| 4 Lieder für Gesang und Orchester, op. 22: I. Seraphita | | | | | | | | |
| 4 Lieder für Gesang und Orchester, op. 22: II. Alle, welche dich suchen | | | | | | | | |
| 4 Lieder für Gesang und Orchester, op. 22: III. Mach mich zum Wächter deiner Weiten | | | | | | | | |
| 4 Lieder für Gesang und Orchester, op. 22: IV. Vorgefühl | | | | | | | | |
| An die Hoffnung, op. 124 | | | | | Song | | | |
| Banalités, FP 107: 1. Chanson d'Orkenise | | | | | Song | | | |
| Banalités, FP 107: 2. Hôtel | | | | | Song | | | |
| Banalités, FP 107: 3. Fagnes de Wallonie | | | | | Song | | | |
| Banalités, FP 107: 4. Voyage à Paris | | | | | Song | | | |
| Banalités, FP 107: 5. Sanglots | | | | | Song | | | |
| Christ’s Nativity: II. Sweet was the Song | | | | | | | | |
| Come to Me in My Dreams | | | | | Song | | | |
| Der 23. Psalm, D. 706 | | | | | | | | |
| Dusk in the Valley | | | | | Song | | | |
| Evensong | | | | | Song | | | |
| Four Cautionary Tales and a Moral: Charles Augustus Fortesque | | | | | Song | | | |
| Four Cautionary Tales and a Moral: Jim | | | | | Song | | | |
| Four Cautionary Tales and a Moral: Matilda | | | | | Song | | | |
| Four Cautionary Tales and a Moral: Rebecca | | | | | Song | | | |
| Gloria in D major, RV 589: II. Et in terra pax | | | | | | | | |
| Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei | | | | | | | | |
| Gloria in D major, RV 589: X. Qui sedes ad dexteram Patris | | | | | | | | |
| Gloria, RV 588: IX. Largo "Qui sedes" | | | | | | | | |
| Gloria, RV 588: VII. Allegro "Domine deus" | | | | | | | | |
| James Lee's Wife: Among the Rocks | | | | | Song | | | |
| James Lee's Wife: By the Fireside | | | | | Song | | | |
| James Lee's Wife: In the Doorway | | | | | Song | | | |
| James Lee's Wife: James Lee's Wife Speaks at the Window | | | | | Song | | | |
| James Lee's Wife: On the Cliff | | | | | Song | | | |
| Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) | | | | | | | | |
| Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) | | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) | | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) | | | | | | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | | | | | | | |
| Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” | | | | | | | | |
| Nonsense Songs From "Alice in Wonderland": Will You Walk a Little Faster | | | | | Song | | | |
| Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Claire Watson, David Kelly, Lauris Margaret Elms, Geraint Evans, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Nathan Gunn, Jonathan Lemalu, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
- (show 2 more)
| | | | | | |
| Peter Grimes: Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen) | | | | | | | | |
| Peter Grimes: Act I Scene II: "Have you heard? The cliff is down" (Keene) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Geraint Evans, Jean Watson, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act I Scene II: "Past time to close!" (Auntie) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Jean Watson, Lauris Margaret Elms, James Pease, Raymond Nilsson, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act I Scene II: "We live and let live" (Balstrode) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Joseph Cullen, Alison Buchanan, Jill Grove, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels‐Moore, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | | |
| Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Jean Watson, Geraint Evans, Raymond Nilsson, Lauris Margaret Elms, James Pease, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Lauris Margaret Elms, Raymond Nilsson, John Lanigan, Geraint Evans, Owen Brannigan, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Stephen Westrop, Anne Collins, John Connell, John Graham Hall, London Symphony Chorus, City of London Sinfonia, Richard Hickox
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, Jonathan Lemalu, London Symphony Chorus, Sally Matthews, Anthony Michaels‐Moore, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | | |
| Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Raymond Nilsson, James Pease, John Lanigan, Jean Watson, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- John Lanigan, Owen Brannigan, James Pease, Lauris Margaret Elms, Marion Studholme, Iris Kells, David Kelly, Geraint Evans, Raymond Nilsson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Claire Watson, John Lanigan, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, Jean Watson, James Pease, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act II Scene I: "What is it?" (Chorus) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Jean Watson, Raymond Nilsson, Geraint Evans, Owen Brannigan, Marion Studholme, Iris Kells, John Lanigan, Lauris Margaret Elms, James Pease, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Joseph Cullen, Alison Buchanan, Ryland Davies, Christopher Gillett, Jill Grove, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels‐Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | | |
| Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Owen Brannigan, Marion Studholme, Iris Kells, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess) | | | | | | | | |
| Peter Grimes: Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Lauris Margaret Elms, Jean Watson, Owen Brannigan, David Kelly, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- Owen Brannigan, Geraint Evans, Lauris Margaret Elms, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Joseph Cullen, Alison Buchanan, Ryland Davies, Nathan Gunn, London Symphony Chorus, Sally Matthews, Anthony Michaels‐Moore, James Rutherford, Janice Watson, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
| | | | | | |
| Peter Grimes: Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Marion Studholme, Iris Kells, Lauris Margaret Elms, Raymond Nilsson, Geraint Evans, Owen Brannigan, David Kelly, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Joseph Cullen, Jill Grove, Jonathan Lemalu, London Symphony Chorus, James Rutherford, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
- Stephen Westrop, London Symphony Chorus, City of London Sinfonia, Richard Hickox
| | | | | | |
| Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Owen Brannigan, David Kelly, Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Jonathan Lemalu, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
- John Connell, City of London Sinfonia, Richard Hickox
| | | | | | |
| Peter Grimes: Prologue: "Peter Grimes!" (Hobson) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Bergen Philharmonic Orchestra, Edward Gardner
- David Kelly, Owen Brannigan, Peter Pears, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- (show 2 more)
| | | | | | |
| Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow) | | - Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Owen Brannigan, Peter Pears, Lauris Margaret Elms, David Kelly, Claire Watson, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten
- Jonathan Lemalu, James Rutherford, Janice Watson, Glenn Winslade, Catherine Wyn-Rogers, London Symphony Orchestra, Sir Colin Davis
- John Connell, City of London Sinfonia, Richard Hickox
| | | | | | |
| Serenade to Music | | | | | | | | |
| Songs of Innocence: Nurse's Song | | | | | Song | | | |
| Songs of Innocence: The Blossom | | | | | Song | | | |
| Songs of Innocence: The Lamb | | | | | Song | | | |
| Songs of Innocence: The Shepard | | | | | Song | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | | |
| The Daisy Chain: Fairies | | | | | Song | | | |
| The Dream of Gerontius, op. 38: Part II, I. I went to sleep | | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, II. It is a member of that family | | - Janet Baker, Richard Lewis, Hallé Orchestra, Sir John Barbirolli
- Nicolai Gedda, Helen Watts, Philharmonia Orchestra, Sir Adrian Boult
- Parry Jones, Marjorie Thomas, Hallé Orchestra, Sir John Barbirolli
- Allan Clayton, Jamie Barton, London Philharmonic Orchestra, Edward Gardner
- (show 12 more)
| | | | | | |
| The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub | | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits | | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony | | - Edward Elgar
- City of Birmingham Symphony Orchestra, Simon Rattle
- Hallé Choir, Parry Jones, Marjorie Thomas, Hallé Orchestra, Sir John Barbirolli
- Ambrosian Singers, Janet Baker, Hallé Choir, Richard Lewis, Sheffield Philharmonic Chorus, Hallé Orchestra, Sir John Barbirolli
- (show 25 more)
| | | | | | |
| The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near | | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, VII. I go before my judge | | | | | | | | |
| The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul | | | | | | | | |
| The Little Road to Bethlehem | | | | | Song | | | |
| Theresienmesse, Hob. XXII:12: I. Kyrie | | - Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- Collegium Musicum 90, Richard Hickox
- English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
- Staatskapelle Dresden, Sir Neville Marriner
- (show 8 more)
| | | | | | |
| Theresienmesse, Hob. XXII:12: II. Gloria | | - Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- Collegium Musicum 90, Richard Hickox
- English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
- Staatskapelle Dresden, Sir Neville Marriner
- (show 10 more)
| | | | | | |
| Theresienmesse, Hob. XXII:12: III. Credo | | - Collegium Musicum 90, Richard Hickox
- Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- Trinity Choir, REBEL Baroque Orchestra, Jane Glover
- Trinity Church Choir, New York City, Daniel Mutlu, Andrew Nolen, Nacole Palmer, Kirsten Sollek, Rebel Baroque Orchestra, Jane Glover
- (show 8 more)
| | | | | | |
| Theresienmesse, Hob. XXII:12: IV. Sanctus | | - Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- Collegium Musicum 90, Richard Hickox
- English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
- Staatskapelle Dresden, Sir Neville Marriner
- (show 7 more)
| | | | | | |
| Theresienmesse, Hob. XXII:12: V. Benedictus | | - Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- Collegium Musicum 90, Richard Hickox
- English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
- Staatskapelle Dresden, Sir Neville Marriner
- (show 8 more)
| | | | | | |
| Theresienmesse, Hob. XXII:12: VI. Agnus Dei | | - Collegium Musicum 90, Richard Hickox
- English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner
- Staatskapelle Dresden, Sir Neville Marriner
- Rosalind Elias, Paul Hudson, Lucia Popp, Robert Tear, London Symphony Chorus, London Symphony Orchestra, Leonard Bernstein
- (show 8 more)
| | | | | | |
| To a Little Red Spider | | | | | Song | | | |
| Vesperae solennes de confessore, K. 339: I. Dixit dominus | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Banchetto Musicale, Martin Pearlman
- Moscow Radio Symphony Orchestra, Gennadi Rozhdestvensky
- Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- (show 26 more)
| | | Mass | | | |
| Vesperae solennes de confessore, K. 339: II. Confitebor | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Harry Christophers, Elin Manahan Thomas, Ruth Massey, Mark Dobell, Roderick Williams, Academy of St Martin in the Fields & The Sixteen
- Banchetto Musicale, Martin Pearlman
- Moscow Radio Symphony Orchestra, Gennadi Rozhdestvensky
- (show 26 more)
| | | Mass | | | |
| Vesperae solennes de confessore, K. 339: III. Beatus vir | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- Choir of King’s College, Cambridge, Cambridge Classical Players, Stephen Cleobury
- Harry Christophers, Elin Manahan Thomas, Ruth Massey, Mark Dobell, Roderick Williams, Academy of St Martin in the Fields & The Sixteen
- Banchetto Musicale, Martin Pearlman
- (show 28 more)
| | | Mass | | | |
| Vesperae solennes de confessore, K. 339: VI. Magnificat | | - Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis
- [unknown]
- Slovenská filharmónia
- Harry Christophers, Elin Manahan Thomas, Ruth Massey, Mark Dobell, Roderick Williams, Academy of St Martin in the Fields & The Sixteen
- (show 27 more)
| | | Mass | | | |