Meister Singer

~ Release by Reinhard J. Brembeck (see all versions of this release, 1 available)

Annotation

ISBN: 978-3-86615-741-5

Annotation last modified on 2011-09-05 19:39 UTC.

Tracklist

1CD: Lebenswelten
2CD: Möglichkeiten
3CD: Frauenbilder
4CD: Leidenschaft
5CD: Schurken
6CD: Außenseiter
7CD: Landschaften
8CD: Liebesnächte
9CD: Bekenntnisse
10CD: Visionen
11CD: Todesahnung
12CD: Grenzerfahrung
13CD: Gegenspieler
14CD: Paare
15CD: Reisen
16CD: Gewässer
17CD: Verwirrung
#TitleArtistRatingLength
1La Cenerentola, Akt III: "Nacqui all’affanno"Gioachino Rossini6:54
2Don Carlos, Akt IV: "Où suis je? Elle me n’aime pas"
bass vocals:
Pol Plançon (operatic bass) (in 1907)
recording of:
Don Carlos : Acte IV, scène 1. Scène et cantabile « Elle ne m’aime pas ! » (Philippe) (in 1907)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi3:49
3Le nozze di Figaro, Akt III: "E Susanna non vien!"
producer:
Étienne Collard
soprano vocals:
Diana Damrau (soprano) (from 2008-01-14 until 2008-01-20)
orchestra:
Le Cercle de l'Harmonie (from 2008-01-14 until 2008-01-20)
conductor:
Jérémie Rhorer (conductor) (from 2008-01-14 until 2008-01-20)
balance engineer:
Michel Pierre (audio engineer) (from 2008-01-14 until 2008-01-20)
recorded at:
Maison de l'Orchestre national d'Île-de-France in Alfortville, Val-de-Marne, Île-de-France (from 2008-01-14 until 2008-01-20)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (from 2008-01-14 until 2008-01-20)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 2008)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:29
4Le nozze di Figaro, Akt III: "Dove sono i bei momenti"
producer:
Étienne Collard
soprano vocals:
Diana Damrau (soprano) (from 2008-01-14 until 2008-01-20)
orchestra:
Le Cercle de l'Harmonie (from 2008-01-14 until 2008-01-20)
conductor:
Jérémie Rhorer (conductor) (from 2008-01-14 until 2008-01-20)
balance engineer:
Michel Pierre (audio engineer) (from 2008-01-14 until 2008-01-20)
recorded at:
Maison de l'Orchestre national d'Île-de-France in Alfortville, Val-de-Marne, Île-de-France (from 2008-01-14 until 2008-01-20)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (from 2008-01-14 until 2008-01-20)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 2008)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:16
5Der Freischütz, Akt I: "Nein, länger trag ich nicht die Qualen"
tenor vocals:
Peter Anders (German opera tenor) (in 1937)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1937)
conductor:
Johannes Schüler (conductor) (in 1937)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (in 1937)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:50
6La damnation de Faust, Teil IV: "D’amour l’ardente flamme"
soprano vocals:
Suzanne Danco (soprano / mezzo-soprano) (from 1954-02-21 until 1954-02-22)
orchestra:
Boston Symphony Orchestra (from 1954-02-21 until 1954-02-22)
conductor:
Charles Munch (conductor and violinist) (from 1954-02-21 until 1954-02-22)
partial recording of:
La Damnation de Faust : Quatrième Partie, scène 15. « D'amour l'ardente flamme » … « Au son des trompettes » (Marguerite, Chœur) (from 1954-02-21 until 1954-02-22)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Quatrième Partie
part of:
La Damnation de Faust, op. 24: Quatrième Partie
Hector Berlioz7:00
7I Puritani, Akt I: "A te, o cara"
tenor vocals:
Alessandro Bonci (in 1905)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro) (in 1905)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
Vincenzo Bellini3:17
8Lear, Teil 2: "Mein lieber Vater"
soprano vocals:
Júlia Várady (soprano) (in 1978)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1978)
conductor:
Gerd Albrecht (conductor) (in 1978)
live recording of:
Lear: Part II, VI. "Mein lieber Vater!" (in 1978)
composer:
Aribert Reimann (German pianist, composer and musicologist) (in 1978)
Aribert Reimann2:36
9Lear, Teil 2: "Sturm, dem Regen und den Blitzen"
soprano vocals:
Júlia Várady (soprano) (in 1978)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1978)
conductor:
Gerd Albrecht (conductor) (in 1978)
live recording of:
Lear: Part II. "Sturm, dem Regen und den Blitzen" (in 1978)
composer:
Aribert Reimann (German pianist, composer and musicologist) (in 1978)
Aribert Reimann1:34
10Lohengrin, Akt I: "Einsam in trüben Tagen"
soprano vocals:
Helen Traubel (soprano) (in 1947)
live recording of:
Lohengrin, WWV 75: Akt I, Scene II. “Seht hin! Sie naht, die hart Beklagte!” (Elsas Traum „Einsam in trüben Tagen”) (in 1947)
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt I
Richard Wagner3:28
11IX. Madrigalbuch: "Ohimè ch’io cado"
countertenor vocals:
Philippe Jaroussky (countertenor) (from 2007 until 2008)
conductor:
Christina Pluhar (from 2007 until 2008)
recording of:
Quarto Scherzo delle ariose vaghezze, SV 316: "Ohimè ch'io cado, ohimè ch'inciampo" (from 2007 until 2008)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 316)
Claudio Monteverdi4:00
12I puritani, Akt II: "Vien diletto"
soprano vocals:
Luisa Tetrazzini (soprano) (in 1912)
recording of:
I puritani: Atto II. N°16d Cabaletta “Vien, diletto, è in ciel la luna!” (Elvira, Giorgio, Riccardo) (in 1912)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto II
Vincenzo Bellini3:44
13Hercules, Akt III: "Where shall I fly"
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano) (in 2008)
orchestra:
Les Talens Lyriques (French classical musical ensemble)
conductor:
Christophe Rousset (French harpsichordist & conductor) (in 2008)
performer:
Les Talens Lyriques (French classical musical ensemble) (in 2008)
recording of:
Hercules, HWV 60: Act III, no. 49: Recitativo accompagnato "Where shall I fly? Where hide this quilty head?" (Dejanira) (in 2008)
composer:
George Frideric Handel (German‐British baroque composer) (from 1744-07 until 1744-08)
librettist:
Thomas Broughton (clergyman and librettist)
part of:
Hercules, HWV 60: Act III
Georg Friedrich Händel5:58
14Don Carlo: "O don fatale"
soprano vocals:
Frida Leider (soprano) (in 1926)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1926)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:24
15Exsultate, jubilate, KV 165: "Exsultate, jubilate"
trumpet:
Maurice André (French trumpeter)
soprano vocals:
Teresa Stich‐Randall (soprano) (in 1963)
orchestra:
Orchestre de Chambre de la Sarre (in 1963)
conductor:
Karl Ristenpart (conductor) (in 1963)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (in 1963)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart4:19
16Exsultate, jubilate, KV 165: "Fulget amica"
trumpet:
Maurice André (French trumpeter)
soprano vocals:
Teresa Stich‐Randall (soprano) (in 1963)
orchestra:
Orchestre de Chambre de la Sarre (in 1963)
conductor:
Karl Ristenpart (conductor) (in 1963)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (in 1963)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart1:22
17Exsultate, jubilate, KV 165: "Tu Virginum"
trumpet:
Maurice André (French trumpeter)
soprano vocals:
Teresa Stich‐Randall (soprano) (in 1963)
orchestra:
Orchestre de Chambre de la Sarre (in 1963)
conductor:
Karl Ristenpart (conductor) (in 1963)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (in 1963)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart9:07
18Exsultate, jubilate, KV 165: "Alleluia"
soprano vocals:
Teresa Stich‐Randall (soprano) (in 1963)
orchestra:
Kammerorchester des Saarländischen Rundfunks (in 1963)
conductor:
Karl Ristenpart (conductor) (in 1963)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (in 1963)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart2:30
18CD: Abschied

Credits

Release group

creative direction:Stefan Dimitrov (operatic bass)
Eberhard Wolf