Fidelio

~ Release by Beethoven; Nilsson, McCracken, Prey, Krause, Wiener Staatsopernchor, Wiener Philharmoniker, Lorin Maazel (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Ouvertüre
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven6:35
2Fidelio: Act 1 - Jetzt, Schätzchen, jetzt sind wir allein
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:19
3Fidelio: Act 1 - O wär' ich schon mit dir vereint
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly and Joseph Sonnleithner
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. Dialog "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. Dialog "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:11
4Fidelio: Act 1 - Mir ist so wunderbar
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1805)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. Dialog "Höre, Fidelio!" (Rocco, Marzelline) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:03
5Fidelio: Act 1 - Hat man nicht auch Gold beineben
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. Dialog "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. Dialog "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:07
6Fidelio: Act 1 - Gut, Söhnchen, gut
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:57
7Fidelio: Act 1 - Marsch
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6b. Dialog "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:59
8Fidelio: Act 1 - Ha! welch ein Augenblick!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:44
9Fidelio: Act 1 - Jetzt, Alter! jetzt hat es Eile!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:21
10Fidelio: Act 1 - Abscheulicher! wo eilst du hin
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:01
11Fidelio: Act 1 - Komm, Hoffnung, lass den letzen Stern
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. Dialog "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:31
12Fidelio: Act 1 - O welche Lust!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo bass vocals [Second Prisoner]:
Günther Adam (German bass) (in 1964-03)
solo tenor vocals [First Prisoner]:
Kurt Equiluz (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven7:08
13Fidelio: Act 1 - Nun sprecht, wie ging's
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:19
14Fidelio: Act 1 - Ach, Vater, Vater eilt!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:05
15Fidelio: Act 1 - Leb' wohl, du warmes Sonnenlicht
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:03
2CD
#TitleArtistRatingLength
1Fidelio: Act 2 - Gott! welch Dunkel hier!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (in 1964-03)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven5:25
2Fidelio: Act 2 - In des Lebens Frühlingstagen
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1964-03)
composer:
Ludwig van Beethoven (German composer)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven4:50
3Fidelio: Act 2 - Wie kalt ist es in diesem unterirdischen Gewölbe!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Akt II, Szene I, Nr. 12a. Melodram und Duett „Wie kalt ist es in diesem unterirdischen Gewölbe!“ (Leonore, Rocco) (dialogue w/ music) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:54
4Fidelio: Act 2 - Nur hurtig fort, nur frisch gegraben
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, Nr. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Stephan von Breuning and Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:07
5Fidelio: Act 2 - Euch werde Lohn in bessern Welten
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1964-03)
additional librettist:
Georg Friedrich Treitschke
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:34
6Fidelio: Act 2 - Er sterbe!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:28
7Fidelio: Act 2 - O namenlose Freude!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:47
8Fidelio: Act 2 - Heil sei dem Tag!
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo baritone vocals [Don Fernando]:
Hermann Prey (baritone) (in 1964-03)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo bass-baritone vocals [Don Pizarro]:
Tom Krause (bass-baritone) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven2:11
9Fidelio: Act 2 - Des besten Königs Wink und Wille
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1964-03)
solo baritone vocals [Don Fernando]:
Hermann Prey (baritone) (in 1964-03)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven7:41
10Fidelio: Act 2 - Wer ein holdes Weib errungen
engineer:
Gordon Parry (engineer)
producer:
Erik Smith (British producer, pianist and harpsichordist)
solo baritone vocals [Don Fernando]:
Hermann Prey (baritone) (in 1964-03)
solo bass vocals [Rocco]:
Kurt Böhme (operatic bass) (in 1964-03)
solo soprano vocals [Leonore]:
Birgit Nilsson (soprano) (in 1964-03)
solo soprano vocals [Marzelline]:
Graziella Sciutti (soprano) (in 1964-03)
solo tenor vocals [Florestan]:
James McCracken (tenor) (in 1964-03)
solo tenor vocals [Jaquino]:
Donald Grobe (tenor) (in 1964-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1964-03)
conductor:
Lorin Maazel (conductor) (in 1964-03)
recorded at:
Sofiensaal in Landstraße (in 1964-03)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1964-03)
composer:
Ludwig van Beethoven (German composer) (in 1814)
additional librettist:
Georg Friedrich Treitschke
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven4:15

Credits

Release

part of:Double Decker (Decca/London 2‐disc release series in the US) (order: 7)