philharmonia Orchestra, Leopold Stokowski | 14:07 |
| Symphonie fantastique, op. 14: II. Un bal (Valse: Allegro non troppo) | | New Philharmonia Orchestra, Leopold Stokowski | 6:22 |
| Symphonie fantastique, op. 14: III. Scène aux champs (Adagio) | | New Philharmonia Orchestra, Leopold Stokowski | 17:24 |
| Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) | | New Philharmonia Orchestra, Leopold Stokowski | 4:18 |
| Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | | New Philharmonia Orchestra, Leopold Stokowski | 10:31 |
| Symphony in D minor: I. Lento - Allegro ma non troppo - Allegro | | Radio Filharmonisch Orkest, Leopold Stokowski | 18:09 |
| Symphony in D minor: II. Allegretto | | Radio Filharmonisch Orkest, Leopold Stokowski | 12:36 |
| Symphony in D minor: III. Allegro non troppo | | Radio Filharmonisch Orkest, Leopold Stokowski | 12:51 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | | London Philharmonic Orchestra, Leopold Stokowski | 6:35 |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | | London Philharmonic Orchestra, Leopold Stokowski | 11:14 |
| Symphony no. 5 in C minor, op. 67: III. Allegro | | London Philharmonic Orchestra, Leopold Stokowski | 6:03 |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | | London Philharmonic Orchestra, Leopold Stokowski | 9:01 |
| Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | | New Philharmonia Orchestra, Leopold Stokowski | 15:29 |
| Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima | | Alan Civil, New Philharmonia Orchestra, Leopold Stokowski | 14:44 |
| Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato) | | New Philharmonia Orchestra, Leopold Stokowski | 6:32 |
| Symphony no. 5 in E minor, op. 64: IV. Finale (Andante maestoso - Allegro vivace) | | New Philharmonia Orchestra, Leopold Stokowski | 12:44 |
| Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato | | London Philharmonic Orchestra, Leopold Stokowski | 11:36 |
| Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto | | London Philharmonic Orchestra, Leopold Stokowski | 13:16 |
| Symphony No.9 In E Minor, Op.95, B. 178; 1. Adagio - Allegro molto | | New Philharmonia Orchestra, Antal Doráti | 12:19 |
| Symphony No.9 In E Minor, Op.95, B. 178; 2. Largo | | New Philharmonia Orchestra, Antal Doráti | 12:23 |
| Symphony No.9 In E Minor, Op.95, B. 178; 3. Scherzo (Molto vivace) | | New Philharmonia Orchestra, Antal Doráti | 7:44 |
| Symphony No.9 In E Minor, Op.95, B. 178; 4. Allegro con fuoco | | New Philharmonia Orchestra, Antal Doráti | 11:27 |
| The Firebird Suite: Dance of the Firebird | | London Symphony Orchestra, Leopold Stokowski | 1:09 |
| The Firebird Suite: Finale | | London Symphony Orchestra, Leopold Stokowski | 3:24 |
| The Firebird Suite: Infernal Dance of King Kastchei | | London Symphony Orchestra, Leopold Stokowski | 4:31 |
| The Firebird Suite: Introduction | | London Symphony Orchestra, Leopold Stokowski | 3:31 |
| The Firebird Suite: Lullaby | | London Symphony Orchestra, Leopold Stokowski | 3:46 |
| The Firebird Suite: Round Dance of the Princesses | | London Symphony Orchestra, Leopold Stokowski | 5:42 |
| The Trouble With Harry: A Portrait of “Hitch” | | London Philharmonic Orchestra, Bernard Herrmann | 8:19 |
| Vertigo: Prelude | | London Philharmonic Orchestra, Bernard Herrmann | 2:52 |
| Vertigo: Prelude / Nightmare / Scène d'amour | | London Philharmonic Orchestra, Bernard Herrmann | 10:35 |
| Vertigo: Scene d'amour | | London Philharmonic Orchestra, Bernard Herrmann | 5:36 |
| Vertigo: The Nightmare | | London Philharmonic Orchestra, Bernard Herrmann | 2:07 |
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