Autoamerican (2001 remaster)

~ Release by Blondie (see all versions of this release, 20 available)

Tracklist

1▼CD
#TitleRatingLength
1Europa
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Europa (in 1980)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
43:31
2Live It Up
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest guitar:
Melvin “Wah Wah” Watson (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
percussion:
Scott Lesser (in 1980)
timpani:
Chris Stein (in 1980)
background vocals:
The ‘B’ Girls (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Live It Up (in 1980)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
34:10
3Here’s Looking at You
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Here’s Looking at You (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
22:58
4The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
4.154:40
5Angels on the Balcony
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Angels on the Balcony (in 1980)
writer:
Laura Davis (Student Teachers) and Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
33:48
6Go Through It
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Go Through It (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
32:42
7Do the Dark
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Do the Dark (in 1980)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
33:52
8Rapture
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
vocals:
Deborah Harry
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
4.256:31
9Faces
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest bass:
Ray Brown (jazz bassist) (in 1980)
guest piano:
Steve Goldstein (in 1980)
guest saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Faces (in 1980)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
43:52
10T‐Birds
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
guest vocals:
Howard Kaylan (in 1980) and Mark Volman (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
T‐Birds (in 1980)
writer:
Nigel Harrison and Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
43:57
11Walk Like Me
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Walk Like Me (in 1980)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Rare Blue Music Inc
43:45
12Follow Me
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest synthesizer:
Steve Goldstein
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Follow Me (Camelot) (in 1980)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Chappell Music Ltd.
part of:
Camelot (full musical)
cover recording of:
Follow Me (Camelot)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Chappell Music Ltd.
part of:
Camelot (full musical)
43:11
13Call Me (original long version)
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1980-01)
drums (drum set):
Clem Burke (in 1980-01)
guitar and timpani:
Chris Stein (in 1980-01)
keyboard:
Jimmy Destri (in 1980-01)
lead vocals:
Deborah Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) and Paramount Pictures Corp. (in 1980)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980-01) and United Western Recorders in Hollywood (in 1980-01)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
58:07
14Suzy & Jeffrey
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
bass guitar [bass]:
Nigel Harrison (in 1980-08)
bell [bells], organ and synthesizer:
Jimmy Destri (in 1980-08)
drums (drum set):
Clem Burke (in 1980, in 1980-08)
guitar:
Frank Infante (in 1980, in 1980-08) and Chris Stein (in 1980, in 1980-08)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
timpani [tympani]:
Clem Burke (in 1980-08)
background vocals:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
lead vocals:
Deborah Harry (in 1980)
vocals:
Debbie Harry (in 1980-08)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980) and Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980), United Western Recorders in Hollywood (in 1980) and United/Western Recorders in Hollywood (in 1980-08)
recording of:
Susie and Jeffrey (in 1980-08)
writer:
Nigel Harrison and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs and Monster Island Music Publishing Corporation
recording of:
Susie and Jeffrey (in 1980)
writer:
Nigel Harrison and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs and Monster Island Music Publishing Corporation
2.84:10
15Rapture (special disco mix)
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
lead vocals:
Deborah Harry (in 1980)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1980) and United Western Recorders in Hollywood (in 1980)
recording of:
Rapture (in 1980)
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
39:59

Credits

Release

manufactured in:United States