Complete Recordings on Deutsche Grammophon, Volume 2: Operas / Choral Works

~ Release by Ferenc Fricsay (see all versions of this release, 1 available)

Tracklist

1▶CD: Bartók: Herzog Blaubarts Burg / Cantata profana
2▶CD: Beethoven: Fidelio(1)
3▶CD: Beethoven: Fidelio(2)
4▶CD: Bizet: Carmen
5▶CD: Gluck: Orpheus und Eurydike(1)
6▶CD: Gluck: Orpheus und Eurydike(2)
7▶CD: Haydn: The Seasons(1)
8▶CD: Haydn: The Seasons(2)
9▶CD: Haydn: The Seasons(3)
10▶CD: Haydn: The Seasons(4) / Haydn: Te Deum
11▶CD: Kodály: Psalmus Hungaricus
12▶CD: Mendelssohn: A Midsummer Night's Dream
13▶CD: Mozart: Great Mass in C minor / Laudate omnes gentes / Exsultate, jubilate
14▶CD: Mozart: Requiem
15▶CD: Mozart: Die Entführung aus dem Serail(1)
16▶CD: Mozart: Die Entführung aus dem Serail(2) / Exsultate, jubilate / Arias
17▶CD: Mozart: The Magic Flute(1)
18▶CD: Mozart: The Magic Flute(2)
19▶CD: Mozart: Don Giovanni(1)
20▶CD: Mozart: Don Giovanni(2)
21▶CD: Mozart: Don Giovanni(3)
22▶CD: Mozart: Idomeneo(1)
23▶CD: Mozart: Idomeneo(2)
24▶CD: Mozart: Le nozze di Figaro(1)
25▶CD: Mozart: Le nozze di Figaro(2)
26▶CD: Mozart: Le nozze di Figaro(3)
27▶CD: Rossini: Stabat Mater
28▶CD: J. Strauss II: Die Fledermaus(1)
29▶CD: J. Strauss II: Die Fledermaus(2) / Voices of Spring
30▶CD: Igor Stravinsky: Oedipus Rex / Symphony of Psalms
31▶CD: Verdi: Requiem(1)
32▶CD: Verdi: Requiem(2)
33▶CD: Verdi: Requiem(3) / Quattro pezzi sacri
34▶CD: Wagner: Der fliegende Holländer(1)
35▶CD: Wagner: Der fliegende Holländer(2)
36▼CD: Bizet, Gounod, Verdi...:Opera Arias / Orff: Carmina Burana(excerpts)
#TitleArtistRatingLength
1Carmen: Couplets: « Votre toast … Toréador, en garde » (Escamillo, chœur)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Escamillo]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
choir vocals:
RIAS-Kammerchor (German chamber choir) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1961-04-17 until 1961-04-21)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:27
2Faust: Invocation: « Avant de quitter ces lieux » (Valentin)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Valentin]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Faust : Acte II. « Avant de quitter ces lieux » … « Allons, amis » (Valentin, Wagner, Chœur) (Valentin’s Aria) (from 1961-04-17 until 1961-04-21)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles Gounod3:41
3Les Pêcheurs de perles: Récitatif et Air: « L’orage s’est calmé … Ô Nadir, tendre ami de mon jeune âge » (Zurga)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Zurga]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Les Pêcheurs de perles : Acte III. No. 11 Entracte, récit et air « L'Orage s'est calmé » ... « Ô Nadir, tendre ami » (Zurga) (from 1961-04-17 until 1961-04-21)
composer:
Georges Bizet (French composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles: Acte III
Georges Bizet6:32
4Guglielmo Tell: Aria: “ Resta immobile ” (Tell)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Tell]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Guglielmo Tell: Atto III, scena 3. “Resta immobile, e vêr la terra” (from 1961-04-17 until 1961-04-21)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto III
Gioachino Rossini3:05
5La forza del destino: Scena ed Aria: “Morir! Tremenda cosa! … Urna fatale del mio destino” (Don Carlo)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Don Carlo]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
La forza del destino: Atto III, scena 2. “Morir! Tremenda cosa!” (Don Carlo) (from 1961-04-17 until 1961-04-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi7:55
6La traviata: Aria: “Di Provenza il mar, il sol” (Germont)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Germont]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont) (from 1961-04-17 until 1961-04-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi4:39
7Andrea Chénier: Recitativo ed Aria: “Nemico della patria?! … Un dì m’era di gioia” (Gérard)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gérard]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Andrea Chénier: Atto III. “Nemico della patria?” … “Or io rinnego il santo grido!” (Gérard, L'Incredibile) (from 1961-04-17 until 1961-04-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto III
Umberto Giordano5:12
8Pagliacci: “Si può? Signore!” (Tonio)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
baritone vocals [Tonio]:
Dietrich Fischer‐Dieskau (baritone) (from 1961-04-17 until 1961-04-21)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-04-17 until 1961-04-21)
conductor:
Ferenc Fricsay (conductor) (from 1961-04-17 until 1961-04-21)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1961-04-17 until 1961-04-21)
recording of:
Pagliacci: Prologo. “Si può? Si può?” (Tonio) (from 1961-04-17 until 1961-04-21)
composer and librettist:
Ruggero Leoncavallo (composer)
part of:
Pagliacci: Prologo (Pagliacci: Prologue)
Ruggero Leoncavallo8:01
9Falstaff: »Brav, alter Hans« (Falstaff, Ford, Bardolph)
baritone vocals [Falstaff]:
Josef Metternich (baritone) (on 1951-01-04)
baritone vocals [Ford]:
Dietrich Fischer‐Dieskau (baritone) (on 1951-01-04)
tenor vocals [Bardolph]:
Cornelis van Dijk (classical tenor) (on 1951-01-04)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1951-01-04)
conductor:
Ferenc Fricsay (conductor) (on 1951-01-04)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1951-01-04)
recording of:
Falstaff: »Brav, alter Hans« (Falstaff, Ford, Bardolph) (on 1951-01-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff
Giuseppe Verdi17:45
10Carmina Burana: II. In taberna: 11. Estuans interius
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:12
11Carmina Burana: II. In taberna: 13. Ego sum abbas
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:39
12Carmina Burana: II. In taberna: 14. In taberna quando sumus
producer:
Dr. Fred Hamel
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:46
13Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias
producer:
Dr. Fred Hamel
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:56
14Carmina Burana: III. Cour d’amours: 21. In trutina
producer:
Dr. Fred Hamel
soprano vocals:
Anny Schlemm (soprano) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:02
15Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
producer:
Dr. Fred Hamel
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (on 1949-12-08)
choir vocals:
Chor der St.-Hedwigs‐Kathedrale (on 1949-12-08) and RIAS-Kammerchor (German chamber choir) (on 1949-12-08)
soprano vocals:
Anny Schlemm (soprano) (on 1949-12-08)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (on 1949-12-08)
conductor:
Ferenc Fricsay (conductor) (on 1949-12-08)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (on 1949-12-08)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (on 1949-12-08)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:21
37▶CD: Interviews with Ferenc Fricsay
38▶DVD-Video: Dukas: The Sorcerer's Apprentice / Kodály: Háry János Suite

Credits

Release

manufactured in:EU (Europe)
photography:Erich Auerbach (photographer) (task: box photo left side © Erich Auerbach)
Hugo Jehle (photographer) (task: box photo right side © Hugo Jehle)
Legrand (photo studio) (task: box cover photo © Legrand)
phonographic copyright (℗) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2015)
Discogs:https://www.discogs.com/release/11744322 [info]
ASIN:UK: B00W6ET93W [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4794641 [info]