The Choir: Original Soundtrack Recording

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

tracks 5, 10, 14 previously released elsewhere

Annotation last modified on 2024-03-30 06:19 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Main Theme and Overture
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Main Theme and Overture (The Choir: Original Soundtrack Recording) (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz3:18
2Jubilate Deo
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
choir vocals:
Gloucester Cathedral Choir (from 1994-09 until 1995-02)
conductor:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Jubilate Deo in C major (from 1994-09 until 1995-02)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
Benjamin Britten2:46
3Magnificat in G
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
choir vocals:
Gloucester Cathedral Choir (from 1994-09 until 1995-02)
treble vocals:
Anthony Way (UK chorister and classical singer) (from 1994-09 until 1995-02)
conductor:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
chorus master:
John Scott (organist, choirmaster) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Evening Service in G major, op. 81: Magnificat (from 1994-09 until 1995-02)
composer:
Sir Charles Villiers Stanford (Irish composer)
part of:
Evening Service in G major, op. 81
Charles Stanford4:46
4Love in the Close
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Love in the Close (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz2:42
5Zadok the Priest
recording engineer:
Gordon Parry (engineer) (from 1963-07 until 1963-08)
producer:
Andrew Raeburn
harpsichord:
Thurston Dart (conductor and keyboard player) (from 1963-07 until 1963-08)
organ [organ continuo]:
John Langdon (organist) (from 1963-07 until 1963-08)
other instruments [continuo]:
Thurston Dart (conductor and keyboard player) (in 1963-07)
choir vocals:
Choir of King’s College, Cambridge (from 1963-07 until 1963-08)
orchestra:
English Chamber Orchestra (from 1963-07 until 1963-08)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (from 1963-07 until 1963-08)
concertmaster:
Emanuel Hurwitz (violinist) (from 1963-07 until 1963-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1963)
recorded at:
King’s College Chapel in Cambridge and King's College, Cambridge in Cambridge (from 1963-07 until 1963-08)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 1963-07 until 1963-08)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London) (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel5:52
6Processional
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
organ [organ of Gloucester Cathedral]:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1994-09 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Processional (from 1994-09 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz3:04
7Hymn to the Mother of God
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
choir vocals:
Gloucester Cathedral Choir (from 1994-09 until 1995-02)
conductor:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Two Hymns to the Mother of God: I. A Hymn to the Mother of God (from 1994-09 until 1995-02)
composer:
John Tavener (20th century composer) (in 1985)
publisher:
Chester Music Ltd.
part of:
Two Hymns to the Mother of God
John Tavener2:46
8The Roof
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
The Roof (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz3:12
9Panis angelicus
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02) and Tony Philpot (in 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
treble vocals:
Anthony Way (UK chorister and classical singer) (from 1995-01 until 1995-02)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
chorus master:
John Scott (organist, choirmaster) (from 1995-01 until 1995-02)
arranger:
Stanislas Syrewicz
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02) and The Music Studio, BBC TV Centre in White City (in 1995-02)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (from 1995-01 until 1995-02)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:25
10Trio from ‘Così fan tutte’
recording engineer:
Gordon Parry (engineer) (in 1971-10)
producer:
Christopher Raeburn (producer)
bass vocals [Don Alfonso]:
Tom Krause (bass-baritone) (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (mezzo-soprano) (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (soprano) (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (conductor) (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Sofiensaal in Landstraße (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:40
11Glory
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Glory (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz3:12
12O, for the Wings of a Dove (excerpt from ‘Hear My Prayer’)
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
choir vocals:
Gloucester Cathedral Choir (from 1994-09 until 1995-02)
treble vocals:
Anthony Way (UK chorister and classical singer) (from 1994-09 until 1995-02)
conductor:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
chorus master:
John Scott (organist, choirmaster) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Hear My Prayer: II. “O For the Wings of a Dove!” Con un poco più di moto (from 1994-09 until 1995-02)
composer:
Felix Mendelssohn (composer) (in 1844)
translated version of:
O könnt’ ich fliegen (from “Hör mein Bitten” aka “O for the Wings of a Dove”)
part of:
Hear My Prayer
Felix Mendelssohn5:49
13Conspiracy
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Conspiracy (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz2:31
14Hallelujah Chorus (from ‘Messiah’)
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London) (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:41
15Love One Another (excerpt from ‘Blessed Be the God and Father’)
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
treble vocals:
James Hopkins (treble) (from 1994-09 until 1995-02) and Anthony Way (UK chorister and classical singer) (from 1994-09 until 1995-02)
chorus master:
John Scott (organist, choirmaster) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
partial recording of:
Blessed be the God and Father (from 1994-09 until 1995-02)
composer:
Samuel Sebastian Wesley
Samuel Wesley2:06
16Salvator Mundi
engineer:
Dennis Gardner (enginner) (from 1994-09 until 1995-02) and Emma Reid (engineer for Pace Mobile) (from 1994-09 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
choir vocals:
Gloucester Cathedral Choir (from 1994-09 until 1995-02)
conductor:
David Briggs (English organist and composer) (from 1994-09 until 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
Gloucester Cathedral in Gloucester (from 1994-09 until 1995-02)
recording of:
Salvator mundi (use if uncertain which of the two Tallis settings is being performed) (from 1994-09 until 1995-02)
composer:
Thomas Tallis (composer)
Thomas Tallis3:22
17Betrayal
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Betrayal (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz4:02
18Cradle Song
engineer:
Tony Philpot (in 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
treble vocals:
Anthony Way (UK chorister and classical singer) (in 1995-02)
chorus master:
John Scott (organist, choirmaster) (in 1995-02)
phonographic copyright (℗) by:
Remedia Services Ltd. (in 1995)
recorded at:
The Music Studio, BBC TV Centre in White City (in 1995-02)
recording of:
The Cradle Song (Brahms’ Lullaby) (in 1995-02)
composer:
Johannes Brahms (German composer)
translator:
Natalia Macfarren
included in:
Don’t Wake Your Mom (Shari Lewis video)
translated version of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms1:46
19Balloons
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02)
recording of:
Balloons (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz2:25
20Panis Angelicus & Final Theme
engineer:
Rafał Paczkowski (engineer) (from 1995-01 until 1995-02) and Tony Philpot (in 1995-02)
mixer:
Giles Martin (producer) and Steve Orchard (producer and engineer)
editor:
Derek Nash (saxophone, engineer, UK)
treble vocals:
Anthony Way (UK chorister and classical singer) (from 1995-01 until 1995-02)
orchestra:
The Warsaw Philharmonia (The Warsaw National Philharmonic Orchestra) (from 1995-01 until 1995-02)
conductor:
Krzesimir Dębski (from 1995-01 until 1995-02)
chorus master:
John Scott (organist, choirmaster) (from 1995-01 until 1995-02)
phonographic copyright (℗) by:
BBC (British Broadcasting Corporation) (in 1995)
recorded at:
Polish Radio and TV Recording Studios (Polish Radio Concert Studio named after Witold Lutosławski) in Warsaw (from 1995-01 until 1995-02) and The Music Studio, BBC TV Centre in White City (in 1995-02)
recording of:
Panis Angelicus & Final Theme (The Choir: Original Soundtrack Recording) (from 1995-01 until 1995-02)
composer:
Stanislas Syrewicz
Stanislas Syrewicz2:03

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manufactured in:U.S.A.