Tracklist

1CD: Bartók: Herzog Blaubarts Burg / Cantata profana
2CD: Beethoven: Fidelio(1)
3CD: Beethoven: Fidelio(2)
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1Fidelio op. 72: Zweiter Akt, Nr. 11. Introduktion
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven3:38
2Fidelio op. 72: Zweiter Akt. [Rezitativ &] Arie: »Gott! Welch Dunkel hier! ... In des Lebens Frühlingstagen« (Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven7:07
3Fidelio op. 72: Zweiter Akt, Nr. 12. Melodram & Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:50
4Fidelio op. 72: Zweiter Akt. »Nur hurtig fort, nur frisch gegraben« (Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven3:59
5Fidelio op. 72: Zweiter Akt. »Er erwacht!« (Leonore, Rocco, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
partial recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:23
6Fidelio op. 72: Zweiter Akt, Nr. 13. Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:18
7Fidelio op. 72: Zweiter Akt. »Alles ist bereit« (Rocco, Leonore, Florestan, Pizarro)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
spoken vocals [Don Pizarro]:
Walter Franck (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Florestan]:
Siegmar Schneider (actor, voice actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Leonore]:
Anne Kersten (actress) (from 1957-05 until 1957-07, in 1957-09)
spoken vocals [Rocco]:
Wilhelm Borchert (actor and dubbing speaker) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (from 1957-05 until 1957-07)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1957-09)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven0:28
8Fidelio op. 72: Zweiter Akt, Nr. 14. Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco, Jaquino) / »Vater Rocco! Der Herr Minister« (Jaquino, Rocco) /»Es schlägt der Rache Stunde« (Leonore, Florestan, Pizarro, Rocco)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:55
9Fidelio op. 72: Zweiter Akt. »Meine Leonore, was hast du für mich getan!« (Florestan, Leonore) / Nr. 15. Duett: »O namenlose Freude« (Leonore, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:56
10Fidelio op. 72: Zweiter Akt. Nr. 16. Finale: »Heil sei dem Tag« (Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:59
11Fidelio op. 72: Zweiter Akt. »Des besten Königs Wink und Wille« (Fernando, Chor, Rocco, Pizarro, Leonore, Marzelline, Florestan)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven7:19
12Fidelio op. 72: Zweiter Akt. »Wer ein holdes Weib errungen« (Tutti)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Otto Gerdes (conductor and producer)
baritone vocals [Don Pizarro]:
Dietrich Fischer‐Dieskau (baritone) (from 1957-05 until 1957-07, in 1957-09)
bass vocals:
Gottlob Frick (operatic bass) (in 1957-09)
bass vocals [Don Fernando]:
Kieth Engen (operatic bass) (on 1957-05-07, in 1957-09)
bass vocals [Rocco]:
Gottlob Frick (operatic bass) (from 1957-05 until 1957-07)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Leonore]:
Leonie Rysanek (soprano) (from 1957-05 until 1957-07, in 1957-09)
soprano vocals [Marzelline]:
Irmgard Seefried (soprano) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Florestan]:
Ernst Haefliger (tenor) (from 1957-05 until 1957-07, in 1957-09)
tenor vocals [Jaquino]:
Friedrich Lenz (tenor) (from 1957-05 until 1957-07, in 1957-09)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1957-05 until 1957-07, in 1957-09)
conductor:
Ferenc Fricsay (conductor) (from 1957-05 until 1957-07, in 1957-09)
chorus master:
Alfred Leder (from 1957-05 until 1957-07, in 1957-09)
balance engineer:
Peter Niemann
recorded at:
Herkulessaal in München (Munich) (from 1957-05 until 1957-07) and Jesus‐Christus‐Kirche (Dahlem) in Berlin (in 1957-09)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (from 1957-05 until 1957-07)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1957-09)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:45
4CD: Bizet: Carmen
5CD: Gluck: Orpheus und Eurydike(1)
6CD: Gluck: Orpheus und Eurydike(2)
7CD: Haydn: The Seasons(1)
8CD: Haydn: The Seasons(2)
9CD: Haydn: The Seasons(3)
10CD: Haydn: The Seasons(4) / Haydn: Te Deum
11CD: Kodály: Psalmus Hungaricus
12CD: Mendelssohn: A Midsummer Night's Dream
13CD: Mozart: Great Mass in C minor / Laudate omnes gentes / Exsultate, jubilate
14CD: Mozart: Requiem
15CD: Mozart: Die Entführung aus dem Serail(1)
16CD: Mozart: Die Entführung aus dem Serail(2) / Exsultate, jubilate / Arias
17CD: Mozart: The Magic Flute(1)
18CD: Mozart: The Magic Flute(2)
19CD: Mozart: Don Giovanni(1)
20CD: Mozart: Don Giovanni(2)
21CD: Mozart: Don Giovanni(3)
22CD: Mozart: Idomeneo(1)
23CD: Mozart: Idomeneo(2)
24CD: Mozart: Le nozze di Figaro(1)
25CD: Mozart: Le nozze di Figaro(2)
26CD: Mozart: Le nozze di Figaro(3)
27CD: Rossini: Stabat Mater
28CD: J. Strauss II: Die Fledermaus(1)
29CD: J. Strauss II: Die Fledermaus(2) / Voices of Spring
30CD: Igor Stravinsky: Oedipus Rex / Symphony of Psalms
31CD: Verdi: Requiem(1)
32CD: Verdi: Requiem(2)
33CD: Verdi: Requiem(3) / Quattro pezzi sacri
34CD: Wagner: Der fliegende Holländer(1)
35CD: Wagner: Der fliegende Holländer(2)
36CD: Bizet, Gounod, Verdi...:Opera Arias / Orff: Carmina Burana(excerpts)
37CD: Interviews with Ferenc Fricsay
38DVD-Video: Dukas: The Sorcerer's Apprentice / Kodály: Háry János Suite

Credits

Release

manufactured in:EU (Europe)
photography:Erich Auerbach (photographer) (task: box photo left side © Erich Auerbach)
Hugo Jehle (photographer) (task: box photo right side © Hugo Jehle)
Legrand (photo studio) (task: box cover photo © Legrand)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2015)
Discogs:https://www.discogs.com/release/11744322 [info]
ASIN:UK: B00W6ET93W [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4794641 [info]