| Arabella, op. 79: Act I. "Die Karten fallen besser als das letzte Mal" (Kartenaufschlägerin, Adelaide, Zdenka) | | - Ira Malaniuk, Hilde Güden, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Ruth Michaelis, Lisa della Casa, Wiener Philharmoniker, Karl Böhm
- Carola Goerlich, Anny Schlemm, Orchester der Staatsoper Berlin, Joseph Keilberth
- Ira Malaniuk, Cäcilie Reich, Anneliese Rothenberger, Bayerisches Staatsorchester, Joseph Keilberth
- Agneta Eichenholz, Charlotte Margiono, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act I. "Laßt uns allein, meine Kinder" (Adelaide, Waldner, Zimmerkellner) | | - Carola Goerlich, Heinrich Pflanzl, Orchester der Staatsoper Berlin, Joseph Keilberth
- Ira Malaniuk, Otto Edelmann, Anton Dermota, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Georg Hann, Wiener Philharmoniker, Karl Böhm
- Karl Christian Kohn, Ira Malaniuk, Bayerisches Staatsorchester, Joseph Keilberth
- Charlotte Margiono, Alfred Reiter, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act II. "Das ist ein Engel" (Mandryka, Waldner, Adelaide, Arabella) | | - George London, Otto Edelmann, Ira Malaniuk, Lisa della Casa, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Georg Hann, Hans Hotter, Maria Reining, Wiener Philharmoniker, Karl Böhm
- Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act II. "Ging durch einen Wald" (Mandryka, Fiakermilli, Adelaide, Waldner) | | - Irmgard Armgart, Carola Goerlich, Josef Metternich, Heinrich Pflanzl, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Eva-Maria Rogner, Bayerisches Staatsorchester, Joseph Keilberth
- George London, Otto Edelmann, Ira Malaniuk, Mimi Coertse, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Emanuel Haller, Herma Handl, Georg Hann, Hans Hotter, Franz Kolin, Julius Patzak, Franz Szkokan, Horst Taubmann, Lisa della Casa, Wiener Philharmoniker, Karl Böhm
- (show 2 more)
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| Arabella, op. 79: Act II. "Sie sind allein?" (Adelaide, Mandryka, Matteo, Zdenka, Waldner) | | - George London, Otto Edelmann, Hilde Güden, Mimi Coertse, Ira Malaniuk, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Georg Hann, Hans Hotter, Horst Taubmann, Lisa della Casa, Wiener Philharmoniker, Karl Böhm
- Carola Goerlich, Josef Metternich, Heinrich Pflanzl, Anny Schlemm, Erich Witte, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Georg Paskuda, Anneliese Rothenberger, Bayerisches Staatsorchester, Joseph Keilberth
- Agneta Eichenholz, Will Hartmann, Charlotte Margiono, Alfred Reiter, James Rutherford, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act II. "Und jetzt sag ich Adieu" (Arabella, Dominik, Elemer) | | - Eberhard Wächter, Ira Malaniuk, Waldemar Kmentt, Lisa della Casa, Wiener Philharmoniker, Sir Georg Solti
- Elisabeth Schwarzkopf, Philharmonia Orchestra, Lovro von Matačić
- Wolfgang Baumgart, Julius Patzak, Alfred Poell, Maria Reining, Josef Witt, Wiener Philharmoniker, Karl Böhm
- Heinz Friedrich, Christel Goltz, Alfred Hülgert, Orchester der Staatsoper Berlin, Joseph Keilberth
- (show 2 more)
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| Arabella, op. 79: Act III. "Ich gratuliere Ihnen, Herr Leutnant" (Mandryka, Arabella, Waldner, Hotelgäste, Adelaide, Spieler, Matteo) | | - George London, Otto Edelmann, Lisa della Casa, Anton Dermota, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Chor der Wiener Staatsoper, Georg Hann, Hans Hotter, Maria Reining, Horst Taubmann, Wiener Philharmoniker, Karl Böhm
- Chor der Staatsoper Berlin, Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Erich Witte, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Georg Paskuda, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Will Hartmann, Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act III. "Mit diesem Herrn da trete ich vor Ihnen" (Mandryka, Zdenka, Arabella, Waldner, Adelaide, Gäste) | | - George London, Otto Edelmann, Hilde Güden, Lisa della Casa, Ira Malaniuk, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti
- Chor der Staatsoper Berlin, Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Anny Schlemm, Orchester der Staatsoper Berlin, Joseph Keilberth
- Karl Christian Kohn, Ira Malaniuk, Anneliese Rothenberger, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Agneta Eichenholz, Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act III. "Papa, Mama!" (Zdenka, Adelaide, Arabella, Waldner, Spieler, Mandryka, Matteo) | | - George London, Otto Edelmann, Hilde Güden, Lisa della Casa, Ira Malaniuk, Anton Dermota, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti
- Wolfgang Baumgart, Rosette Anday, Chor der Wiener Staatsoper, Georg Hann, Hans Hotter, Maria Reining, Horst Taubmann, Lisa della Casa, Wiener Philharmoniker, Karl Böhm
- Chor der Staatsoper Berlin, Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Anny Schlemm, Erich Witte, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Georg Paskuda, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Agneta Eichenholz, Will Hartmann, Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act III. "Papa, so schau mir ins Gesicht!" (Arabella, Waldner, Mandryka, Adelaide, Matteo) | | - George London, Otto Edelmann, Ira Malaniuk, Anton Dermota, Wiener Philharmoniker, Sir Georg Solti
- Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Erich Witte, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Georg Paskuda, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Will Hartmann, Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act III. "Welch ein erregtes Tête-à-tête" (Adelaide, Arabella, Mandryka, Welko, Waldner) | | - George London, Otto Edelmann, Lisa della Casa, Ira Malaniuk, Wiener Philharmoniker, Sir Georg Solti
- Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Friedrich Radtke, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Arabella, op. 79: Act III. "Zdenkerl, du bist die Bessre" (Arabella, Zdenka, Mandryka, Adelaide, Waldner, Matteo) | | - George London, Otto Edelmann, Hilde Güden, Lisa della Casa, Ira Malaniuk, Anton Dermota, Wiener Philharmoniker, Sir Georg Solti
- Carola Goerlich, Christel Goltz, Josef Metternich, Heinrich Pflanzl, Anny Schlemm, Erich Witte, Orchester der Staatsoper Berlin, Joseph Keilberth
- Dietrich Fischer‐Dieskau, Karl Christian Kohn, Ira Malaniuk, Georg Paskuda, Anneliese Rothenberger, Lisa della Casa, Bayerisches Staatsorchester, Joseph Keilberth
- Agneta Eichenholz, Will Hartmann, Charlotte Margiono, Alfred Reiter, James Rutherford, Jacquelyn Wagner, Netherlands Philharmonic Orchestra, Marc Albrecht
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| Das Rheingold: Orchesterzwischenspiel | | | | | | | | |
| Das Rheingold: Scene I | | | | | | | | |
| Das Rheingold: Scene IV | | | | | | | | |
| Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) | | | | | | | | |
| Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) | | | | | | | | |
| Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) | | | | | | | | |
| Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) | | | | | | | | |
| Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) | | | | | | | | |
| Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) | | | | | | | | |
| Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) | | | | | | | | |
| Excerpt from Das Rheingold: Entrance of the Gods into Valhalla | | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) | | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) | | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) | | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) | | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Joyce DiDonato, Tara Erraught, Regula Mühlemann, Adam Plachetka, RIAS Kammerchor, Marina Rebeka, Chamber Orchestra of Europe, Yannick Nézet‐Séguin
- Academy of Ancient Music, Christopher Hogwood
- Freiburger Barockorchester, René Jacobs
- (show 11 more)
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| La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) | | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) | | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) | | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) | | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) | | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna) | | | | | | | | |
| Le nozze di Figaro, K. 492: Atto I, Scena IV. Recitativo “Tutto ancor non ho perso” (Marcellina, Susanna) | | | | | | | | |
| Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Wiener Philharmoniker, Herbert von Karajan
- Drottningholm Court Theatre Orchestra, Arnold Östman
- Lilian Benningsen, Paul Kuën, Ivan Sardi, Dietrich Fischer‐Dieskau, Irmgard Seefried, Maria Stader, Renato Capecchi, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 32 more)
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| Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | | - Wiener Philharmoniker, Herbert von Karajan
- Francis Egerton, Carlos Feller, Rodney Gilfry, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner
- Berliner Philharmoniker, Daniel Barenboim
- Wiener Philharmoniker, Claudio Abbado
- (show 41 more)
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| Le nozze di Figaro, K. 492: Atto III, Scena VI. Recitativo “Eccovi, oh caro amico” (Marcellina, Bartolo, Figaro, Susanna) | | - Wiener Philharmoniker, Riccardo Muti
- Lilian Benningsen, Ivan Sardi, Irmgard Seefried, Renato Capecchi, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Glyndebourne Festival Orchestra, Vittorio Gui
- Carlos Feller, Alison Hagley, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner
- (show 26 more)
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| Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | | - Francis Egerton, Carlos Feller, Rodney Gilfry, Susan McCulloch, Bryn Terfel, English Baroque Soloists, Sir John Eliot Gardiner
- Friedrich Lenz, Lilian Benningsen, Renato Capecchi, Dietrich Fischer‐Dieskau, Ivan Sardi, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- Glyndebourne Festival Orchestra, Vittorio Gui
- Wiener Philharmoniker, Riccardo Muti
- (show 25 more)
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| Le Nozze di Figaro, K. 492: Atto IV, Scena IX. Recitativo “Signora, ella mi disse” (La Contessa, Susanna, Marcellina, Figaro) | | | | | | | | |
| Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) | | - [unknown]
- English Baroque Soloists, Sir John Eliot Gardiner
- Wiener Philharmoniker, Herbert von Karajan
- Dietrich Fischer‐Dieskau, Renato Capecchi, Paul Kuën, Georg Wieter, Irmgard Seefried, Rosl Schwaiger, Hertha Töpper, Lilian Benningsen, Maria Stader, Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 37 more)
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| Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Helga Müller‐Molinari, Vinson Cole, Paata Burchuladze, Wiener Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- (show 79 more)
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| Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Berliner Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 81 more)
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| Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Elisabeth Grümmer, Gertrude Pitzinger, Helmut Krebs, Hans Hotter, RIAS-Kammerchor, Chor der St. Hedwigs-Kathedrale, Ferenc Fricsay
- Karita Mattila, Sara Mingardo, Radiokören, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- (show 82 more)
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| Requiem in D minor, K. 626: V. Sanctus: b. Benedictus | | - Wilma Lipp, Hilde Rössel-Majdan, Anton Dermota, Walter Berry, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Karita Mattila, Sara Mingardo, Radiokören, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado
- Norbert Balatsch, Konzertvereinigung Wiener Staatsopernchor, Julia Hamari, Edith Mathis, Wiesław Ochman, Karl Ridderbusch, Wiener Philharmoniker, Karl Böhm
- (show 83 more)
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| Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” | | - London Symphony Orchestra, Leonard Bernstein
- BBC Choral Society, BBC Chorus, Joyce Barker, Emanuel School Boys' Choir, Agnes Giebel, Goldsmiths' Choral Union, Hampstead Choral Society, Beryl Hatt, Kirsten Meyer, Arnold van Mill, Kenneth Neate, Alfred Orda, Orpington Junior Singers, Helen Watts, Hugh Maguire, Charles Spinks, London Symphony Orchestra, Jascha Horenstein
- Australian Intervarsity Choral Festival Choir
- Robert Shaw, Atlanta Symphony Orchestra and Chorus
- (show 17 more)
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| Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust | | - [unknown]
- BBC Choral Society, BBC Chorus, Joyce Barker, Emanuel School Boys' Choir, Agnes Giebel, Goldsmiths' Choral Union, Hampstead Choral Society, Beryl Hatt, Kirsten Meyer, Arnold van Mill, Kenneth Neate, Alfred Orda, Orpington Junior Singers, Helen Watts, Hugh Maguire, Charles Spinks, London Symphony Orchestra, Jascha Horenstein
- Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi
- Rotterdams Philharmonisch Orkest, Eduard Flipse
- (show 12 more)
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