Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

1▶CD: Lebenswelten
2▶CD: Möglichkeiten
3▶CD: Frauenbilder
4▶CD: Leidenschaft
5▶CD: Schurken
6▼CD: Außenseiter
#TitleArtistRatingLength
1Die Entführung aus dem Serail, Akt III: "Ha, wie will ich triumphieren"
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:20
2Prometheus
baritone vocals:
Dietrich Henschel (baritone) (in 2004)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 2004)
conductor:
Kent Nagano (conductor) (in 2004)
recording of:
Goethe-Lieder: Nr. 49. Prometheus "Bedecke deinen Himmel, Zeus" (for voice and piano) (in 2004)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875, on 1889-01-02)
part of:
Goethe-Lieder
Hugo Wolf5:29
3Iphigénie en Tauride, Akt II: "Dieux protecteurs"
baritone vocals:
Simon Keenlyside (baritone) (in 1999)
orchestra:
Les Musiciens du Louvre (in 1999)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1999)
recording of:
Iphigénie en Tauride, Wq. 46: Act II. Recitative "Dieux protecteurs de ces affreux rivages" (in 1999)
composer:
Christoph Willibald Gluck (composer) (in 1779)
part of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck1:28
4Iphigénie en Tauride, Akt II: "Le calme rentre"
baritone vocals:
Simon Keenlyside (baritone) (in 1999)
orchestra:
Les Musiciens du Louvre (in 1999)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1999)
recording of:
Iphigénie en Tauride, Wq. 46: Act II. Aria "Le calme rentre dans mon Chor" (in 1999)
composer:
Christoph Willibald Gluck (composer) (in 1779)
part of:
Iphigénie en Tauride, Wq. 46
Christoph Willibald Gluck1:58
5Turandot, Akt II: "In questa reggia"
soprano vocals:
Eva Turner (soprano) (in 1928)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1928)
conductor:
Lorenzo Molajoli (conductor) (in 1928)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf) (in 1928)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini5:46
6Les contes d’Hoffmann: "Jour et nuit"
other vocals:
Bourvil (French actor, humorist & singer) (in 1948)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (in 1948)
conductor:
André Cluytens (Belgian-born French conductor) (in 1948)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Jour et nuit je me mets en quatre” (Frantz, Hoffmann, Nicklausse) (in 1948)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:45
7Le nozze di Figaro, Akt II: "Susanna, or via sortite"
bass-baritone vocals:
George London (bass-baritone) (in 1950)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1950) and Irmgard Seefried (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1950)
conductor:
Herbert von Karajan (conductor) (in 1950)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:50
8Fidelio, Akt I: "Abscheulicher! Wo eilst Du hin?"
soprano vocals:
Frida Leider (soprano) (in 1928)
recording of:
Fidelio: Act I. No. 9a Recitative and Aria "Abscheulicher! Wo eilst du hin?" (Leonore, Marzelline) (in 1928)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore)
Ludwig van Beethoven8:22
9Ballade vom Nigger Jim, op. 18/6
vocals:
Ernst Busch (in 1930)
conductor:
Hanns Eisler (German-Austrian composer) (in 1930)
recording of:
Ballade vom Nigger Jim, op. 18 no. 6 (in 1930)
lyricist:
David Weber
composer:
Hanns Eisler (German-Austrian composer) (in 1930)
publisher:
Universal Edition (publisher; do NOT use as release label)
part of:
Balladenbuch, op. 18
Hanns Eisler2:45
10Le nozze di Figaro, Akt I: "Non più andrai"
baritone vocals [Figaro]:
Sir Thomas Allen (baritone) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:37
11Siegfried, Akt I: "Nothung! Nothung! Neidliches Schwert!"
tenor vocals:
Lauritz Melchior (tenor) (in 1924)
recording of:
Siegfried, WWV 86C: Akt I, Scene III "Verfluchtes Licht!" (in 1924)
composer:
Richard Wagner (composer) (from 1856-09 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt I
Richard Wagner5:44
12Il barbiere di Siviglia, Akt I: “Largo al factotum”
baritone vocals:
Giuseppe De Luca (Italian operatic baritone) (in 1917)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1917)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:08
13Carmen, Akt II: "Votre toast"
bass vocals:
Ezio Pinza (operatic bass) (in 1936)
choir vocals:
Metropolitan Opera Chorus (in 1936)
orchestra:
Metropolitan Opera Orchestra (in 1936)
conductor:
Louis Hasselmans (in 1936)
live recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (in 1936)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:32
14Platée, Akt I: "Quittez, Nymphes"
tenor vocals:
Gilles Ragon (tenor) (in 1988)
conductor:
Marc Minkowski (bassoonist and conductor) (in 1988)
recording of:
Platée, Acte I Scène 5 : Ariette. « Quittez, Nymphes » (Platée) (in 1988)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (in 1745)
part of:
Platée: Acte I
Jean‐Philippe Rameau2:28
15Otello, Akt IV: "Niun mi tema"
tenor vocals:
Jon Vickers (tenor) (in 1960)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1960)
conductor:
Tullio Serafin (conductor) (in 1960)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1960)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:42
16Boris Godunow, Akt IV: "Tod des Boris"
bass vocals:
Фёдор Шаляпин (Feodor Chaliapin, operatic bass) (in 1928)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1928)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1928)
conductor:
Vincenzo Bellezza (conductor) (in 1928)
live recording of:
Boris Godunow: Act IV "Tod des Boris" (in 1928)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Act IV (1872 version)
Модест Петрович Мусоргский11:12
17L’incoronazione di Poppea, Akt III: "Pur ti miro"
countertenor vocals:
David Daniels (American countertenor) (in 1997)
soprano vocals:
Anna Caterina Antonacci (soprano) (in 1997)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1997)
conductor:
Ivor Bolton (conductor and harpsichordist) (in 1997)
live recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone) (in 1997)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:54
7▶CD: Landschaften
8▶CD: Liebesnächte
9▶CD: Bekenntnisse
10▶CD: Visionen
11▶CD: Todesahnung
12▶CD: Grenzerfahrung
13▶CD: Gegenspieler
14▶CD: Paare
15▶CD: Reisen
16▶CD: Gewässer
17▶CD: Verwirrung
18▶CD: Abschied

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf