Singers and Songwriters: 1979-1989

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1You Belong to the City
Produzent(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bass, E-Gitarre, Synthesizer und Sologesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Instrumente:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Saxophon:
Bill Bergman
Schlagzeug:
Michael Huey
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1985)
recording of:
You Belong to the City
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
publisher:
Night River Publishing und Red Cloud Music
Glenn Frey55:51
2In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins4.35:22
3I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:01
4Got a Hold on Me
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Synthesizer:
Steve Winwood
recording of:
Got a Hold on Me
Verfasser(in):
Christine McVie und Todd Sharp
publisher:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc. und Cement Chicken Music
Christine McVie33:51
5Chuck E.'s in Love
Techniker(in):
Loyd Clifft und Lee Herschberg
zusätzliche(r) Techniker(in):
Tom Knox und Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
aufgenommen bei:
The Burbank Studios in Burbank und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
6One Fine Day
assistierende(r) Techniker(in):
James Tuttle (engineer)
Techniker(in):
Chet Himes
Produzent(in):
Mark Hallman und Carole King
Klavier [acoustic piano]:
Carole King (in 1980-01)
phonographisches Urheberrecht (℗) von:
CK Masters LLC (in 1980)
aufgenommen bei und mixed at:
Pecan Street Studios in Austin (in 1980-01)
cover recording of:
One Fine Day (in 1980-01)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Magna Music Co Ltd und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Carole King42:30
7The Night Owls
Techniker(in):
Geoff Emerick (British recording engineer) und Ernie Rose
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass und Sologesang:
Wayne Nelson (von 1981-04 bis 1981-05)
E-Gitarre:
Beeb Birtles (von 1981-04 bis 1981-05), David Briggs (producer, guitarist of Little River Band) (von 1981-04 bis 1981-05) und Graham Goble (von 1981-04 bis 1981-05)
Klavier:
Peter Jones (Australian pianist/composer) (von 1981-04 bis 1981-05)
Schlagzeug:
Derek Pellicci (von 1981-04 bis 1981-05)
Synthesizer:
Bill Cuomo (von 1981-04 bis 1981-05)
vocals:
Graham Goble (von 1981-04 bis 1981-05) und Glenn Shorrock (von 1981-04 bis 1981-05)
remixer:
Little River Band und Ern Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
aufgenommen bei:
Air Studios (Montserrat), West Indies in Saint Peter (von 1981-04 bis 1981-05)
remixed at:
AAV (fka Armstrong Studios until 1974) in Melbourne
recording of:
The Night Owls (von 1981-04 bis 1981-05)
Texter und Komponist(in):
Graeham Goble
publisher:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band35:17
8Key Largo
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981) und Sony Music Special Products (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 75)
recording of:
Key Largo
Verfasser(in):
Bertie Higgins und Sonny Limbo
publisher:
Chappell & Co., Jen‐Lee Music Company, Lowery Music Co. Inc. und Sony/ATV Tunes LLC (ASCAP)
Bertie Higgins3:20
9More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
recording of:
More Than I Can Say
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
10It Might Be You
Produzent(in):
Dave Grusin (American pianist and score composer)
Bassgitarre:
Abraham Laboriel
Gitarre:
George Doering, Mitch Holder (guitarist) und Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Steve Forman (US percussionist)
Schlagzeug:
Carlos Vega
Synthesizer:
Dave Grusin (American pianist and score composer)
Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
vocals:
Stephen Bishop (American singer-songwriter)
arranger:
Dave Grusin (American pianist and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
It Might Be You (theme from Tootsie)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Verfasser(in) und Komponist(in):
Dave Grusin (American pianist and score composer)
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Stephen Bishop4:15
11Let Me Love You Tonight
assistierende(r) Techniker(in):
Doug Pakes
Techniker(in):
Bill Drescher (Producer and sound engineer)
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980)
aufgenommen bei:
Sound City Studios in Van Nuys
recording of:
Let Me Love You Tonight
Verfasser(in):
George Greer (Metric man musician), Jeff Wilson (Pure Prairie League guitarist) und Steve Woodard (Bass player with Feather)
publisher:
Kentucky Wonder Music
Pure Prairie League52:45
12Always on My Mind
Produzent(in):
Chips Moman
Bass:
Mike Leech (am 1981-10-11)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (am 1981-10-11), Willie Nelson (am 1981-10-11) und Reggie Young (guitarist and songwriter) (am 1981-10-11)
Keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (am 1981-10-11) und Bobby Emmons (am 1981-10-11)
Mundharmonika:
Mickey Raphael (am 1981-10-11)
Schlagzeug:
Gene Chrisman (am 1981-10-11)
vocals:
Willie Nelson (am 1981-10-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
aufgenommen bei:
Moman's Recording Studio in Nashville (am 1981-10-11)
recording of:
Always on My Mind (am 1981-10-11)
Verfasser(in):
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) und Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) und Screen Gems–EMI Music Ltd.
Willie Nelson4.73:31

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hergestellt in:Vereinigte Staaten
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